Tag Archives: Kate Mulvany

BELL SHAKESPEARE PRESENTS ‘RICHARD III @ THE PLAYHOUSE

 

Kate Mulvany IS Shakespeare’s Richard III. No need to read any further. Get your hands on a ticket now as they will become collectors’ items and in 5, 10, 20 years’ time when people speak of Mulvany’s performance, and they will, you will want to say you were there. Bell Shakespeare and Kate Mulvany bring RICHARD III spine- tinglingly alive at the Sydney Opera House.

Why Shakespeare’s Richard III? Since his carpark exhumation from the remains of Leicester’s Greyfriars Church in August 2012, the legacy reconstruction of the last king of the House of York, last of the Plantagenet dynasty is part of the zeitgeist. That man is not Shakespeare’s man. When he wrote it, Will was an early-career, jobbing actor and writer: politically and financially bound to sponsors. Sponsors like the Stanley Family who appear to great credit in a play designed to flatter one reputation by destruction of another.

In this 400 year old text, the Duke, Protector, King thereafter who must be brought to life is physically ‘misshapen’ and emotionally driven to ‘stand upon the hazard of the die’. Mulvany and Director Peter Evans have interrogated this, the second longest of the canon, and found in it the caustic humour and the slimy charm that allows real insight into the mind of this villain. Without the blood and gore implied and with delicious licence to secretly enjoy the malicious machinations of the unreconstructed Richard. Continue reading BELL SHAKESPEARE PRESENTS ‘RICHARD III @ THE PLAYHOUSE

Chain Play @ Bangarra Studio Theatre Sydney Theatre Company

One of the doyens of Australian playwriting David Williamson has contributed to Playwriting Australia's group play fundraiser
One of the doyennes of Australian playwriting David Williamson has contributed to Playwriting Australia’s group play experiment

Playwriting Australia, the national organisation supporting new writing for the stage, is presenting the inaugural Chain Play, a celebrity fundraising gala crammed with the best playwrights and theatre artists from around the country.

Twenty of Australia’s most exciting and celebrated playwrights will join forces to offer Sydney audiences a raucous night of group creativity.

The way that CHAIN PLAY works is that each writer has been asked to contribute a scene of a brand new play. Once the nominated playwright has written the opening scene then he/she passes the play onto the next playwright to write their scene and so it goes until the play has been completed. Continue reading Chain Play @ Bangarra Studio Theatre Sydney Theatre Company

Sydney Theatre Company Announces Patrick White Playwrighting Awards

Back row- STC Artistic Director Andrew Upton, Playwright Debra Thomas. Front row- STC Literary Manager Polly Rowe, Playwright Kate Mulvany. Pic by Hon Boey
Back row- STC Artistic Director Andrew Upton, Playwright Debra Thomas. Front row- STC Literary Manager Polly Rowe, Playwright Kate Mulvany. Pic by Hon Boey

Kate Mulvany is the new Patrick White Playwrights’ Fellow and Debra Thomas has won the 2014 Patrick White Playwrights’ Award Kate Mulvany has been announced as the latest recipient of STC’s Patrick White Playwrights’ Fellowship at a special event held at The Wharf last Friday, 22nd May.

Now in its fifth year, the Fellowship is a position for an established playwright whose work has been produced professionally in Australia within the last four years. Mulvany receives $25,000 in recognition of her body of work and previous artistic achievements. As well as including a commission from STC which she will develop during the year-long tenure, the Fellowship provides opportunities for her to share her skills with other playwrights and artists. Continue reading Sydney Theatre Company Announces Patrick White Playwrighting Awards

MASQUERADE @ the Drama Theatre

“Fifty is my first, Nothing is my second, Five just makes my third, My fourth a vowel is reckoned.”

Bring your children to Sydney Opera House to see this world  premiere production delivered in a manner that is well beyond the world of the armchair treasure hunt, with its beautiful illustrations, provided by the book.

Local playwright Kate Mulvany has lovingly adapted British author Kit Williams’ children’s book, first published in January, 1987.

Jack Hare takes us all on a fast-paced 120 minute journey, departing from his mistress, The Moon and then setting out on a mission to deliver both her message of love (a deep and meaningful riddle) and her jeweled gift, to her male paramour, The Sun. Continue reading MASQUERADE @ the Drama Theatre

Tartuffe

Leon Ford as Tartuffe tries to to seduce Orgon's wife Elmire, played by Helen Dallimore. Pic Lisa Tomasetti
Leon Ford as Tartuffe tries to to seduce Orgon’s wife Elmire, played by Helen Dallimore. Pic Lisa Tomasetti

In a witty, fresh translation – yes in rhyming couplets – by Justin Fleming, Bell Shakespeare brings us a wickedly delightful new version of Moliere’s TARTUFFE. It has been updated to Sydney now, with Australian slang and accents and works wonderfully. Fleming’s translation remains faithful to Moliere’s text while rearranging the 12-syllable lines of rhyming couplets to suit the English language. The younger audience especially loved it and were in stitches.

The play is still extremely relevant to today. Above all it examines the fake hype and religious fervour, the search for religious meaning in late middle age, that the pious swindler Tartuffe shams, Rasputin like, – a veritable Napoleon of a TV evangelist con man. Continue reading Tartuffe

THE LITTLE DEATH

Lisa McCune and Alan Duke on the set of the new Josh Lawson movie,  THE LITTLE DEATH
Lisa McCune and Alan Duke on the set of the new Josh Lawson movie, THE LITTLE DEATH

With his new film  THE LITTLE DEATH,  Josh Lawson has written and directed a very funny film. Various stories relating to the sex lives and fantasies of a group of friends and neighbours are hilariously examined.

The film opened at the Sydney Film Festival and the audience was laughing from the opening scene. It was difficult to hear all the dialogue during the phone sex scene (featuring Erin James and TJ Power) because of the waves of laughter resounding through the cinema.

THE LITTLE DEATH opens with a scene about rape fantasy; a topic that is fraught with danger and in the wrong hands could be destructive and traumatic. However, Josh Lawson handles the situation well with humour and sensibly avoids the potential hazards of this subject.

Other fantasies explored include:-  being aroused by someone crying and the tragic and comic depths someone will descend into to make their partner cry, being turned on by inherently funny role-play which happens to turn into an obsession, and being aroused by the sight of a sleeping partner. These fantasies make for some comical set pieces. Even though the film’s subject is about very intimate feelings and subjects, the characters tend to get themselves into complicated and ridiculous situations through their failure to have open and intimate conversations. This is incidental, really, as the film is lots of fun.

There are consistently strong performances from a talented cast that includes Josh Lawson, Bojana Novakovic, Damon Herriman, Patrick Brammall, Lisa McCune, Erin James, Kim Gyngell, TJ Power, Kate Box, Kate Mulvany, Alan Dukes, Genevieve Hegney, Zoe Carides, Ben Lawson, Tasneem Roc, Paul Gleeson, Lachy Hulme and Russell Dykstra.

THE LITTLE DEATH should be released later this year. I thoroughly recommend it.