A musically lush, lavish, very powerful concert exquisitely played. Under Paul Dyer’s direction the Australian Brandenburg Orchestra gave a very moving musical feast, at times sombre, at other times joyously explosive.
Corelli, a renowned violinist, wrote Twelve Concerti Grossi now today viewed as the best and earliest examples of this style. In his Concerto Grosso in D major, Op. 6 No. 4 adagio with its exquisite, pulsating ebbing and flowing strings, you could almost hear the tears drop with Paul Dyer’s harpsichord rippling. The allegro, however, was bright and joyous with a dancelike atmosphere and, at times, an almost galloping melody with frantic strings. The piece included the use of two Baroque trumpets and sackbuts.
The Corelli Concerto Grosso in D major, Op. 6 No. 7 had a stately yet emphatic opening and included the use of the trumpets. The allegro section was slower, more refined and thoughtful with its entwining theme. The adante was glistening, glowing and palpitating with its circular melody. The Vivace featured Lee-Chen in fiery short solos and a spirited discussion with the rest of the Orchestra. Continue reading AUSTRALIAN BRANDENBURG ORCHESTRA : HANDEL’S ROME : AN EXQUISITE CONCERT