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AUSTRALIAN BRANDENBURG ORCHESTRA :  LIXSANIA AND THE LABYRINTH

 

guest soloist Lixsania Fernandez

This was a glorious concert in which the ABO under the enthusiastic, energetic and precise direction of Paul Dyer glowed and were in tremendous form.

The concert was terrifically staged with most effective lighting , opening with guest star Lixsania Fernandez appearing solo in the spotlight then as the music required quietly joined by the various members of the ABO who had been waiting behind red lit screens. Tall , charismatic and model thin, striking, rather feline Fernandez hails from Cuba with reddish/purple hair . She wore several different elegant outfits during the concert. There was obviously profound rapport between Fernandez and the ABO and great enjoyment .

First we heard Folia Pasticcio by Corelli, Scarlatti and Marais which sounded as fresh as if it had been written yesterday. The music eddied and swirled .Fernandez on her viola da Gamba had a luminous , passionate solo and at one point Dyer on harpsichord had a rippling, delicate solo.

The ‘labyrinth’ of the title was the fiendishly difficult Pietro Locatelli’s 12th Violin Concerto in 3 movements from his Opus 3 set: Il Laberinto Armonico or The Harmonic Labyrinth. The composer described it on the score as “easy to get into, difficult to get out of” and Brandenburg’s Concertmaster Shaun Lee-Chen dazzled, channelling his inner Paganini and giving an astonishing bravura performance in the almost impossibly demanding Capriccios.

The opening movement began with bright and sunny violins. Lee -Chen’s solo shimmered and pulsated breathlessly, showing cultivated double -stopping as he risked the required break neck speed and dealt with the tricky arpeggios. Continue reading AUSTRALIAN BRANDENBURG ORCHESTRA :  LIXSANIA AND THE LABYRINTH