What fun! BACKSEAT DIAMOND is exactly what I need in a Fringe Cabaret. Great characters, lots of laughs, fine singing and a conspiracy to boot! The brain child of Megan Kozak, the neatly written show has some terrific song choices. Lots of Motown and some soft rock, toe tappers and hands-in-the-air hits to the just sit back and enjoy soulful classics.
Beginning with ‘Aint No Mountain High Enough’ after a beehived, sexy split spangly dressed diva arrives to take her place at the back of the tiny stage. All the way at the back? At a lonely rear mic behind the 2 lead mics. Odd. And when the song starts there is something missing… the lyrics. Lovely orchestration by Mark ( Mark Chamberlain) at the keyboard but all we hear are the la la backing sounds. Something’s not right.
It’s such a lovely theatre time in Sydney in September. The weather is lovely and there is a plethora of lovely, reasonably priced shows as part of the Sydney Fringe. Doubly lovelerly, there is always something gay to be seen. The Queer Fringe, sequined blessings on the New Theatre for their stewardship, showcases community centred work.
And what do we get as part of the Queer Fringe? In the case of DIVA WARS, we get authenticity. There are seven men on stage here. Lovely looking each, I might say, and each holds dearly to a Diva who got them through … music to cry to, trial by media to find strength in and, not forgetting, style to emulate. Lemonade Salvation if you will. They sometimes fight among each other in a surprisingly aggressive laddish way, sometimes they speak directly to us but any didacticism is mitigated by vignettes which tell a story which brings all the characters together. And an inventive bit of audience participation in the middle. It’s pretty obvious that the on-stage characters are not the only Diva devotees. Continue reading WAYNE TUNKS’ NEW PLAY ‘DIVA WARS’ @ THE NEW THEATRE→
BITCH BOXER played as part of the Sydney Fringe and was performed in one of the tiniest rooms of the Erskineville Town Hall.
The stage is not much bigger than a boxing ring, the athlete is within touching distance… it’s close enough to see the scars.
Not the broken nose or cut eye of a traditional boxer but the insidious psyche-rending damage of gender, class and loss. Ambition and talent will get Chloe into contention but her primacy will depend entirely on well scabbed emotional hurts.
Chloe is 21. She is a female boxer who is up for the London Olympic Women’s Boxing Team. She lives in Leytonstone, spitting distance from the proposed venue. Her dad, an ex-boxer himself, has channelled her aggression at the departure of her mother into the sport. And there is a love interest who makes her feel soft and safe despite herself. Rounds are won but love, familial and romantic, might be the sucker punch that sends her plans to the mat. Continue reading SYDNEY FRINGE : CHARLOTTE JOSEPHINE’S ‘BITCH BOXER’→
This production has been described as, ‘A dis-quietening tragicomedy on female existence…An absurdist play that can be enjoyed by anyone.,..A bit madcap with shades of Caryl Churchil and a touch of Ad Fab.
“If only they raped me in the morning, I’d get some sleep”.
Maebh and Gráinne wait in a bar for the mysterious Manot. The question is, if he comes, which of them will he choose.
DATES :- 19th until 23rd September between 8.30pm and 9.30pm at the Blood Moon Theatre, Kings Cross.
For more about Waiting for Manot – Sydney Fringe Festival, visit Find us on:YouTube | Facebook