This is the latest joyous, astonishing collaboration, their third, between the Australian Brandenburg Orchestra and Circa that had the audience in raptures. Don’t miss it. The audience did not want to breathe or blink in case they missed something.
It is an inspired pastiche by Paul Dyer and Yaron Lifschitz, with music from 16th and 17th-century England and featuring the beautiful voices of sopranos Jane Sheldon and Lauren Stephenson.
The set design by Yaron Lifschitz, Libby McDonnell and Richard Clarke is inspired by the idea of a clipped formal garden at a stately 17th-century mansion : a green covered area represents the manicured lawn .The middle area has tumbling mats , there is a large blank screen at the back used for projections and a huge hoop. Various sized white plinths (which also become props) are included and the Circa cast are carried on as statues hidden under drapes. Peter Rubie’s lighting design is dramatic and atmospheric.
It is perhaps, sort of like A Midsummer Night’s Dream – our Titania being Jane Sheldon who magically brings the statues ‘alive’. Sheldon appears in a striking red and black gown that includes a floral design. The Circa cast are costumed in silvery grey costumes that ripple in the light. Continue reading AUSTRALIAN BRANDENBURG ORCHESTRA AND CIRCA : ENGLISH BAROQUE @ CITY RECITAL HALL