Tag Archives: Glenn Amer

CABARET IN THE DAY : BROADWAY BABIES @ MOSMAN ART GALLERY

A delightful and at times very moving Cabaret in The Day, the final of this year’s series, “ BROADWAY BABIES’ was at Mosman Art Gallery featuring the talents of maestro Glenn Amer and Adele Johnston.

The versatile, extremely impressive Amer needs no introduction to audience members of Cabaret in The Day. Johnston is a versatile artist excelling in a variety of genres including cabaret, musical comedy, opera, operetta, concert and lieder recitals. For this concert she was elegant in black and silver and – at least at the start- draped in a hot pink feather boa.

In this concert we were treated to a range of ‘The Greatest Hits’ from various musicals ranging from Annie Get Your Gun to Phantom of the Opera and more… Continue reading CABARET IN THE DAY : BROADWAY BABIES @ MOSMAN ART GALLERY

Cabaret In The Day : I’ll Follow My Secret Heart @ Mosman Arts Gallery

Featured photo- singer Christopher Hamilton.

The second of the 2017 Cabaret In The Day season was the wonderful I’LL FOLLOW MY SECRET HEART, with maestro Glenn Amer on piano and starring Christopher Hamilton

Hamilton has appeared in many musicals and plays in both professional and community theatre including The Pirates of Penzance, Paris, A Song to Sing O!,Vice, Man of La Mancha, The Hatpin, The Producers, Sweeney Todd, Les Miserables, The Venetian Twins and narrating Peter and the Wolf.

This show was a great nostalgia trip, with the performance looking at the career and songs of two of Britain’s greatest 20th Century songsmiths – the dashing Ivor Novello and the ultra sophisticated Noel Coward. Both composers remain the ‘gold standard’ of wit and romance, their works evergreen favourites.

The show opened stirringly with Novello’s 1914 patriotic Keep The Home Fires Burning . Amer then told us a bit about Novello’s life (he was described as ‘ the British Valentino ‘ , terribly handsome, who wrote seven musicals – yet apparently couldn’t sing!) .

Hamilton, dapper and very elegant in black and gold with cravat and tie pin, then launched into the liltingly romantic I Can Give You The Starlight from the 1939 musical The Dancing Years. Also from that musical we then heard the romantic infectious Waltz of My Heart . We then learnt that between the Wars Novello moved to Hollywood where he worked as a script doctor.

Amer then swept into the swirling passionate, longing, yearning title song from the 1935 Glamorous Night .

We then jumped to Novello’s comic songs and Hamilton then, through gritted teeth, performed the biting, witty And Her Mother Came Too.

Amer then talked further about Novello’s luxurious, flamboyant somewhat scandalous gay life and his links to and influences upon Coward. Amer then played Someday My Heart Will Awake from Novello’s King’s Rhapsody.

We then heard more about the rise and rise of Coward and how Novello’s work generally went out of fashion and he sadly passed away in 1951.

Amer and Hamilton performed one of Novello’s most famous songs We’ll Gather Lilacs from Perchance to Dream (1945).

Hamilton swiftly changed from his black to a white dinner jacket while Amer talked more about Coward and his various auto)biographies, letters, plays and aphorisms.

Another duet was enchantingly performed I’ll See You Again. We then heard the title song of this particular show I’ll Follow My Secret Heart, again as a duet , which lead to more discussion about how both Novello and Coward were gay with Coward being more discreet about it.

Hamilton then launched into Cowards’ Mad About The Boy.

Amer then talked about how Coward moved internationally (Bermuda, Jamaica , Switzerland) for tax reasons but always remained at heart an Englishman.

We then heard (with Big Ben chimes on the piano) the stirring, moving London Pride written during the 1941 Blitz. We then heard the jaunty , bouncy A Bar on the Piccolo Marina with its tongue twisting rhythms .This was followed by the delightful Dance Little Lady Dance with its emphatic rhythms . Amer then performed a powerful captivating solo Gypsy Melody on piano .

Next we jumped to the delicious witty Nina, with its infectious Latin rhythms and tongue twisting lyrics. We were then treated to a provoking, sarcastic and haughty Why Do the Wrong People Travel ? another duet for Amer and Hamilton.

Three classic Coward pieces followed: a breathless Mad Dogs and Englishmen, the witty I’ve Been to A Marvellous Party and the blistering, pleading, eventually furious Don’t Put Your Daughter On The Stage Mrs Worthington.

Amer gave a stellar performance of the rather strange Uncle Harry which was followed by a sad, reflective If Love Were All , which is regarded as autobiographical and is from Coward’s 1929 Bitter Sweet. The final song was a duet, a wistful, romantic version of The Dream is Over.

The audience vociferously cheered and applauded at the end leading to the encore of three Coward songs from his The Girl Who Came to SupperLondon, What Ho Mrs Briskett and the music hall like Saturday Night at the Rose and Crown.

We were then thanks by artistic director Melvyn Morrow and given a sneak peek of next week’s show Broadway Babies with the sizzling powerhouse Adele Johnston.

Running time 90 minutes without interval.

I’LL FOLLOW MY SECRET HEART,  part of the Cabaret in the Day concert series, took place at the Mosman Art Gallery on the 16th July.

CABARET IN THE DAY : YOU ARE MY HEART’S DELIGHT @ MOSMAN ART GALLERY

 

This first concert in this year’s delightful series and included music by Johann Strauss, Franz Lehár and Imre Kalman.

Piano maestro Glenn Amer played and sang fabulously. Amer also played the role of narrator and enjoyed making incisive, witty comments.

We were whisked to Vienna and heard classics such as The Blue Danube,and selections from Die Fledermaus, The Gypsy Baron, The Merry Widow, The Land of Smiles, Countess Maritza, The Gypsy Princess and works by Richard Tauber, Joseph Schmidt and others.

Amer opened the program with a very dynamic, infectious selection of famous waltzes. He placed the waltz in social context and remarked how scandalous it was when it was first performed, even raising t,he chagrin of certain bishops in Germany.  Continue reading CABARET IN THE DAY : YOU ARE MY HEART’S DELIGHT @ MOSMAN ART GALLERY

CABARET IN THE DAY – POISONING PIGEONS IN THE PARK @ MOSMAN ART GALLERY

For the latest ( and, sad to say, last in the season for the moment ) Cabaret In the Day at Mosman Art Gallery, under the terrific direction of Melvyn Morrow we had a superb POISONING PIGEONS IN THE PARK, a deliciously witty, subversive performance celebrating the wondrous talents of singer/songwriter/social satirist Tom Lehrer.

Lehrer, now retired, was a mathematics and musical theatre lecturer and has a massive cult following. His songs often parody popular song forms although often creating original melodies while doing so. He is best known for the darkly humorous songs he recorded in the 1950s and ’60s.

In the 1960s, he produced a number of songs dealing with social and political issues of the day, particularly when he wrote for the U.S. version of the television show That Was the Week That Was. He has also translated The Wizard of OZ into Latin and this is still regarded as the standard Latin version today. Despite their topical subjects and references, his songs are still enormously popular. Especially close attention must be paid to his acerbic , witty , subversive lyrics . Continue reading CABARET IN THE DAY – POISONING PIGEONS IN THE PARK @ MOSMAN ART GALLERY

CABARET IN THE DAY – OF BING I SING @ MOSMAN ART GALLERY

Rob Palmer
Rob Palmer

The latest in the Cabaret in the Day series at Mosman Art Gallery was Of Bing I Sing , saluting Bing Crosby (1903 -1977 ) , the legendary 20th century American crooner and movie star.

Recording more than 1700 songs, Crosby’s distinctive warm bass-baritone voice made him the best-selling recording artist of the 20th century, having sold over one billion records, tapes, compact discs and digital downloads around the world.

Written and directed by Melvyn Morrow, it was presented as a dialogue between Glenn Amer ( ‘” the musical mastermind of Moss Vale ‘’) who has ‘’ the fingers of Liberace and the voice of Mario Lanza” and a collection of 378 78 format style recordings of Crosby, and Rob Palmer, star of Better Homes and Gardens and Dancing With the Stars.

Amer at the shiny black piano was dressed in a dapper suit , Palmer in front of a large black and silver mike was far more casual in a t-shirt and denim. Palmer was tanned and had a dazzling cheeky grin .Palmer had a long introductory monologue explaining how the two met. Continue reading CABARET IN THE DAY – OF BING I SING @ MOSMAN ART GALLERY

CABARET IN THE DAY : GILBERT AND SULLIVAN FOREVER @ MOSMAN ART GALLERY

The first of this year’s Cabaret in the Day series as excellently directed by Melvyn Morrow was the wonderful ‘Gilbert and Sullivan forever!’ starring Andrew O’Keefe and Glenn Amer.

The best of G&S in an hour and a half was presented by O’Keefe (The Chase, Weekend Sunrise) who is a Mosmanite, and Amer who has been described as ‘the man with the fingers of Liberace and the voice of Mario Lanza ‘.

Together they become a cast of hundreds as we dashed exuberantly through some of Gilbert and Sullivans much loved operettas as well as some rarely heard works too. Continue reading CABARET IN THE DAY : GILBERT AND SULLIVAN FOREVER @ MOSMAN ART GALLERY

Cabaret in the Day – Glorious Mud @ The Mosman Art Gallery

AndrewO'K-inset
Inset pic- nAndrew O’Keefe- singer and narrator. Featured pic- The original Michael Flanders and Donald Swann

Quick. Book now if you haven’t already for the other concerts as part of this year’s ‘Cabaret in the Day ‘ season. As we arrived for this afternoon’s concert we were greeted by House Full and Sold Out signs.

There was much fun for all both the packed house and the performers. Directed by Melvyn Morrow we were privileged to enjoy the dynamic talents of Andrew O’Keefe (singer and narrator ) and Glenn Amer (singer and pianist) in a recreation of some of the songs of Michael Flanders and Donald Swann. Continue reading Cabaret in the Day – Glorious Mud @ The Mosman Art Gallery