Terrence McNally‘s play MASTERCLASS depicts a recreation of various sessions at the Juilliard School of 1971 and 1972, where three students are almost demolished in some ways by Callas and yet also encouraged and inspired in this at times witty yet very moving play by McNally that is full of vicious barbs and simultaneously poignant monologues.
It is simply staged and directed with a sure touch by Adam Spreadbury-Maher. On stage when the audience enters is a shiny grand piano and accompanist Manny Weinstock (Dobbs Franks). There is a small table with a music stand and a tall bar stool are in the opposite corner and the auditorium is brightly lit at first so Callas can see the audience. The first section of the play is dominated by autocratic demands for a cushion, the lights to be lowered and for her questions to be answered promptly and with clear diction.Continue reading MASTER CLASS : VICIOUS BARBS AMONG MOVING MONOLOGUES→
The Ensemble Theatre currently has a big membership drive going for its resident Book Club. There is a great deal on offer…
For the price of a regular theatre ticket you get to see an entertainment put on that combines the talents of three very fine, talented theatre-makers.
Roger Hall is a master of the middle class social comedy, best descriptor would be New Zealand’s equivalent of David Williamson. He is the scribe responsible for the svelte smooth THE BOOK CLUB.
The helmer is none other than Rodney Fisher one of Australia’s finest directors and the deserved winner recipient of an Order Of Australia for his services to directing and writing. The theatre program indicates that Rodney has been adapting, polishing and honing this Roger Hall; script since he took it to the Noosa Festival way back in 2008.