Lynn Belvedere

HOW TO CHANGE THE WORLD AND MAKE BANK DOING IT at LIMELIGHT ROOM, Limelight on Oxford

Bold and innovative theatre, brand new Australian play, meeting the denizens of Sydney suburbia set in a shopping centre. Interesting charity fundraising message drama, about the different methodology between Volunteers and Non-Volunteers (un)successfully collecting donations for charities, and their questionable motives with rejection avoidance their only concern, whilst being constantly economical with the truth. You are made to wonder what kind of multi-national corporate black hole is being used to make disappear every year, all of the combined millions of dollars of charity donations.                

These fundraisers deliver expert conversion of shoppers who are intent on the adrenaline of Retail Therapy to improve their mood, into the unique world of Retail Philanthropy by credit-carding the requisite $30 per month.

You will hear dozens of great reasons to never ever give any your money to charities that pay $30.00 per hour to collectors, and remember that collectors receive commissions too. The Reader’s Digest Methodology is still be used by charities, that knowingly guilt you into never ever cancelling your direct debit monthly $30.00 banking payments to the charity. Ensemble cast excelled in their multiple roles, constantly providing clever anecdotes about avoiding pests.

Each infrequent use of socially offensive language, caused howls of laughter from many of the millennials and Generation X in the audience. Expletives and Profanities galore provided light comic relief. Especially grating was the absolutely hilarious scene when EARTH’S CHILDREN charity supervisor Martin tells employee Eve, that EARTH’S CHILDREN is not a charity (for her).

HOW TO CHANGE THE WORLD AND MAKE BANK DOING IT by Ian Warwick and Michael Becker.
STARRING: Barbara Papathanasopoulos, Skye Beker, Susan Jordan, Dominique Purdue, Laneikka Denne, Jarryd Dobson, Dashiell Wyndham.
Director: Michael Becker.
Assistant Director: Ian Warwick.
Lighting Design: Mehran Mortezaei.
Technical Operator: Jacinta Frizelle.

LIMELIGHT ROOM, Limelight on Oxford, 231 Oxford Street, Darlinghurst (near Taylor Square)
Two week season from Wednesday 17th April 2019 until Saturday 27th April 2019 – 8.00pm Wed, Thurs, Fri, Sat plus 2:00pm Saturday 20th April 2019 and 2:00pm Saturday 27th April 2019.
Duration of under 120 minutes, and there is one interval. Images by Sam Lax.

Patina Productions curates, develops and supports the plays and musicals presented in the LIMELIGHT ROOM @ Limelight on Oxford. They collaborate with both emerging and seasoned indie creatives who demonstrate the commitment, capacity and enthusiasm required to stage world class indie shows.

http://limelightonoxford.com.au/
https://m.me/LimelightOnOxford
Bookings: http://www.limelightonoxford.com.au/how-to-change-the-world-and-make-bank-doing-it.php
Tickets: https://www.trybooking.com/book/event?eid=454081&
https://www.facebook.com/LimelightOnOxford/
https://www.facebook.com/pg/LimelightOnOxford/events/
http://bit.ly/HTCTWAMBDI

 






 

 

 

Published by Lynn Belvedere

Once we were old enough, my parents took the whole family to the Sydney CBD cinemas every week. Thus began a lifetime interest, in going to the cinema every week, and became a passionate cinephile by watching all those very heavily edited ''Australian Film Censorship Board'' true cinéaste versions of brand new release ''Cinematograph Films''. Greater Union always gave my father (who worked in Cinema Distribution Exhibition) guest double movie passes, to every first-night ''red carpet Opening Night'' at The State Theatre Cinema at 49 Market Street. Up until his death, my dad always received ''two house seats'' for every Opening Night performance events at the Theatre Royal SYDNEY and at Her Majesty's Theatre SYDNEY. As a child, when mum choose not to go, I often went with him, to those live performance events. As a young child, I remember being taken for each new show, at both The New Theatre at 60 Sussex Street, and the Phillip Street Theatre when located at 150 Elizabeth Street, and for classical music concerts at Sydney Town Hall. = = = ★★★★★ = = = Being happy is a choice, and I have always viewed my life, as material ready be made into a series of amazing tentpole movies. My New Years Resolution is kept every year: ''Get to see/review five new live theatre shows each week, and get to see/review six new cinema movies each week'', plus is one of the Australian Cinema Pioneers, and apparently have seen far too much already, but always wanting to experience more and more each year. I am also able to do almost everything that I enjoy doing. Yes, I do have a great daytime job in I.T. as ''Software Design Project Manager'', PLUS each evening until quite late - - - Australian Cinematograph Films historical censorship consultant - product-placement consultant - mystery-shopper consultant - playwright, writer, author, director, producer, photographer, cinematographer, color-grader, subtitles proofreader - arts/ drama/ music/ film critic and judge, journalist, member FIPRESCI & FCCA & AFCA, member AACTA accredited film reviewer-critic-writer, accredited IMDB.COM critic-reviewer-author, projectionist, plus an innovative iconoclast - - - ★★★★★ LYNN BELVEDERE ★★★★★ - - - [usr 5] - - -