Live at Lunch – Ravel and Faure

Live at Lunch
RAVEL STRING QUARTET, RAVEL & FAURÉ DEUX PAVANNES
THE CONCOURSE NOVEMBER 2017

To round off the 2017 series of Live at Lunch concerts we were treated to a most elegant and inspiring concert, with a majorly French feel , featuring artistic director Jane Rutter the renowned flautist and the tremendous Acacia Quartet led by Lisa Stewart. Founded in 2010, Acacia Quartet has quickly won great respect for their versatile and inventive programs which often couple established repertoire with the unorthodox. In 2013 Acacia was nominated for both an ARIA Award and an APRA-AMCOS Art Music Award.

The Acacia members were in orchestral black while Rutter was dramatic in a red and black outfit.

First up we heard an enchanting version of the lush, lyrical and seductive Pavane by Faure ( arr George Pikler) with Rutter on her favourite golden flute . A pavane is a Renaissance dance that’s generally described as a formal processional walk accompanied by a stately melody. The performance was full of elegant floating grace .
The main section of the concert was devoted to Ravel’s String Quartet in F Major in four movements as performed by the Acacia Quartet.

Ravel dedicated his work to Faure and it leans towards neo-Classicism . It was written in 1903 when he was 28. The quartet played magnificently , intently and with a great sense of being a unified whole .The first movement was passionate and questioning , volcanically ebbing and flowing. Rippling sections were contrasted with sharp spiky ones and it had a soft shimmering finish (note the use of pizzicato too.)

The second movement dashed off to a boisterous exuberant start and included dizzying scurrying violins. A passionate lamenting segment was contrasted with a stinging one. The third movement was fluid and intense and the final movement was fast and emphatic, full of dynamic intensity and was bubbling and flowing in parts. The finale is challenging because of its constantly shifting tonal changes and the Quartet handled this brilliantly.

Pessard’s Andalouse and Bolero followed taking us to Spain (the Andalouse , elegant and courtly with dominating swirling , bubbling flute ) and then the vibrant Bolero a bit more French ( no , NOT Ravel’s) with its darting shimmering flute and bubbling strings.
Before the final piece the Mayor of Willoughby Gail Giles Gidney was introduced and Rutter announced the most exciting season of seven concerts for 2018 .

The concert concluded with the heartfelt, delicate and flowing Pavane pour Une Infante Defunte by Ravel (1899). It is a meditation on grief and loss and a way of life that has disappeared. As we left for lunch we could buy CDs and brochures for the 2018 season were handed out – the box office was extremely busy!

Live at Lunch RAVEL STRING QUARTET, RAVEL & FAURÉ DEUX PAVANNES was at the Concourse for one performance only 15 November 2017 .  For more information visit:  http://theconcourse.com.au/live-lunch-2017-2/