In 2010, acclaimed artist Del Kathryn Barton and renown filmmaker Brendan Fletcher had a casual conversation about working Barton’s series of Oscar Wilde inspired artworks into a short film.
Six years later, Oscar Wilde’s The Nightingale and the Rose, was born.
Currently showing at ACMI, the 14-minute adaption of Wilde’s tale of the same title is now open to the public.
The film took three years to produce with Barton and Fletcher working closely with award-winning post-production house, Method Studios. The team used a mix of handmade props and post-production animation techniques to meticulously craft the piece.
In the midst of a large, eerily dark gallery beneath the hustle and bustle of Melbourne’s busy streets, Cate Blanchett’s face plays out on one of many projector screens dangling from the gallery ceiling at the Australian Centre for the Moving Image (ACMI). These images are part of a new multi-channel video exhibition entitled MANIFESTO featuring the work of Berlin artist Julian Rosefeldt.
Rosefeldt body of work consists primarily of experimental, adventurous short films that comprise narrative structure and non-linear video installations. In his films, Julian carries viewers into surreal, theatrical realms, where the inhabitants are absorbed by the rituals of everyday life. Within these episodic arrangements, Rosefeldt uses familiar cinematic tropes and devices to engage with dislocation, alienation and social and psychological disruption. At its heart the exhibition is an exploration of the role of the artist in society. Continue reading MANIFESTO : JULIAN ROSEFELDT’S EXHIBITION @ ACMI→
What does a grumpy ogre, a smart talking bee and a kung fu panda have in common? An exhibition. This week, as part of its 2014 Winter Masterpieces series, The Australian Centre for the Moving Image (ACMI) at Federation Square will open its largest exhibit, DreamWorks Animation: The Exhibition — Journey From Sketch to Screen.