Tag Archives: Hugh o’Connor

A RIFF ON KEEF: THE HUMAN MYTH @ SBW STABLES THEATRE

Inset pic- Terry Serio as Keith Richards. Featured pic- Terry Serio and Abe Mitchell. Production photography by Ross Waldron.
Inset pic- Terry Serio as Keith Richards. Featured pic- Terry Serio and Abe Mitchell. Production photography by Ross Waldron.

Keith Richard is my uncle. We call him Bullswool.

Keith Richards is a founding member of The Rolling Stones, guitar guru, songwriter, consumer of cocaine, and wild man of rock n roll. Playwright Benito Di Fonzo calls him Keef. And swirling around his wonderful new play, A RIFF ON KEEF: THE HUMAN MYTH, there’s a lot of Bullswool.

The truth, like the man, is out there, but the mantle of myth, layered over decades, fudges flesh with fable.  Di Fonzo has fashioned a palimpsest biograph that spans seventy years taking useful information to fire his imagination and his work succeeds a great deal of theatrical satisfaction. Continue reading A RIFF ON KEEF: THE HUMAN MYTH @ SBW STABLES THEATRE

Roald Dahl’s THE WITCHES

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Guy Edmunds delivers a brilliant comic performance in WITCHES. Pics Brett Boardman

Roald Dahl’s THE WITCHES is the much loved childrens’ classic book, which tells a twisted yet endearing fairy tale, all about defeating a coven of evil witches.

Dahl’s story was originally adapted for the stage by David Woods and has since been reimagined by Lucas Jervies.

The current Stables production showcases a clever one man tour-de-force performance by Guy Edmonds (A Moody Christmas) as the master storyteller.

Continue reading Roald Dahl’s THE WITCHES

A DOLL’S HOUSE

Douglas Hansall as Torvald ties valiantly to hold onto his darling Nora, memorably played by Matilda Ridgway. Pic Seiya Taguchi
Douglas Hansall as Torvald ties valiantly to hold onto his darling Nora, memorably played by Matilda Ridgway. Pic Seiya Taguchi

In stark, and it has to be said refreshing contrast to the recent radical approach by other directors to classic works, Adam Cook plays his Doll’s House with a very straight bat. The play is performed in its time period and the plot-lines are strictly adhered to in his concise adaptation. His creative team, designer Hugh O’Connor, and lighting man Gavan Swift bring the play’s world vividly to life.

The hallmark of this production is how strongly the bold, cathartic nature of Nora’s journey is conveyed. Leading a uniformly strong cast, Matilda Ridgway as Nora takes the audience all the way with her to her chilling epiphany. It is then when Nora realises that she has spent her entire playing roles, being the dutiful child, the sweet wife, the doting mother and it is now time for her to throw off all her roles and find her own way in the world.

Iconclastic Nora exits stage left, leaving Torvald transfixed, and the other characters left to play out their roles, secure in their insecurities. Torvald (Douglas Henshall) will continue to be the straightlaced bank manager. Nils Krogstad (Anthony Gooley) will remain a shifty character, trying to get the best deal. Nora’s childhood friend Kristen Linde (Francesca Savige) will live in a compromised life with Krogstad so that she can keep the debtors from her door. Ever dutiful family friend Dr Rank (Barry French) has decided to face his final days alone, a proud man to the very end. The maid Helen (Annie Byron) will continue to be the good natured maid and carer to the two children.

Another strong showing by Sport for Jove, A DOLL’S HOUSE opened at the Reginald Theatre, Seymour Centre on Saturday July 18 and plays until Saturday August 2..