Tag Archives: Elizabeth Debicki


Like the Arias where one artist dominated, one film swept all before it. HACKSAW RIDGE won ten awards including best Director for Mel Gibson, Best Actor Andrew Garfield, and Best Supporting Actor Hugo Weaving.

Odessa Young, who starred in the film The Daughter, directed by Simon Stone, bucked the trend by being one of the youngest actors to win the  Best Actress Award.

The television awards had a mixed bunch of winners. Among the winners were Wentworth for Best Drama Series, The Kettering Incident for Best Mini Series, Upper Middle Bogan for Best Television Comedy Series, and Master Chef Australia for Best Reality Television series.

Best Lead Actor in a Television Drama was won  by Samuel Johnson for Molly, Best Supporting Actor in a Television Drama went to Damon Herriman for Secret City, whilst Best Actress in a Television Drama was won by Elizabeth Debicki for The Kettering Incident, and Best Supporting Actress went to the usually comedic Celia Pacquola for The Beautiful Lie.

The Longford Lyell Award for a Lifetime Achievement in Film and Television went to Paul Hogan.

The Trailblazer Award, created to highlight an individual’s achievements, abilities and successes as an inspiration to all invested in screen,went to Isla Fisher.

The Byron Kennedy Award for Film and Television Innovation went to Lynette Wallworth.



Isabella Huppert and Cate Blanchett. Pic Lisa Tomasetti
Isabella Huppert and Cate Blanchett. Pic Lisa Tomasetti

THE MAIDS…You saw it?…That’s the Sydney Theatre Company show with Cate Blanchett and the famous French  actress Isabella Huppert in it. Really?! I bet it was amazing…What was it like’?!


This MAIDS exudes atmosphere like a long, piercing saxophone solo that feels like it is going to go on and ache forever.

Blanchett and Huppert play the two maids, and sisters too, Claire and Solange, who are symbolically on a cliff face and tottering over the edge.

They are in a live-in arrangement with their Mistress (Elizabeth Debicki), who they hate so much that it scintillates them. The disempowered (‘I have had enough of scrubbing the toilet, kneeling down to it like an altar’) are after annihilation.  They have visions of murdering her- hacking her to pieces and burying her in the forest. When she’s away from home, they spend half their time playing role plays mocking her, the other half obsessively plotting her demise.

Director Benedict Andrews maximises the tension on stage by bringing his filmic technique to the production. Video operators on either side of the perimeter of Alice Babbage’s stage film every movement the three actresses make and these images are then beamed onto a large video screen that faces the audience.  At times, the screen swaps back to still images of flowers, especially arum lilies- traditionally symbols of death.

Along with the continuous footage coming from the actresses, Andrews has other images on the screen including arum lilies- symbols of death.

Babbage’s set is breathtaking…stunningly capturing the grandeur and opulence of the Mistress’s parlour. Flowers are everywhere…..The back wall of the stage features the Mistress’s huge wardrobe….At the front of the stage is a small dressing room table and mirror.

There are many great moments. My pick…Elizabeth Debicki’s grand ‘power’ entrance as the Mistress in full regalia and wearing dark shades…her dismissively throwing some of her favourite dresses at Solange as if they don’t matter…Claire dressing as her Mistress, in a beautiful red gown with Solange submissively hanging onto the train of her dress.

Recommended, Benedict Andrews’s production for the Sydney Theatre Company of Jean Genet’s 1947 play THE MAIDS, in a new English language translation by Andrews together with Andrew Upton, opened at the Sydney Theatre, 22 Hickson Road, Walsh Bay on Saturday June 4 and plays until Saturday 20 July, 2013.