This play, written by actor Michael Cristoffer, had its premiere on Broadway in March 1977. It went on to win that year’s Pulitzer Prize for Drama as well as taking out the Tony Award for Best Play.
Cristoffer’s play cuts deep. Its subject is that old dreaded subject which us humans have so much trouble dealing with – the impermanence of life and its fragility. And of-course, what goes hand in hand with this – the terrible losses that we suffer along the way.
THE SHADOW BOX is well suited to be performed ar such an intimate venue.
The play takes place over twenty four hours, in three separate cottages on the grounds of a large hospital, in the United States. Within the three cabins are three patients – Joe, Brian and Felicity, who are each to live with their respective families at the final stage of their life, as their treatment has been discontinued. Continue reading THE SHADOW BOX @ THE OLD FITZ→
The Old Fitzroy delivers night owl’s a splendid slice of theatre with a production of PVT WARS by James McLure.
Set in a veteran’s hospital, three physically and psychologically damaged soldiers co-exist in fractious society, a kind of camaraderie held together by the commonality of their confinement after combat.
According to the “Athens” Merchant of Venice website, “Shakespeare and Anti-Semitism: The Question of Shylock,” there are two views on the plays alleged anti-Semitism. First, the text presented strong evidence of Shakespeare’s purpose to portray Shylock as an “inhuman” villain “whose diabolical cunning” was “bent on gratifying a satanic lust for Christian flesh” (Athens 1).
Conversely, many people also feel that the play exposes shortcomings equally in Christians as well as Jews. It could however be surmised that Elizabethan audiences were anti- Semitic. Remember, it was just 300 years earlier, in 1290, when Jewish people were expelled from England
Actor Mark Lee, playing Shylock in the current Sydney Shakespeare Company’s Production asserted that traditionally children were employed to throw fruit at the character and indeed this show doesn’t pull punches. (“Shall we not REVENGE” indeed!) When the moment arrived, a black hood and straight razor reminiscent of some terrorist ritual on a victim strapped to a chair, needed only a camera to be a scene from countless movies on the subject.
On to this production. Considering my high expectations, (THE MERCHANT OF VENICE was my first introduction to Shakespeare in school and like many other dreamers, Shylock the character of choice to play), and the arduous task of rehearsing around the cast’s working lives, I was very pleasantly surprised at a very polished and entertaining production.
Special plaudits to Mark Lee for a very finely balanced and tuned Shylock heading an ensemble of talented and creative artists. Noteworthy are Steven Hopley as Lancelot (also happened to direct the production. Don’t you hate inordinately talented people?!), Andrew Thomson as Salerio and the Duke, and Lizzie Schebesta as Portia.
Do yourselves a favour and find your way to this one.
THE MERCHANT OF VENICE is playing at the Tap Gallery, 278 Palmer Street, Darlinghurst until Saturday August 24, 2013.