Tag Archives: Opera

L’enfant prodigue by Claude Debussy @ Backyard Opera

Debussy’s L’enfant Prodigue is a staged cantata by Claude Debussy with text by Édouard Guinand that runs approximately 45 minutes.

This classic parable still resonates with us today. In an increasingly isolating and individualistic society, we are confronted by our own passive vilification of people who have fallen through the cracks. The drive to succeed and express our identity comes at a cost. Humanisation and community are the remedy,

The cantata is to be directed by Lucy Scott and conducted by Luke Spicer. The work will be played by a chamber orchestra accompanied by soprano Ayşe Göknur Shanal, tenor  Joel Scott and baritone Andrew Williams. The piece runs for forty five minutes.

SEASON

May 5th: 7:30PM
May 6th: 5:30 + 7:30PM
May 7th: 5:30 + 7:30PM

VENUE

Backyard Opera –  a new  multi-use arts space a five minute walk from Tempe Station : http://www.backyardopera.com/contact

For more about L’enfant prodigue by Claude Debussy, visit https://www.trybooking.com/PTCM

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MOZART AND SALIERI – A TRIPLE BILL @ AUSTRALIAN PERFORMING ARTS GRAMMAR SCHOOL GLEBE

Mozart and Saleri (1)

THREE PERFORMANCES ONLY
You know the story of the infamous (albeit highly fictionalised) rivalry between Mozart and Salieri. No doubt you have seen the late Peter Shaffer’s film adaptation of his own play, “Amadeus”, greatly inspired by Alexander Pushkin’s “little tragedy”, the dramatic poem “Mozart and Salieri”.

Let us take you a little closer to the source material.

We are excited to present a triple-bill including Rimsky-Korsakov’s almost verbatim operatic adaptation of Pushkin’s tale, alongside two of Mozart and Salieri’s own farcical works; Der Schauspieldirektor (Mozart) and Prima la Musica, Poi le Parole (Salieri). These pieces were interestingly composed for the same competition and debuted at the same time, in the same room!

As a special treat, it is also our utmost privilege to present, likely for the first time EVER here in Sydney, “Per la ricuperata salute di Ofelia”; a piece of music composed by Mozart AND Salieri, with libretto by Lorenzo Da Ponte of Marriage of Figaro, Don Giovanni, and Cosi fan Tutte fame (to name just a few). Discovered only this year in the depths of the Czech National Museum, this piece was thought to be lost to the ages. We are delighted to be able to give it’s modern-day, Sydney debut.

Thursday, 4 August 2016 (PIANO PREVIEW) – 7:00PM
Tickets $20

ORCHESTRAL PERFORMANCES:
Saturday, 6 August 2016 – 3:00PM
Sunday, 7 August 2016 – 3:00PM
Tickets $35 – includes complimentary afternoon tea

EVENT ORGANISERS:
Christopher Curcuruto – Bass-Baritone (PRODUCER)
Laura King Soprano (PRODUCTION MANAGER) + Photo Credit

MUSICAL DIRECTOR
Jonathan Wilson

DIRECTORS:
Henry Shaw
Alex Robson
Rebecca Anne Coe

CAST:
Eugene Raggio
Joshua Oxley
Laura King
Zoe Drummond- Soprano
Imogen Faith Malfitano
Elizabeth Smalley
Jared David Lillehagen
Josh Rogers

ORCHESTRA:
Geist String Quartet
Sonia Wilson – Violin
Meg Cohen – Violin
Hayasa Tanaka – Viola
James Larsen – Vello
Jonathan Wilson – Piano and Spinet

This event is presented as a profit-share joint venture; by artists, for artists.

Special thanks to the Academy of Music and Performing Arts – AMPA and Felt Tip Theatre Company for their support.

DATES
4 August 2016 at 7:00PM, 6 and 7 August 2016 at 3:00pm

For more about Mozart and Salieri – a triple bill, visit
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Sydney Festival 2015 preview

January is a lazy languid time in Sydney, so it’s slightly unfair that the art lover’s idylls should be rudely interrupted – but in the best possible way – by the massive feast of cultural events that is the Sydney Festival.

Like a refreshing summer shower, some of the festival’s most appetising events are fleeting, lasting for only one or two nights; others, like a lingering heatwave, bask the greater Sydney region in their glow for weeks.

This year’s 179 events spread from the CBD to the Blue Mountains, 85 of them are free and there are almost 500 performances in total. Eight of them have exclamation marks in their title (one even has two!!) so expect some very exciting shows!

As always with the Sydney Festival, it’s best to get in early: by the time you hear about them they have may have vanished or sold out.

Continue reading Sydney Festival 2015 preview