It was lights, cameras, action at the Hayes theatre for this very slick production of MACK AND MABEL, book by Michael Stewart and catchy music by Jerry Herman, directed by Trevor Ashley. Continue reading MACK AND MABEL @ THE HAYES THEATRE
My favourite saying to calm things down at work is ‘It will be OK. It’s an Art not a Science’. But deep down I don’t really believe that. As theatre makers we might not be ‘makin a man with blonde hair and a tan’ but we do scientifically research, develop, test, monitor, feedback then hypothesise. And what grander scale could you have than the 40 year social experiment of the ROCKY HORROR SHOW?
So to further the experiment, I took a much younger friend with me to see the show. She had heard of it, knew The Time Warp of course, knew it was a phenomenon and knew that I was really excited to see it again. Anyone who has completed science class past primary school knows that experiments seldom completely succeed or fail, that there is a spectrum of achievement and this ROCKY HORROR SHOW tilts the balance almost completely towards success. The beast is loose in the grounds of the Lyric Theatre. Continue reading Richard O’Brien’s Rocky Horror Show @ The Lyric
GUILTY PLEASURES indeed. A show about women who murder might be expected to have the feel of those lurid Lady Killer magazines for bored 1950s housewives. Instead, what we get from Angelique Cassimatis in her one-woman show is five case studies in the why. Admittedly it is a bit lurid as she doesn’t shy away from the stabbing, axe work, poison, shooting and clobbering with a champagne bottle of the how.
In episodic scenes we meet the women and they speak for themselves. Taken from the book by Josh Robson, the show is about five women who feel abused, cheated on or taken for granted enough to do away with one of the men in their life.
When we meet them, none of them seem capable of murder because they don’t see themselves that way. With killer smiles they cheerfully walk us through the events and emotions leading up to the deed. And then they stop … they cease to be. A new incarnation arises and we move to the next story. The audience walks blinking in the foyer not knowing where these creatures came from and where they are now. Curiosity is driver of this show and perhaps of society’s interest in female killers in general. Continue reading Guilty Pleasures @ The Hayes