Arts and Crafts


Professor Anne Marsh

Beautifully presented, lavishly illustrated, this is a very large and heavy tome (3 kilos!) which is also strenuous intellectually. Anne Marsh has coordinated her massive amount of scholarly research (more than five year’s worth) into a most imposing book. I would perhaps suggest that the market for this would probably be university libraries and art galleries..It is divided into two sections , both arranged chronologically by decade from the 1960’s to now. It also includes acknowledgments and a list of abbreviations, a bibliography and index.

The second half of the book includes all the major articles and catalogue quotes etc as mentioned in the first half.

Marsh documents the female artist’s battle for recognition in the patriarchal art world and how their voice was often ignored (and still is in some countries eg Afghanistan with the Taliban). 370 colour illustrations, 220 artists and groups are featured with artist’s statements , critical responses and curatorial essays for assorted exhibitions. Marsh takes the reader though the interconnections of protest, exhibitions, critical and feminist theory and art practice over generations. Politics are important with the anti Vietnam war protests for example and Indigenous people’s struggle for acknowledgement and their great bond with Country.

We learn of the power of women’s art and how it has altered the way women’s art is viewed in the contemporary art world both here in Australia and internationally. Earlier during the 1970’s and 80’s there was the big discussion about ‘is craft art?’ and do textiles ‘count’ as art?. Nowadays there is postfeminism and posthumanism among other labels. Marsh also looks at how nowadays Indigenous art is recognised, and also the inclusion of artists who have emigrated to Australia. As well, the voice of LGBTI women is considered.

The book begins in 1968 which saw The Field exhibition and in the 1970’s with the first International Women’s Year there was also the major Lucy Lippard Power lecture. In 1977 we could visit The Women’s Show and another major exhibition in 1979 The Lovely Motherhood Show.

In particular Marsh looks at the challenging works by Vivienne Binns and Jenny Watson and quotes from horrified reactions of the public and assorted critics, balanced by gallery decisions. In 1967 Vivienne Binns’ first solo exhibition at the Watters Gallery in 1967 was extremely controversial, with critics, public and artists outraged. The reaction to her work took a terrible price on her personal life – Binns stopped painting after the exhibition and turned to work in enamelling, deciding to redefine herself as a craftswoman. Ten years after the exhibition, Vag Dens was bought by the National Gallery of Australia. In 1993 the NGA also purchased her Phallic Monument and Saggon.

Then there is the divisive work of Jenny Watson . In 1993, several years after her 1987 crucial intimately revealing work The Key Painting was publicly rubbished, the tables were turned and Watson represented Australia at the 45th Venice Biennale. Then in 2017 Melbourne’s Heide Museum of Modern Art and Sydney’s MCA both displayed major retrospectives of her work.

There is a lot about feminist theory and how it has changed over the years, the male gaze and exploring and representing the female body and the use of space. Marsh examines the networks of art practice, critical theory, exhibitions and strident protest. Marsh establishes in context the vicissitude and strength of women’s art and the ways in which it has shaped and transformed the art world both internationally and here in Australia. Depending on the decade Marsh is discussing some sculpture, textiles, video/film and performance art are considered interwoven with changes in technology and politics.

Marsh also looks at gender imbalance in artistic representation, for example – how many women have been chosen for the Venice Biennale or other major exhibitions?.How many women have won the Archibald Prize?  We learn that female artists were chosen for only three Venice Biennales during the 1980’s and 90’s (Rosalie Gascoigne in 1982; Jenny Watson in 1993; and a joint exhibition by Emily Kame Kngwarreye, Yvonne Koolmatrie and Judy Watson in 1997). However, since 2001, Australia has been represented by a female artist in eight of the 10 Venice Biennales.

With regards to the Sydney Biennale – for the first one in 1973 only one female artist was displayed and she wasn’t an Aussie!. By 2014 ,though ,women were represented in more than half the exhibition.

Marsh thinks far more needs to be done regarding female artist’s works in collections of the major Australian galleries and also retrospectives – she says that yes male artists have retrospectives but rarely any women.

At the time of writing this review there is a lot of brouhaha regarding Del Kathryn Barton’s The Heartland, a five panel piece that was divided .

DOING FEMINISM is a major comprehensive collection on women and the arts in Australia and will be required reading for years to come.

Part 2 of Know My Name, Australia’s largest exhibition of female artists, opened at the NGA June 2021 and runs until July 2022.


The Other Art Fair the Cutaway. Pic Anton Rehrl
The Other Art Fair. Pic Anton Rehrl
Josh Dyksgraaf Pic by Carol Dance
Rae Freeman. Pic by Carol Dance

The wonderful vast space of the Cutaway at the Barangaroo Reserve is filled with over 100  artists exhibiting a great variety of styles, mediums and techniques. It is an inspiring show. The stalls are held by individual artists, not by galleries, giving visitors the opportunity to talk to the artists and find out about their work. The artists are all living in Australia but the show has an international feel. Participants include artists originally from Papua New Guinea, Spain, Zimbabwe, UK, and across Europe. 

There is nothing particularly pitched to the Christmas market. No straight-out-of the tube red Santas. No impasto-laden pine trees. But there are hundreds of paintings, photographs and prints that would suit as a Christmas present under the tree. There are a range of sizes and prices. There are abstracts, traditional paintings, expressionism, surrealism, digital art and more. There is encaustic art, resin paintings, paintings loaded with impasto, flat paintings, watercolours and paintings with the ash from the 2019 fires embedded in the work. Continue reading THE OTHER ART SHOW @ THE CUTAWAY, BARANGAROO


This is a bold, stunning exhibition showcasing 260 rare South East Asian works from the private collection of Dr John Yu AC with items from the 10th century to the present.

Over the past fifty years with his late partner Dr George Soutter AM, John Yu has developed one of the most important private collections of Southeast Asian art and antiquities in Australia.

UPACARA has been developed as a companion exhibition to the ‘Encounters with Bali’ exhibition , also presented by Mosman Art Gallery, in 2014, which focused on Indonesia’s rich traditions of textile arts and the artistry of its highly skilled craftspeople . The textures and geometric designs of the pieces are absorbing.

UPACARA is divided into seven sections : Basketry and wooden objects , Silver, Deities and Figures, Ceramics and Textiles, from the tenth century to the present. The interconnected nature of art traditions across the region, the variety of functional everyday and ritual objects highlighted. the ancient trade routes and the cultural porosity of the region. Continue reading MOSMAN ART GALLERY : UPACARA – CEREMONIAL ART FROM SOUTH EAST ASIA


Australia’s largest fair showcasing some of the most significant and rare objects from across the country and around the world, will celebrate the 100th anniversary of The Roaring Twenties in Sydney this November.

Over four days, more than 60 of Australia’s best 20th century, antique, art deco and vintage dealers will transform Randwick Racecourse’s Kensington Room into a collector’s mecca of over 10,000 unique and covetable items.

In celebration of the 1920s centennial, this year’s Fair will provide a retrospective of the decade; showcasing original couture from the Flapper era, talks from expert collectors, walking fashion parades and a dedicated exhibit of unique twenties treasures such as original beaded dresses, opera capes and accessories from The Jazz Age.

In recognition of ANZAC Day, a display of commemorative and rare Australiana items will be showcased throughout the Fair including never before seen letters, photographs and memorabilia from a private collection. The exhibit will pay respect to the ANZAC tradition by bringing preserved narratives to light and allowing visitors to reflect, celebrate and honour those who fought, and continue to protect our wonderful country.

The Sydney Fair will go between goes betweenThursday 19th to Sunday 22 November, 2020 at the Royal Randwick Racecourse Kensington Room,

For more information and to purchase tickets visit






This year’s  Blak Markets will kick off the year back on Bare Island on Sunday 8 March with Aboriginal stallholders selling their arts and crafts with everything from native plants to award winning jewellery to silk scarves featuring Aboriginal design.

As always there’s a wonderful Festival line up of both contemporary and cultural performances – this market featuring cultural dance performances by Djiriba Waagur, singing performance by Charlie Trindall and weaving workshop with Nadeena Dixon. Continue reading BLAK MARKETS FESTIVAL IN MARCH 2020


ANAT Salon Sydney brings together leading artists to explore and discuss human interactions with robots and machines.

ANAT SALON :: Sydney :: Emotionally Engaging the Machine
WHEN: Thursday, 7 November, 5.30pm for 6.00pm start, to 8.00pm,
WHERE: Customs House, Level 1, Barnet Long Room, 31 Alfred Street, Circular Quay, Sydney


As the boundaries between people and machines begin to blur, what does this mean for the way we relate with machines? Can humans emotionally engage with robots and machines, and vice versa? Or are emotional interactions with machines notional, unintentional reactions driven by anthropomorphism? What senses (if any) do AI’s use to emotionally engage with humans?

Join the ABC’s technology reporter, Ariel Bogle in conversation with Professor Mari Velonaki Director of UNSW’s Creative Robotics Lab, together with artists Dr Belinda Dunstan, Justin Harvey and Dr Wade Marynowsky.

Join us for lively conversation, followed by networking, drinks and nibbles.
Bookings required for catering purposes.
Customs House is an accessible venue. Enter via main entrance and take lift to first floor.


Ariel Bogle is a technology reporter at the ABC. She writes, edits and makes radio about technology policy and culture. Most recently, she was technology editor at The Conversation. Her work has been published in the New York Times, The Atlantic, Australian Financial Review and Slate, among other places.

Prof Mari Velonaki is an artist and researcher in the fields of Social Robotics and Interactive Media Art. Velonaki is a Professor of Social Robotics at UNSW. She is the founder and director of the Creative Robotics Lab (UNSW) and the National Facility for Human Robot Interaction Research. In 2014 she was voted by Robohub as one of the world’s 25 women in robotics you need to know about. She is the recipient of several competitive grants, including an Australia Research Council Fellowship and an Australia Council of the Arts Visual Arts Fellowship. Mari’s robots have been exhibited in multiple museums worldwide.

Dr Belinda Dunstan is an academic at the UNSW Faculty of Built Environment and a member of the UNSW Creative Robotics Lab. She is an artist, researcher and lecturer in the space between art, design and technology. Her current research interests are in social robot morphology, technology ethics and responsive environments.

Justin Harvey is a Sydney based artist working across moving image, sound and installation. His solo works present abstract expressions of interactions between artist and machine, exploring the unintended beauty in the breakdown of the digital image.

Dr Wade Marynowsky is an artist, academic and researcher working across robotics, immersive and interactive performance and installation. His main body of research explores the notion of robotic performance agency by challenging notions of classical spectatorship and performance. His practice is characterised by large-scale robotic, sound, light and interactive works that combine humour, camp and a host of unnerving thematics to absorbing affect.

To find out about other upcoming ANAT Salons, subscribe to our monthly email digest here:

ANAT SALON Sydney supported by City of Sydney.

ANAT is assisted by the Australian Government through the Australia Council for the Arts, the South Australian government through Arts South Australia and the Visual Arts and Craft Strategy, an initiative of Federal and State Governments. The Synapse program is supported by the Copyright Agency’s Cultural Fund.


There will be plenty in store at the iconic Blak Markets at Bare Island La Perouse Sunday, September 29 from 9:30am to 3pm.

There will be Arts and Craft workshops for mothers to enjoy while their children can do an interactive storytelling session with Larry Brandy Storytellers, along with a cultural dance performance by Ngambaa dhalaay Dancers. Aboriginal singer Charlie Trindall will be singing on the day.

The Blak Markets are a great chance to buy authentic unique gifts  knowing that 100% of the profits go back into Aboriginal communities. The Blak Markets feature authentic, original and affordable Aboriginal artworks, beauty products and one-of-a-kind homewares and jewellery as well as Indigenous inspired food and refreshments.

This market will also feature a wonderful array of Native plants including bush foods and bush-herbs, being developed by Indigigrow, the other social enterprise arm of the charity who runs the Blak Markets.

For updates on our program on the day please visit out website

The Blak Markets takes place at Bare Island within the Kamay-Botany Bay National Park with the support of the NSW Parks and Wildlife Service and Randwick City Council.

29 September 2019 9:30am – 3:00pm.

For more about Blak Markets Spring Festival, visit
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This image: Detail of Destiny by Carolyn Cabena, photo: Janet Tavener                                                       Featured image: Detail of Conversations by Brenda Livermore, photo: Janet Tavener

untethered fibre artists inc. present ‘un:Seen‘ a fibre art exhibition exploring emotion, memory, private histories and relationships between people. This is the fourth exhibition from untethered, the latest theme in a poetic, interconnected narrative from 20 artists.

Experience 40 intricate artworks that use stitch, print, dye, felt and more. Request a guided tour from one of the artists. See ‘un:Seen‘ before it travels to major galleries around Australia.

un:Seen‘  from  untethered fibre artists inc [Facebook] has its Official Opening Friday 16 November, 6-8pm and runs November 13-25 at Wallarobba Arts & Cultural Centre, 25 Edgeworth David Ave Hornsby.


This image: Sunset Dreaming
Featured image: Still Life with Fruit

At SIP ‘N SKETCH EVENINGS you can experience a fun night of laughter and creativity with your friends and favourite beverages. Paint along with a local artist in the wonderful space within Gallery NTK and go home with a framable piece of art. No artistic ability or experience necessary. You will be guided step by step by a professional artist to ensure you create your very own masterpiece.

Uncork your creativity! Bring your own bottle of wine and enjoy an unforgettable evening filled with friends, fun, and fabulous art! Your canvas, paints, paintbrushes, and easel will be waiting for you.

The next SIP ‘N SKETCH EVENING is  Saturday 18 August 2018, 6.30pm – 9.00pm at  at Gallery NTK, [Facebook] Croydon. Bookings at Trybooking.



The Blak Markets is a great chance to buy art and products directly from the Aboriginal and Torres Strait Islander people who made them in the knowledge that the profit goes back to Indigenous communities.

Blak Markets will be held at the National Centre for Indigenous Excellence [Facebook] on Sunday 11th of March and will also feature an exhibition and panel discussion  ‘At the Heart of Sport‘. Continue reading BLAK MARKETS IS ON AGAIN SUNDAY



Aboriginal Arts and Craft at Bare Island, La Perouse on Sunday February 4

Always popular, BLAK MARKETS will be held at Bare Island, La Perouse,  Sunday February 4, 2018.

THE BLAK MARKETS is a great chance to buy art and products directly from the Aboriginal and Torres Strait Islander people who made them in the knowledge that the profit goes back to Indigenous communities.

Featuring  Aboriginal arts, craft, performances and foods from local stallholders, the day will begin with a welcome to country followed by live music, dance performances, and workshops.

9:30 - Gates Open
10:00 Welcome and Smoking Ceremony
10:00 - Weaving workshop all day
10:30- Traditional Dance
11:00 - Whale ceremony with Tucky Cooley - Booking Required
11:30- Singing performance by Rebecca Hatch
12:00 - Traditional Dance
1:00 - Singing Performance by Rebecca Hatch
2:00 - Healing Ceremony with Tucky Cooley - Booking Required
3:00 - Blak Markets Closed

Rediscover Sydney’s beautiful La Perouse with a day of free family entertainment, live music, cultural tours at  BLAK MARKETS and watch the Gold Coast Commonwealth Games Queen’s Baton Relay arrive.

Bare Island information here.


Images by Ben Apfelbaum

For 13 years ART AND ABOUT has been a unique month long art fest for all Sydneysiders.  Now we can enjoy exciting outdoor work in odd places all year round.

City of Sydney will be supporting art in any corner of Sydney, at any time, including major projects, intimate exchanges, and thought-provoking exhibitions in unusual spaces throughout the city.

Images by Ben Apfelbaum

Our photographer, Ben Apfelbaum’s eye was taken by the recent installation on Observatory Hill.  For THE LAST RESORT  the rotunda was transformed by celebrated French-Albanian artist Anri Sala with a wonderful installation of sculpture and sound for the 33rd Kaldor Public Art Project.

Custom-built drums to give the listener a rhythmic, live response to a contemporary interpretation of a Mozart concerto. Set against the sights and sounds of the harbor below, the musical dialogue animates the relationship between sound, place, time and history.

To shape the intricate recorded soundscape for THE LAST RESORT, Sala has re-imagined Mozart’s Clarinet Concerto in A Major, a masterpiece of the European Enlightenment. Mozart’s score is upended, as if it were a message in a bottle carried from Europe across the ocean to Australia, affected by wind and waves.

Anri Sala’s works of film, sculpture and installation create poetic analogies that reflect on life and culture from different frames of experience. Past works have traversed European contexts, from his hometown, Tirana, Albania, to Germany and France where he has spent much of his adult life. His artworks often creatively pair image with sound, and explore the choreographic potential of musical instruments and their performers.

Images by Ben Apfelbaum

The project is presented by Kaldor Public Art Projects, a non-profit organisation that has created groundbreaking art projects in public spaces since 1969. It was co-commissioned with partners Esther Schipper (Berlin) and Marian Goodman Gallery (New York and Paris).

Next in ART AND ABOUT is Nick Cave: HEARD·SYD . An exuberant, surreal and explosive live performance on November 10th and 12th.

For more about ART AND ABOUT :

For more about THE LAST RESORT:



The good  folk at the Ambush Gallery in Waterloo are inviting members of the public along to their Spring Party where you enjoy free food, drink and music and listen to some lightning talks by local identities who started at the very bottom and have become success stories in their own right.

The talks will be given by Camilla Gulli, Content Marketing Lead at Vodaphone AustraliaAdam Jacobs, Co-Founder and Managing Director, The Iconic, Mary HuangFounder of The Indigo Project and Caroline Shields, Co-Founder of Be An Unfucker.

The event will take place at the Ambush Gallery, 4 James Street, Waterloo between 6-9 pm on the 22nd September.

For more about Spring Mixer and to rsvp-
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Aboriginal art, crafts, bush foods and entertainment will fill Sydney’s spectacular harbour headland park as the iconic Blak Markets return to Barangaroo Reserve.

The open-air market will feature more than 20 stalls selling unique handmade items, accessories, jewellery, art, photography and bush tucker by Aboriginal makers and food producers from around NSW, plus paintings from South Australia’s highly awarded APY Art Centre Collective.

Soak up family-friendly entertainment with live music by singer-songwriter Rebecca Hatch, dance workshops with the Ngaran Ngaran traditional dancers, hunter-gather performances by Larry Brandy Storytellers and a bush tucker cooking demonstration with celebrity chef, The Black Olive (Mark Olive). Continue reading BLAK MARKETS @ BARANGAROO RESERVE


Following on from our successful Frocktails event in February, UsefulBox is inviting sewists and crafters to their newest event, FROCKS, TALES AND TEA in conjunction with Sydney Craft Week.

Wear one of their gorgeous Me Mades (if you sew) and join in a Q&A with Jennifer Irwin, the costumer designer for Bangarra Dance Theatre and Opera Australia, who will tell us about her career and her process for making costumes. Afterwards, it will be time to meet other sewists and crafters, plus Jennifer, over an afternoon tea.

Australian costume designer Jennifer Irwin’s career spans 36 years designing for drama, opera, dance & ballet as well as the largest spectacular events ever staged in Australia.
Jennifer was nominated for Best Costume Design 2016 AACTA Awards for her work on SPEAR the feature film.

Jenny designed the costumes for Dirty Dancing, the musical, still playing to packed audiences worldwide after 16 years. Dirty Dancing broke all pre box office records for any show ever staged on London’s West End.

Costume commissions in Australian include 36 ballets SYDNEY DANCE COMPANY, 26 years repertoire for BANGARRA DANCE THEATRE, multiple works for SYDNEY THEATRE COMPANY, THE AUSTRALIAN BALLET, MELBOURNE THEATRE COMPANY, BELVOIR, ROYAL NEW ZEALAND, AUSTRALIAN DANCE THEATRE, WEST AUSTRALIAN BALLET, QUEENSLAND BALLET & OPERA AUSTRALIA. Jennifer designed costumes for the AWAKENING segment of the SYDNEY 2000 OLYMPIC GAMES, co-designed all the costumes for the SYDNEY 2000 OLYMPIC GAMES Closing Ceremony & the official ceremony commemorating the FEDERATION OF AUSTRALIA 2001.

The details
Date: 14th October 2017
Time: 2pm – 4pm
Venue: Boronia Tea Rooms, 624 Military Road, Mosman
Ticket price: $80, includes a glass of sparkling wine on arrival, our guest speaker and afternoon tea. Purchase from


Where is the venue?
Boronia Tea Rooms is located at 624 Military Road, Mosman.
Bus stop is right outside the door – routes include M30, 143, 183. Taxis will be easy to find on Military Road. Parking is at Bridgepoint shopping centre, via Brady Street, Mosman.

What does the ticket prize include?
You will be greeted with a glass of sparkling wine upon arrival, will hear from the amazing Jennifer Irwin and be treated to a scrumptious afternoon tea. PLUS the chance to win some great prizes, meet so many new friends and build your sewing community.

How many people will be there?
There will be at least 50-60  people and it will be a wonderful afternoon! Don’t be afraid to come by yourself, we are all very friendly and the aim of the night is to meet other sewists!

Is there a hashtag for this event?
Please use #sydneyfrockstalesandtea for all your pics on Instagram.

For more about Frocks, Tales and Tea, visit
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Featured Image- Jennifer Irwin’s design for ‘Snugglepot’.


Join Quentin Dempster and Richard Goodwin at a public forum for some thought provoking discussion and one last look at Richard Goodwin’s Navigator: bringing together select artworks, sculptures, drawings and models produced over the past 25 years.

As an artist and architect greatly concerned with the built environment and public space, Richard Goodwin describes his work as “existing between public and private space”. This will be used as a provocation for discussion on regional development, the built environment and the role of culture and quality of life in urban design and planning for Western Sydney.

The panel will be led by Walkley Award-winning journalist, author and broadcaster Quentin Dempster AM best known for his decades of work with the ABC. Panelists Richard Goodwin, Emma Husar MP, Craig Butler, Assistant General Manager of Penrith City Council and the Hon Peter Anderson AM, Chairman of Penrith Performing and Visual Arts, will discuss their thoughts on our relationship with our local built environment. This will be followed by audience question and answer time.

Come along and take one last look at the Gallery’s Winter Exhibition Suite, featuring the work of artist and architect Richard Goodwin and be part of the Big Ideas discussion. Light refreshments will be served.

The exhibition is on display at the Penrith Regional Gallery until the 20th August 2017.

For more information visit the website –




MINING PYRITE is a NEW exhibition to be displayed for FREE at Newington Armory Gallery at Sydney Olympic Park, from 10 am-4 pm every weekend from Saturday 17 June – Sunday 20 August 2017 (inclusive).

Curated by Cassandra Hard-Lawrie and Nick Vickers, MINING PYRITE will feature the works of 20 international and local contemporary artists, each of whom have drawn inspiration from Sydney Olympic Park and used its facilities to create their artworks. The diverse exhibition spans a broad range of expressive media forms including installation, sculpture, photography, multimedia, video, painting and more.

Gaining its title from the mineral ‘pyrite’, or ‘Fools Gold’, this exhibition explores the parallel narrative of failure and success that can be drawn from any ‘artist’s’ story.

Curator Nick Vickers draws comparison between the development of Sydney Olympic Park and that of the artist’s journey-“The constant testing and exploration of the boundaries of what does and doesn’t work is the stock and trade of creativity,” explained Vickers.

During the past 12 years, Sydney Olympic Park Authority has supported more than 170 artists’ journeys of exploration by providing its artists-in-residence program. The program allows artists to take inspiration on-site of the historic, heritage-listed Newington Armory precinct, via its unique studio spaces available for rent to artists. Continue reading MINING PYRITE – FREE ART EXHIBITION @ SYDNEY OLYMPIC PARK


The Sydney Fair (25-28 May 2017) at the Royal Hall of Industries Moore Park will be the largest International quality event for 10 years.

Over 50 of Australia’s outstanding dealers will be exhibiting (and selling) Furniture, Decorative Arts, Jewellery, Art, Prints and Posters, Books, Vintage Fashion and Couture and Luxury Vintage goods from all eras, Antique through to Contemporary Art.

The Event includes a Couture Exhibition showcasing Evening Dresses from 1920’s to 1990’s from Chanel, Dior and many designers from the Hollywood era, runway parades of vintage couture, film of the Paris catwalk parades from the 1950’s and much more.

The Royal Hall of Industries is situated at 1 Driver Avenue Moore Park Sydney N.S.W.

Opening night is Thursday 25th May 6.00 pm to 9.00 pm, followed by Friday 26th and Saturday 27th May between 11.00am to 6.00pm and Sunday 28th May 11.00am to 5.00pm

Tickets can be purchased online or at the door:-
$30 Opening night
$15 everyday of the fair
$10 Concession (not opening night)

For more information about The Sydney Fair, visit

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YOUNG VISIONARIES is a celebration of local creatives, fashion, arts, technology and social good.

All are welcome to attend an evening of inspirational short talks, music and mingling to end the week with a bang!

The evening will feature stories of awesome creators who are using technology to push the boundaries of creative expression or to influence change across multiple disciplines like tech, fashion, the arts and science.

Presenters include-

Ollie Henderson : on culture as an expression of the political.

Sulange Cunin : on founding Cube Rider, a STEM program taking students on real space mission and more…

Mix and mingle and with some awesome young visionaries making a difference in their industry, get inspired and unwind with drinks on the good folk at Alpha Box & Dice and Sofi Spritz.

There will be live music and Rollie will be giving away a pair of shoes from their latest winter range to one lucky winner – be in it to win it!

Friday 7th April between 6 and 9 pm at WeWork Pyrmont, 100 Harris Street, Pyrmont.

For more about Young Visionaries, visit
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Mother Ocean is wise, beautiful and powerful. We depend on her for our survival. That is why underwater filmmaker, James Sherwood, is teaming up with his mother Jackie Sherwood to showcase his ocean photos and her artworks.

Mother Ocean Art Exhibition 1-12 February 2017
Wednesday- Sundays

Warringah Art Space, 105 Abbott Road, North Curl Curl

Opening – Thursday 2nd February 7-9pm
Artist’s demo – Friday 3 & 10 February 2-5pm
Film fundraiser for ‘The Map to Paradise’ – Saturday 4 February

1-12 February 2017 Wednesday- Sundays 10am-5pm

For more about Mother Ocean Art Exhibition, visit
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Featured image – Fish ForThe Fight (1993) by Catherine Truman.

‘Catherine Truman is medium agnostic. Although she is enduringly fond of intricately carving English lime wood, her oeuvre extends into contemporary jewellery, objects, performance, choreography, public sculpture, installation, photography & moving image. She is a holistic maker – acutely aware of her process, while continually evolving her inquiry. Truman’s curiosity takes her & her makings into the anatomically unfamiliar – probing thresholds of human ‘being’.’

Melinda Rackham 2015.

Treat yourself – grab this stunning book , beautifully brought to us by Wakefield Press . This publication is a visual feast, drawing on Rackham’s generous conversations with Truman and her extensive research into her archives, photographs, process documentation, journals, hard-drives and drawings. The book has been illustrated with ravishing, enticing images, predominantly by Grant Hancock. ( This book should receive awards for the photos alone, and Rackham’s insightful writing is thoughtful, clear and concise).

This publication made me want to book a plane trip to Adelaide  straight away and run to the Gray Street Workshop.

Catherine Truman is an established contemporary jeweller and object-maker whose works blur the disciplines of art and science. She is co-founder and current partner of the Gray Street Workshop – an internationally renowned artist-run workshop established in 1985 in Adelaide, South Australia, where she currently works and lives. Continue reading CATHERINE TRUMAN: TOUCHING DISTANCE



A very exciting and vibrant discussion chaired by Fenella Kernebone who led the panel of Rachel Healy (Adelaide Festival) and Wesley Enoch (Sydney Festival) and Fergus Linehan (Edinburgh International Festival) and asks why we put on festivals, what they offer artists and communities, and dives into future festival trends both locally and internationally.

To begin with, a bit of background in regards to each of the panellists.

Wesley Enoch has been a theatre director and writer for over 25 years specialising in Aboriginal Theatre and cultural stories. He has been the Artistic Director of companies including Queensland Theatre Company 2010-15, Ilbijerri 2003-06 and Kooemba Jdarra 1994-97, as well as the Festival of Pacific Arts – Australia in 2008 and 2012. Wesley has been appointed the Director of Sydney Festival for the period from 2017 to 2019.



For balletomanes this was enthralling. Artistic Director David McAllister and music director and chief conductor Nicolette Fraillon from the Australian Ballet talked to Caroline Baum about the Company’s upcoming production of Nijinsky choreographed by internationally renowned John Neumeier which opens next week here in Sydney after a hugely  successful season in Melbourne.

The premiere of the Nijinsky/ Stravinsky work Sacre du Printemps ( The Rite of Spring ) took place in Paris in May 1913 and famously caused a riot In the audience. What can we expect from this new work by Neumeier?!

Baum began by asking McAllister how he managed to obtain the rights to Neumeier’s work given that it is a work tightly controlled by the choreographer.

McAllister replied that several years ago now he attended performances and had talks with Neumeier but nothing really came of it until 2011 when they met again and made more definite arrangements. Continue reading CULTURE CLUB ON NIJINSKY AND STRAVINSKY @ THE UTZON ROOM