This production of OKLAHOMA is as up to date as Kansas City! Amidst acres of well-costumed colour, huge hoedown numbers and dream sequences, clever direction from James Worner also emphasizes the serious and sombre contrasts within this work.
On top of much comedy, lyricism and ambition relating to romance and gender roles, OKLAHOMA also covers the concept of the isolation of an outcast turned desperado. This extra layer fringing the top of all else is clearly presented by Miranda Musical Society.
Dark smokehouse scenes with a broodingly expressive Jud Fry are achieved in the using the reverse side of the Act One farmhouse set. This farm hand, often openly labelled as rough and different, has an out of control yearning for a wife and a place in the environment. The complex role is played with exquisite intensity by James Jonathon.