Tag Archives: MARIAS PROJECT

MY HEART SO GRIEVES: PART OF ‘PRELUDE IN TEA’

This image: Elysian Fields – featuring electric viola da gamba
Banner image: Viola da gambist Jenny Eriksson

Early music specialists, The Marais Project, and electric viola da gamba ensemble, Elysian Fields, both led by the versatile Jenny Eriksson, return to The Independent Theatre on January 28, 2018 in a once off program titled, “My heart so grieves”Continue reading MY HEART SO GRIEVES: PART OF ‘PRELUDE IN TEA’

The Marais Project : Re-Imaginings: Review

Bassist Siebe Pogson. Photo by Natasha Civijovski
Bassist Siebe Pogson. Photo by Natasha Civijovski

2014 marks the fifteenth anniversary of the commencement of THE MARIAS PROJECT. This institution, in which viola da gambist Jennifer Eriksson with her contemporaries in early music performance set out to perform the entire oeuvre of Marin Marais has already performed eighty-five per cent of Marais’ total output.

The last fifteen years of the Marais Project have put a very pleasurable focus on the agility and sonority of the viola da gamba as well as early music concert programming. Continue reading The Marais Project : Re-Imaginings: Review

The Marais Project: Collusion at the Con: Preview

For the Marais Project’s next concert COLLUSION, Artistic Director Jennifer Erickson has invited along singer and violinist, Susie Bishop and pianist and piano accordionist, Emily-Rose Šárkova to join her in what is going to be an amazing adventure. 

“Young performers of the caliber and versatility of Susie and Emily-Rose are a rarity”, Eriksson stated, “Classically trained here and in Europe, but equally at home across a range of genres including tango, world music and modern folk, they are part of a talented new generation of musicians who are renewing and re-vitalising fine music.”

Continue reading The Marais Project: Collusion at the Con: Preview

The Marais Project: Dowland In The 21st Century: Review

Seaven Teares (l to r)- Shaun Ng, Imogen Granwal, Jenny Eriksson, Cathy Upex

The striking setting of Sydney University’s Refactory suitably housed this special tribute to composer John Dowland. The aesthetic suited the styles of the music, and the acoustic was a true gift for this birthday bash.

Special guests attended this party. Virtuosi Tommie Anderson (lute) and Daniel Yeadon (treble viol) augmented the solid ensemble. Soprano Belinda Montgomery beautifully brought Dowland’s emotional and joyous intensities to life, and freshly to our time, above a range of accompaniment textures.      

Continue reading The Marais Project: Dowland In The 21st Century: Review