Featured photo – Guest artist, Artistic Director of Ensemble Offspring, Claire Edwardes
Under the enthusiastic, precise and dynamic baton of Carolyn Watson, garbed dramatically in red and black, Willoughby Symphony Orchestra were in fine form with their latest concert, MIRACLE.
The first work gave the program its umbrella title, being Haydn’s Symphony No 96 in D The Miracle, so called because of the tale of the work’s premiere when a chandelier fell from the concert hall ceiling and narrowly missed the audience!
The first of the ‘London ‘ symphonies, it is in four movements and there were hints of the Beethoven symphonies and some surprises. The work begins dramatically with a strong, crashing opening and emphatic strings. The second movement contrasted with lyrical and stormy sections and had a quite balletic atmosphere full of airy elegance. Continue reading WILLOUGHBY SYMPHONY ORCHESTRA PRESENT ‘MIRACLE’ @ THE CONCOURSE →
This very exciting concert blended world premieres and nineteenth century Romanticism in a program of six relatively short works.
The program featured performances by three soloists – violinists Satu Vanska and Glenn Christensen and cellist Timo-Veikko Valve.
Ruth Crawford Seeger’s Andante (for her 1931 String Quartet) opened the concert. It began slowly almost eerily with sharp, spiky, dissonant, shimmering strings. The piece was intense and atmospheric and filled with moments of calm and jarring disharmony. The ACO’s renowned precision for detail was on show in terms of phrasing, articulation and the ability to keep body movement to a minimum.
Vivaldi’s Concerto in G minor for two violins and cello with a glittering, crisp and precise performance displayed the ACO’s ability to be vigorous and exact, particularly in the opening movement. After a soft, rather tentative and slow start, the piece turned into something quite tempestuous, though one section sounded like delicate raindrops. Continue reading ACO SOLOISTS TAKE CENTRE STAGE @ CITY RECITAL HALL→
f we shadows have offended, Think but this, and all is mended, That you have but slumber’d here. While these visions did appear – A Midsummer Night’s Dream, Scene 7
Stunningly danced the latest screening of the Palace Opera and Ballet season is the Paris Opera Ballet’s presentation of Balanchine’s A MIDSUMMER’S NIGHT DREAM in two acts and six scenes .It is the first time the Paris Opera Ballet has performed this particular Balanchine work , one of Balanchine’s few narrative ballets .