Tag Archives: Johannes Brahms

WILLOUGHBY SYMPHONY ORCHESTRA : GENIUS @ THE CONCOURSE

The Willoughby Symphony Orchestra and conductor Dr Nicholas Milton were off to a terrific start for 2017 with their concert entitled GENIUS, part of the year long program entitled ENDURING PASSION.

The concert featured works by Beethoven, Mendelssohn and Brahms with special guest artist, gifted violinist Lily Higson-Spence.

Overall the orchestra was in fine, glowing form with a delicious rich tone. Dr Milton conducted very energetically yet extremely precisely .

The concert rocketed off to a tense, dynamic start with Beethoven’s Leonore Overture No.3. In the form of a dramatic full scale single symphonic movement, the piece was eloquently played and featured an augmented horn section. The work featured surging, crashing, tempestuous strings with a flute soaring above and  an inquisitive questioning woodwind, all leading up to an impressive, thrilling finale.

Guest artist Lily Higson-Spence, in a long flowing halter neck beige gown with a large bow at the back, dazzled playing Mendelssohn’s Violin Concerto in E Minor Op.64.

The standard symphonic structure is used by Mendelssohn but slightly changed by the composer. It is regarded as one of the most lyrical and flowing works of its type and is one of the most frequently performed of all violin pieces. The work had its premiere in Leipzig on March 13, 1845.

For this work, Higson-Spence, Dr Milton and the Orchestra combined as one for a magnificent performance. It was mostly Higson-Spence ,however, leading the discussion between the three in collaborative harmony .

Higson-Spence’s bravura solos were mesmerising. Her violin had a pure tone, precisely controlled yet volcanic underneath. Sometimes the violin, singing its heart out, was lyrical and reflective, melancholic and passionate, at other times the violin darted about at a blistering pace.

There was a seamless flow between movements : the first was somewhat turbulent, with a wonderful bassoon transition to the ardent second movement and the third movement was animated , leading to an invigorating finale. Continue reading WILLOUGHBY SYMPHONY ORCHESTRA : GENIUS @ THE CONCOURSE

WILLOUGHBY SYMPHONY ORCHESTRA AND CHOIR PRESENT A CONCERT FULL OF JOY

Featured photo – Pianist Kathy Selby.

For the latest concert combining the marvelous talents of the Willoughby Symphony and Choir, the concert hall at the Concourse was packed to the rafters and we were privileged to hear some ravishing, glorious playing and singing.

The program opened with a delightful , somewhat boisterous rendition of the Brahms Academic Festival Overture Op.80. Written for the University of Breslau, the piece was given a brisk, dynamic reading. Rather lighthearted, Brahms develops and expands the melodies of four well known student drinking songs and the piece features triumphant horns.

The audience loved the work and the orchestra was obviously enjoying itself under the very energetic direction of Dr Nicholas Milton. Continue reading WILLOUGHBY SYMPHONY ORCHESTRA AND CHOIR PRESENT A CONCERT FULL OF JOY

NEDERLANDS DANCE THEATRE @ THE STATE THEATRE ARTS CENTRE MELBOURNE

I was fortunate  enough to see this extraordinary performance by the legendary Nederlands Dans Theater, who are in Australia for a  very brief Melbourne only tour.

This was a thrilling, dazzling triple bill of contemporary dance.  The performance featured two works choreographed by the Company’s Artistic Director and Artistic Advisor respectively, the duo of Sol Leon and Paul Lightfoot with one work by Canadian Crystal Pite. Continue reading NEDERLANDS DANCE THEATRE @ THE STATE THEATRE ARTS CENTRE MELBOURNE