Visual Arts

COMA GALLERY : JACK LANAGAN DUNBAR’ SIGNAL

COMA GALLERY
JACK LANAGAN DUNBAR
SIGNAL
FEBRUARY /MARCH 2021


This is Jack Lanagan Dunbar’s (b.1988) second solo presentation at COMA Gallery.

In SIGNAL we see two linked sets of themed works created in quite separate locations – electrotypes produced on the island of Gran Canaria in the Canary Islands during a residency enabled by an Ian Potter Cultural Trust grant , and paintings composed in Leipzig, Germany, in the last two years. Dunbar won the Brett Whiteley Travelling Scholarship in 2019 and this marks another outpouring of work.

There is perhaps a sense of timelessness, of rediscovering ancient treasure. Both series are linked by the use of copper. The Malachite Paintings are in some ways like swirling underwater coral and capture the feel of intertidal rock pools , and both series have the sense of dramatic energy . They are in various tones of aqua , pale and dark blue and white and could be viewed as energetic , swirling rockpools full of animation . They roil, eddy and cascade as if rippling seaweed but could also perhaps be regarded as layers of exploding fireworks . Each one has a slightly different very strong line of direction in the various layers of the composition and at times there is a rather ominous dark shadow hovering in part of the painting – a diver perhaps ?

The electrotypes (something made by the electrolytic deposition of copper on a mould )possibly have more of a feel of ancient lost tablets rediscovered . The works reveal the meticulous attention paid to detail and the relationship between the materials used. The series has a sense of excavated previously buried fragments with a sense of the transience of time and space. They are perhaps like fragile rock art , in earthy tones and emphatically textured . Works 1-IV are in earthy tones .No1. looks like it is framed with shells . Nos. V-V111 are in pale blue No V111 has a strong diagonal composition and also features sea shells. 1X to X11 are in more russet like tones . Sometimes the particular work
Is partly fragmented and ‘torn’ as if old and fragile and damaged during disinterring.

Dunbar’s oeuvre blends tragedy , archaeology , Romanticism , the classical , history , playfulness and tragedy , fracturing and blending time and relativity.

A delicate, yet powerful exhibition.

SIGNAL by Jack Lanagan Dunbar runs concurrently with Art Month Sydney at COMA Gallery 19 February – 17 March 2021

Signal

ACCLAIMED INDIGENOUS ARTIST VINCENT NAMATJIRA HAND PAINTS MURAL @ MCA

Clothilde Bullen & Vincent Namatjira at the press conference prior to the opening of the mural.
Past-Present-Future Mural
Past-Present-Future Mural
Past-Present-Future Mural
Past-Present-Future Mural
Vincent Namatjira in front of his mural

In its thirty year history the Museum Of Contemporary Art (MCA) has only had seven murals on the fifteen metre wall alongside the steps which lead from Circular Quay to the Museum’s first floor. 

The  MCA commissioned Archibald Prize winner and Western Arrente painter Vincent Namatjira to ‘decorate’ the foyer wall. Using a medieval technique called pouting to enlarge his vision from his initial  sketches, Namatjira hand painted onto the foyer wall over a two week period, creating the artist’s largest work to date.  Continue reading ACCLAIMED INDIGENOUS ARTIST VINCENT NAMATJIRA HAND PAINTS MURAL @ MCA

‘NO SHOW’ : A NEW EXHIBITION @ CARRIAGEWORKS

Skye Saxon, Madame Witch Tarot Cards – Studio A
Priscilla Bourne, Matador – Our Neon Foe
Co curator Tian Zhang from Parl gallery with Feras Shaheen’s Kick Roll
J.D.Reforma, Imperial Leather – Runway Journal
Jaycee Kim, Gigantic Rainbow Plait – Studio A
Jenny Fraser, Trouble in the Camp – Boomalli Co-op
Maddison Gibbs, The Spirits Are Restless
Mathew Calandra, Fortress – Studio A
Naomi Riddle (seated) Editor & Hannah Jenkins Assistant Fditor, Writer Micro Residencies – Running Dog

Carriageworks NO SHOW features projects by eleven artist-led initiatives from across New South Wales. Based locally, regionally and online, the organisations invited by Carriageworks to participate include artist run spaces, studios and collectives, with digital platforms and publications.

With each group presenting a program that profiles early career and under represented artists, NO SHOW supports the initiatives that support emerging practices and ideas.  Continue reading ‘NO SHOW’ : A NEW EXHIBITION @ CARRIAGEWORKS

MARGEL HINDER : MODERN IN MOTION @ ART GALLERY OF NEW SOUTH WALES

Margel Hinder (1906-1995) was born in Brooklyn and emerged as an artist in her own right when she came to Sydney with her husband Frank Hinder, also a well regarded artist. In fact, they even had joint exhibitions.

For her part Margel Hinder is regarded as one of Australia’s most important sculptors of the twentieth century. She was deeply influenced by movements of modern sculpture and pioneered such artforms in Australia. 

Broadly, in the 1930’s Hinder worked on work carvings of simplified shapes, pairing them down to stress their inner energies.  Continue reading MARGEL HINDER : MODERN IN MOTION @ ART GALLERY OF NEW SOUTH WALES

TRAFFIC JAM GALLERIES : THE BIRDS

Andrew Grassi Kelaher ‘Cheeky Lorikeet’

This is a most exciting, bold and colourful exhibition celebrating our feathered avian friends in a variety of media. Twenty two artists are included.

Kayden Bailey is represented by the diptych Letting Go. Deceptively delicate in appearance, hung together they form a v shape composition full of swirling vibrancy.

The amazingly intricate and detailed work of Megan Barrass with parrots, cockatoos and native fauna is explosively colourful. Continue reading TRAFFIC JAM GALLERIES : THE BIRDS

SCULPTURES IN THE FORECOURT : PART OF ARCHIE PLUS @ ART GALLERY OF NEW SOUTH WALES

Marino Marini – Rider

Louise Bourgeois – Arched figure

Auguste Rodin – The Burghers of Calais

For ten weeks from March 2020 the AGNSW forecourt was silent and desolate due to the Gallery’s closure because of Covid 19. 

To celebrate the return of visitors to the forecourt the Gallery ‘peopled it’ with an extraordinary collection of sculptured bodies entitled ‘Passage’. Among the treasures are sculptures by Rodin and Giacometti. They represent the states of feeling and passages of human experience that were a hallmark of last year’s crises and challenges. Continue reading SCULPTURES IN THE FORECOURT : PART OF ARCHIE PLUS @ ART GALLERY OF NEW SOUTH WALES

KOREAN CULTURAL CENTRE : MINHWA TODAY

 

This marvellous exhibition co-presented by the Traditional Korean Minhwa Center in South Korea and the Korean Cultural Centre Australia , features 25 pieces of modern minhwa, referring to the folk painting style of Korea which thrived during the Joseon period (1392-1910), exploring the unique aesthetics and sentiments of the Korean art genre reinterpreted by contemporary minhwa artists of today.

Very popular among the general population of that period, minhwa works are known for their unique use of space in the compositions and vivid colours, representing the wishes , hope and dreams of the people as each object drawn represents its own meaning.

The exhibition also presents different types of chaekgado (also called chaekkori) paintings, which is a genre of still-life that depicts books and other decorative objects .

The works displayed include depictions of exquisite, delicate butterflies, flowers, ferocious tigers , mythical swirling dragons and various portraits . In Korean art, flowers and butterflies can be viewed as symbols of love. Continue reading KOREAN CULTURAL CENTRE : MINHWA TODAY

GARY HEERY EXHIBITION ‘BIRDSCAPE’ @ OLSEN GALLERY WOOLLAHRA

 

Currently showing at the Olsen Gallery Woollahra is an exhibition by photographer Gary Heery entitled ‘Birdscape’. 

For many years Heery was a highly successful portrait photographer in New York snapping celebrities such as Robin Williams, Andy Warhol, Cate Blanchett and Ellen Baskin, to name but a few. One of his portraits of Madonna was used for the cover of her album ‘Vogue’.

Upon returning to Australia Heery decided to venture into different territory, leaving the studio and his portraiture of well known identities, to explore and make portraits from nature. Heery has been especially fascinated by birds because they are direct descendants of dinosaurs and the fact that they could fly made them doubly unique and appealing as subject matter. Continue reading GARY HEERY EXHIBITION ‘BIRDSCAPE’ @ OLSEN GALLERY WOOLLAHRA

TIM OLSEN AUTOBIOGRAPHY : SON OF THE BRUSH

Tim Olsen’s autobiography SON OF THE BRUSH is a glorious, fascinating read full of joy and warmth that is contrasted with pain and tragedy . It is quite intimately revealing and frank at times, giving a compelling insight into the Australian art scene. There is a table of contents at the front, an index and bibliography at the back and quite a few illustrations. Tim, who runs the Olsen Gallery in Sydney, is the son of one of Australia’s best known artists John Olsen (think Salute to Five Bells at the Opera House for example) and the book also considers how he has struggled to find his own identity rather than living in the shadow of his famous father, as well as his battle with illness and alcoholism.

Olsen was born into a life of modern and contemporary art. The art came first; an absolute vocation for John Olsen, with the family focused on it. John Olsen, at 92, regarded as one of Australia’s greatest artists, is still painting large-scale canvases at his Bowral home in the New South Wales Southern Highlands. To the young Tim, his father was a deity, a ‘sun king’, whom he revered. Continue reading TIM OLSEN AUTOBIOGRAPHY : SON OF THE BRUSH

MCA LATE : EVERY FRIDAY NIGHT DURING SUMMER

Start your weekend at the Museum of Contemporary Art Australia (MCA) with the Museum’s extended hours MCA Late every Friday night during summer.

Curate your own evening after hours at the MCA, see performances by musicians, artists, poets hidden in the galleries, immerse yourself in a range of exhibitions or enjoy a drink with friends on the MCA’s rooftop terrace.

On Friday January 29, performance artist Shahmen Suku also known as Radha, will lead a roaming trivia game throughout the MCA galleries. Visitors will be invited to answer questions themed around cultural identity and living between two worlds. Join a special reading of contemporary poetry from the masterminds behind Western Sydney’s Sweatshop. Listen to writers from Indigenous, migrant and refugee backgrounds read excerpts from their award-winning anthology, Sweatshop Women: Volume Two. Continue reading MCA LATE : EVERY FRIDAY NIGHT DURING SUMMER

THE ARTIST AMADEO MODIGLIANI : A SHORT, BRILLIANT AND TURBULENT LIFE

Marking the centenary of his death this fascinating film brought to us by the Art on Screen team examines the short, turbulent life of AMADEO (Dedo or Modi) MODIGLIANI (1884-1920). 

Modigliani was a prolific artist in various media and the film jumps from his beginnings in Livorno, Tuscany, to his bohemian life in Paris with Picasso and Brancusi, London, America and elsewhere. 

We see works from various museums – for example, the Albertina in Vienna, the exhibition dedicated to the artist at Livorno’s City Museum,not forgetting the National Gallery of Art in Washington and the various collections and museums in Paris. We see closeups in luxurious detail of some of his paintings and there are comments by various experts and gallery directors. Continue reading THE ARTIST AMADEO MODIGLIANI : A SHORT, BRILLIANT AND TURBULENT LIFE

ARTISTS BREATHE NEW LIFE INTO SYDNEY’S LANEWAYS

Barlow Street Forest by Dirt Witches_photo_credit_Jessica_Lindsay

Artists interested in communities, urbanism and sustainability will breathe life into underused city spaces in a response to the Covid-19 pandemic, with four temporary artworks commissioned by the City of Sydney.

As part of the City Art Laneways temporary public art program, have your fortune told by an interactive pink furry ghost or see a biodiverse urban micro forest in the middle of the city centre.

Lord Mayor Clover Moore said the temporary artworks would enliven our city centre.

“These four artworks are part of our plan to revitalise the city centre, support local businesses and artists, and create jobs across the summer period,” the Lord Mayor said.

“While we must continue to be vigilant against Covid-19, including following health advice, wearing masks and staying home and getting tested if unwell, many office workers and visitors will return to the city in 2021.

“These works will transform many people’s daily experience of our city and add an element of surprise, humour and intrigue.” Continue reading ARTISTS BREATHE NEW LIFE INTO SYDNEY’S LANEWAYS

SUMMER HOLIDAY WORKSHOPS @ S.H.ERVIN GALLERY

Hill & Harbour Drawing Day

Thursday 7 January  OR Thursday 14 January

10am-3pm, Ages 7-12

Inspired by the drawings from our current exhibition First Light: The art of Peter Kingston, students will view the exhibition and then explore different drawing media whilst exploring Observatory Hill. Students will create their own mixed media drawing of the harbour to take home. (weather permitting)

Painting Sea, Sky and Light

Friday 8 January  OR Friday 15 January

10am-3pm, Ages 7-12

Come to Observatory Hill and create drawings to then paint their own impression of sea, sky and light in an acrylic landscape painting on canvas. Inspired by the paintings in our current exhibition First Light: The art of Peter Kingston, students will view the exhibition and then explore Observatory Hill and create drawings to then paint their own impression of sea, sky and light in an acrylic landscape painting on canvas. (weather permitting) Continue reading SUMMER HOLIDAY WORKSHOPS @ S.H.ERVIN GALLERY

ART GALLERY OF NSW ANNOUNCES ITS 2021 EXHIBITION PROGRAM

Henri Matisse The sorrow of the king (La tristesse du roi) 1952 gouache on paper, cut and pasted, mounted on canvas, 292 x 386 cm Centre Pompidou. Musée national d’art moderne AM3279P Photo © Philippe Migeat – Centre Pompidou, MNAM-CCI /Dist RMN-GP © Succession H Matisse/Copyright Agency

The Art Gallery of New South Wales is delighted to announce its 2021 exhibition program and new dates for its Sydney International Art Series (SIAS) exhibition, Matisse: Life & Spirit, Masterpieces from the Centre Pompidou, Paris.

Art Gallery of NSW director Dr Michael Brand said 2021 is of enormous significance for the state’s art museum as it celebrates 150 years and brings to life its ambitious vision for the future, while hosting a vibrant program of exhibitions.

“After such a challenging year, we are looking forward to a brighter 2021 – a year of milestones and a celebration of the Gallery’s past, present and future. We are celebrating our 150th anniversary, marking the 100th year of the Archibald Prize, and embarking on the revitalisation of our historic building. The Gallery is poised for a new era with the completion of the Sydney Modern Project due in late 2022,” Brand said.

“The new year brings a program that highlights the Gallery’s commitment to recognising the work of women, the centrality of Aboriginal art to our identity, and the importance of the arts of Asia and the Pacific to our understanding of global art and our place within it, as well as the work of many major individual artists including Margel Hinder, Pat Larter, Nina Chanel Abney and Robin White. Continue reading ART GALLERY OF NSW ANNOUNCES ITS 2021 EXHIBITION PROGRAM

ARCHIBALD PRIZE ANZ PEOPLE’S CHOICE AWARD WINNER: ANGUS MCDONALD

Angus McDonald and his subject Behrouz Boochani Pic Damien. McDonald

Six-time Archibald Prize finalist Angus McDonald has been awarded the 2020 ANZ People’s Choice award for his portrait of Behrouz Boochani, a Kurdish-Iranian writer, poet, filmmaker and journalist.

The artist, who is based in Lennox Head, NSW, first made contact with Boochani in 2018, while he was creating his award-winning short film Manus (2019) about Manus Island, where Boochani was held by the federal government for over six years as a refugee.

McDonald said he is thrilled and humbled that his portrait, Behrouz Boochani has received this year’s ANZ People’s Choice award.

“It’s the highest compliment to receive the vote of the public, for me as the artist but I suspect even more for Behrouz, who despite never even setting foot on the mainland, has earned the respect, admiration and even the love of so many Australians for his writing, his art, and his tireless struggle against captivity until he got to New Zealand last year,” said McDonald. Continue reading ARCHIBALD PRIZE ANZ PEOPLE’S CHOICE AWARD WINNER: ANGUS MCDONALD

THE ART BOOK : NEW EDITION

Very thick and heavy,  lavishly,  lushly illustrated, this new edition also contains a glossary of technical terms, another of artistic movements and an index. Over 500 of the greatest artists from the Middle Ages to the present day are included in this impressive, glossy new edition.

Arranged in alphabetical order , from Berenice Abbott and Maina Abramovic to Francesco Zuccarelli and Francisco de Zurburan , each artist has a one paragraph biography and is represented by just one image of their work. Artists they were influenced by or are similar in style to are cross referenced. The dates of the artists’ lives are down the bottom of the page as is the date and media of the work. Painting, photography, sculpture, conceptual and performance art are included but not architecture. Continue reading THE ART BOOK : NEW EDITION

TRAFFIC JAM GALLERIES NEW EXHIBITION : PAT HALL ‘IN FULL BLOOM’

Pat Hall ‘Lotus’

Pat Hall ‘Spray Of Orchards’

Pat Hall ‘Garland’

A small but thrilling pop up exhibition is currently on display at Traffic Jam Galleries – works by Pat Hall entitled FIRST BLOOM.

Pat Hall was born in Kent, England in 1963. She completed her Honours Degree in Graphic Design at Brighton University in 1985 before working as a designer in London. After immigrating to Australia in 1991 she worked as an illustrator for many years and now paints full time from her home studio in Mitchelton, Queensland.

These vibrant, ,exquisite watercolours of flora on stretched paper canvas are full of amazing attention to detail. You can feel the rich or delicate textured surface of the leaves and flowers .Hall’s works are watercolours but look like marvellous photos – posh, glossy portraits of the various plants. Capturing the light is important for Hall and her works are not displayed framed behind glass but rather unframed like a canvas. Hall is a keen gardener and her paintings are inspired by the dazzling sunlight of Australian gardens and bushland. Continue reading TRAFFIC JAM GALLERIES NEW EXHIBITION : PAT HALL ‘IN FULL BLOOM’

ART RULES: AN EXHIBITION OF 24 OUTSTANDING WORKS BY HSC VISUAL ARTS STUDENTS

Claudia Citton ‘Read between the Lines’

Cameron Talbot Smith ‘Continental Extremities’ St Patrick’s College, Sutherland

Art Rules 2020 showcasing the work from 24 HSC Visual Arts students will open at Hazelhurst Arts Centre December 19.

The works comment on the impact on their lives and important issues of this past year, including natural disasters and environmental change, the impacts of Covid-19 and lockdown, multiculturalism, as well as personal interests and passions such as space exploration, film, celebrities and dance.

In Australian Resilience: From the Ashes, Zoe Ball from Bethany College Hurstville has produced a triptych painting that focuses on the impact of this year’s devastating bush fires. Ball has conveyed the different stages of regeneration of Australia’s flora after the destruction of the fires with the middle panel depicting a dramatic scene of fire fighters hosing the flaming landscape. Continue reading ART RULES: AN EXHIBITION OF 24 OUTSTANDING WORKS BY HSC VISUAL ARTS STUDENTS

FERVOUR : A NEW EXHIBITION BY DAMIEN MARCH

‘Fervour’ is an exhibition of new work by International artist Damien March

Overcoming recent adversity in the visual arts, Damien March is elated to be back exhibiting his newest selection of works. March displays compositions that rely on movement and energy, whether this be an expressive flick of the palette knife or jutting texture of some sand or resin. 

During a long winter lockdown, March gathered inspiration from more buoyant times, ‘

Fervour encompasses this period, when he found escapism through his art making, reminiscing of warm summer days and international travels. The canvases in Fervour exude this passion, with palette knife motions contrasting against intricate details.  March sought refuge in being able to create in a traditional organic manner, leaving behind technological devices. Thick gestural mixed media dominate the surfaces, in true expressionistic influence, whilst juxtaposed are masterful delicate blends of acrylic. Fervour highlights a lifetime in working with mixed media, polarity of acrylic, resin, sand and inks create a dynamic composition.  Continue reading FERVOUR : A NEW EXHIBITION BY DAMIEN MARCH

FIRST LIGHT: THE ART OF PETER KINGSTON @ S.H.ERVIN GALLERY

Peter Kingston c 1990s by Greg Weight

“I have spent countless nights watching the moon reflect upon the water, and the shadow of this great building creating colours and unique impressions each passing day. ” Peter Kingston 

FIRST LIGHT: The Art of Peter Kingston, a major survey exhibition of one of Sydney’s most important artists, opened at the S.H. Ervin Gallery yesterday, Saturday 5 December. The exhibition has been curated by Emeritus Curator of Australian Art at the AGNSW, Barry Pearce,

‘First Light’ will comprise key paintings and drawings from both public and private collections throughout Australia, Peter Kingston’s artist books, memorabilia and nostalgic relics. 

The exhibition arose from a recently published book on the artist Peter Kingston. Its focus begins with the early 1990s,  before which Kingston had already established in Sydney the reputation of an experimental film-maker, satirical illustrator and relentless traveller. 

At the age of 50 an epiphany occurred where he found his own independent voice which was partly accelerated by the death of his close friend and Lavender Bay neighbour Brett Whiteley in 1992. He became a remarkable draughtsman with the ambition of a pure painter’s eye with energy more than a match for the extrovert talent of his late friend. About this time Kingston bought a tiny fishing boat so he could explore more intimately from the water’s surface the sense of space and dynamic gestures deployed so successfully in Whiteley’s imagery. 

Curator Barry Pearce, said with the death of Whiteley, Kingston felt released from an enormous shadow; free at last to convey with his own special poetic dynamic an abiding passion for a subject long familiar through childhood in Parsley Bay, where he was born in 1943. Suddenly, he now seemed fully prepared to inherit the mantle of chief chanteur of a wondrous working Harbour. And with it a growing command of charcoal drawing and the more difficult methodology of oil painting. That whole epiphany comprises the crux of this exhibition. 

By now Kingston had also moved away from the influence of another friend, Martin Sharp, contemporary from Cranbrook School where they had both studied under its art master Justin O’Brien. Kingston’s natural ability for drawing equipped him to pursue architecture at the University of New South Wales in 1965 having already studied Commerce and Arts. Meanwhile, inspired from an early age by films and comics, he contributed to university magazines and the infamous Oz, and was involved in Sharp’s legendary Yellow House at Potts Point. 

After two years in Japan during the mid-1970s Peter Kingston purchased the house next door  to the Whiteleys, where he became the serious artist we now see. Here he witnessed a spectacular synergy between nature and humanity, punctuated by iconic Luna Park, Sydney Harbour Bridge and the Opera House. By the early 1990s Kingston mastered his language and over the next three decades has produced his most impressive work. 

Exhibition Details:

First Light: The Art of Peter Kingston

S.H. Ervin Gallery, Watson Road, Observatory Hill, The Rocks 

Tuesday – Sunday, 11am-5pm, Gallery information: (02) 9258 0173 

$12/ $10 Concession/ $4 National Trust Members, children under 12 free 

The exhibition closes on Sunday 14th February, 2021

www.shervingallery@nationaltrust.com.au 

www.shervingallery.com.au

Featured image: Study for ‘Big Saturday’ 1993. Oil on canvas.64X86cm

 

TWO NEW EXHIBITIONS @ CURATORIAL & CO. REDFERN

Ingrid Daniell- On the edge, looking into the sun_Ingrid Daniell_2020

Curatorial+Co. will present two concurrent exhibitions at the Gallery from 9 – 17 December, with new work by Southern Highlands-based artist Lily Cummins reflecting on mental health and the role art can play as therapy, and its largest exhibition to date with over 50 artists offering small works just in time for Christmas.

Presented in a setting with furniture by Vampt Vintage creating a warm and personal living room feel, visitors will be able to enjoy and experience the works in this unique gallery space that offers a one-of-a-kind mix of art and design.

Curated inside the staged living room of vintage furniture within the gallery, Lily Cummins new suite of work, Weirdswas created during recent sessions of art therapy in her hospital room while being treated for a mental illness. The resulting works have a childlike innocence to them and were instrumental to Cummins’s recovery. Continue reading TWO NEW EXHIBITIONS @ CURATORIAL & CO. REDFERN

MATTEO BERNASCONI: THE CURE @ PEACH BLACK GALLERY CHIPPENDALE

‘Flow’ Matteo Bernasconi, oil on canvas, 120X85cm

Matteo Bernasconi, visual artist, opens his career defining solo exhibition The Cure on Thursday 3rd December, 6pm at Peach Black Gallery, Chippendale.

Visual artist Matteo Bernasconi’s 16 piece exhibition is a visual contemplation of the importance of the human connection, both physical and emotional.

His body of work aims to resonate with people marked by a tumultuous year of social disconnections, restrictions and uncertainty. It reflects human behaviour through our ever increasing digital world and growing disconnection. Continue reading MATTEO BERNASCONI: THE CURE @ PEACH BLACK GALLERY CHIPPENDALE

EXHIBITION ON SCREEN: RAPHAEL REVEALED

The team from Exhibition on Screen have brought us their latest work, RAPHAEL REVEALED. It marks the 500th anniversary of Raphael’s death and is based on the major exhibition at Rome’s Scuderie del Quirinale which was forced to close very soon after opening because of Covid.

The exhibition had already become one of the most talked about art events of 2020. Exhibition on Screen was granted exclusive access to the exhibition just before it reopened in June (it officially finished at the end of August and was sold out).

With unprecedented loans from the Louvre, Uffizi, National Gallery of Art, the Prado Museum, the National Gallery of London, the National Gallery of Art in Washington and others about one hundred and twenty of the artist’s masterpieces from across the globe were displayed. Continue reading EXHIBITION ON SCREEN: RAPHAEL REVEALED