Carriageworks today announced 1.2 million visitors will engage with the Carriageworks Program in 2017 whilst unveiling a dynamic program for 2018 spanning contemporary art, dance, performance, music, screen, food and ideas. In 2018 the Artistic Program will support 690 artists and will present 70 projects, including 10 world premieres, 17 international works and 17 new Australian commissions.
Highlights include three large-scale, site-specific exhibitions by international contemporary artists Katharina Grosse (Germany), Ryoji Ikeda (Japan) and Nick Cave (USA), as well as three world premiere works by Carriageworks Resident Companies: Sydney Chamber Opera, Marrugeku and Force Majeure, and the presentation of leading cultural events including the 21st Biennale of Sydney, the 2018 Sydney Writers’ Festival and Sydney Contemporary 2018.
In 2018 Carriageworks will continue to be home to eight artists in supported studios in the Clothing Store in partnership with UrbanGrowth NSW. From January Carriageworks will introduce 10 new food events, including masterclasses, live cooking demonstrations and continue The Night Market series presenting Australia’s very best chef’s and producers.
Sydney Chamber Opera is currently presenting a second offering for the Sydney Festival which familiarises local audiences with the French composer Pascal Dusapin. This time the compelling piece is O MENSCH! (2008) for solo baritone and piano.
This event is part of the About an Hour series during the festival. Its focused romp through the shifting emotional reactions of one character is a dramatised cavalcade of Fredriech Nietzsche’s quite anguished poetic texts. This uninterrupted journey of self-analysis through contemporary music is not for the feint-hearted but very worth the ride.
The torments, doubts, desires and moral fragilities of the mortal illustrated by the single character on stage is given slick direction by Sarah Giles. Giles’ guidance of baritone Mitchell Riley, who is perched delicately on a small landing halfway up a set of stairs leading nowhere masterfully enhances the ebb and flow of the texts. Continue reading SYDNEY CHAMBER OPERA PRESENTS O MENSCH! @ CARRIAGEWORKS→
One of the most unusual works I have seen in a while, the world premiere of MAYAKOVSKY, composed by Michael Smetanin and libretto by Alison Croggon, is given a powerful, striking performance at Carriageworks by the Sydney Chamber Opera.
Electronic music is combined with jazz and amazing singing (among other styles) in the eclectic, fractured and disjointed, very contemporary score. It combines a small woodwind and brass ensemble with guitar, piano, percussion and electronics and was led by conductor and pianist Jack Symonds who navigated the complex and difficult score with excellent focus.