I loved this show. One of my favourites this year so far, in fact. But there is a secret to enjoying it. Luckily I had a crony with me who had seen it earlier in the week and he let me in on the trick just as I will clue you in. It’s a brilliant script but you have to buy into the story, the characters and the style… immediately. From the first umbrella ballet to when the rain stops falling. Do this and you will take it away with you. Myself, I haven’t been able to stop thinking about it.
The story revolves around a series of characters who are obviously from different time periods and who must be somehow connected to Gabriel York who we meet in the first monologue. Gabriel left his wife and son many years ago. “The boy had a better chance without me.” He has just been contacted by Andrew who wants answers from his abandoning father. Continue reading When The Rain Stops Falling @ The New→
Suzie Miller’s play CARESS/ACHE, the current production at the Stables theatre, is a very special night at the theatre.
To ID it for you, Miller’s work features inter-weaving stories in the tradition of works like the late Robert Altman’s film, SHORT CUTS. A central ‘umbrella’ theme runs through all the stories; the power of affection, of touch, of connection.
Miller fills the play with some very big journeys which fully Involve the audience. Here are just a few of these stories:-
Bell Shakespeare has opened its 2015 season and its 25th anniversary year with AS YOU LIKE IT. As John Bell is retiring from the company he so successfully started in 1990, this production will be the last one co-directed with Bell and ongoing Artistic Director Peter Evans.
Bell and Evans open their program notes with, “Above the new Globe Theatre in 1599 stood the words, ‘Totus mundus agit histrionem’, which can be translated as ‘All the world’s a stage’, the monologue so beautifully delivered in the play by Bell’s restless and melancholic character, Jaques.
This motto seems to be reflected throughout the play, including the adaptable and minimalist set design by Michael Hankin, which, including 5,500 hanging flowers, could be set anywhere, anytime. Kate Aubrey’s radical costume design incorporates the 30s, 50s and 60s decades, further enhancing the timelessness of the world stage. Continue reading As You Like It @ The Playhouse→