Victorian Watercolours were the first works of Art purchased by the fledgling Art Gallery Of New South Wales in 1874. For the following three decades British watercolours by living artists were actively acquired. Greatly prized in their day and more affordable than oil paintings, watercolours were viewed as highly appropriate additions to emerging colonial galleries, as well as providing an educational role for students and aspiring artists. Continue reading WATERCOLOURS EXHIBITION @ THE ART GALLERY OF NEW SOUTH WALES
Featured photo – Lisa Wilkinson AM, retiring Head Packer Steve Peters and behind the winning entry Peter Smeeth’s portrait of Lisa. Pic Ben Apfelbaum.
‘High drama’ this was. This was the last time Steve Peters, after forty years on the job, selected the Packing Room Prize worth $1500. Peters has handed the reins to Breet Cuthbertson who will judge this coveted prize for the foreseeable future.
As the winning prize was announced, the sitter, Lisa Wilkinson, suddenly strode into the room. She was told that her portrait had won just as she emerged from surgery on her right arm three days ago, due to a fall in Italy. Groggy after the operation she thought it was the Kerry Packer prize! The occasion was the first time that she had seen the portrait and she was absolutely delighted with it. ‘He got me’, she told the gathering.
Adding a touch of poignancy to the prize giving the artist, Peter Smeeth, was at the same time delivering a eulogy for a very dear friend in Yass. Lisa said. ‘This is the mark of this man.’
In the background of this portrait is a reflection of her family who were all present at the function.
Gallery Director Michael Brand noted that no Packing Room Prize winner has ever the Archibald Prize. Furthermore, the Prize had never been won by a reclining subject. He advised that if you are an arts punter don’t bet on Peter Smeeth’s portrait to win!
Finalists for the Archibald, Wynne and Sulman Prizes were also announced at the ceremony, as were the finalists for the Young Archie competition.
The announcement of the winner of the Archibald, Wynne and Sulman Prizes will take place on Friday 28th July at noon.
The 2017 Young Archie winners will be announced on Saturday 16th September and the People’s Choice announcement takes place on Wednesday 4th October.
A large coffee table book, beautifully presented and lavishly illustrated, this is an intriguing book for art lovers brought to us by the excellent Wakefield Press.
Christopher Heathcote is one of Australia’s foremost art critics, has published a number of books on Australian painters, and is a regular contributor to the current affairs journal Quadrant.
Linked in with the current exhibition at TarraWarra Museum of Art we gain a fascinating insight into the life of Dobell. The book is in effect divided into four sections with a Forward by TarraWarra Museum of Art director, Victoria Lynn.
In her forward Lynn says that the exhibition and this book places Dobell in context, from his working class roots and ‘ between the two camps of the Academy of Arts and the more avante- garde Society of Artists ‘.
The book and exhibition also examine the links and friendships between Dobell and his contemporaries such as Russell Drysdale, Donald Friend, Margaret Preston, Justin O’Brien.
Dobell maintained close friendships with many of these artists and in the 1940s Dobell controversially became a Trustee of the Art Gallery of New South Wales, an influential advocate for rising artists, again indicating how important he was to the mid-century Sydney art scene.
Heathcote, in his curatorial essay, has written a tremendous examination of Dobell’s life and work. We see how Dobell was concerned with ordinary people, painting subjects ranging from ordinary men and women seen on the streets of Depression-struck London to Sydney’s Kings Cross.
Much mention is made of his 1943 Archibald prize win for his portrait of Joshua Smith and the huge controversy this created , and how it badly affected Dobell afterwards.
Heathcote also looks at Dobell’s work practices, how he developed ideas from sketches to paintings.
DISCOVERING DOBELL stresses Dobell’s trademark style – elongation and lashings of paint – and prominently features the artist’s controversial and recognisable portraits of Joshua Smith, Dame Mary Gilmore and Helena Rubinstein, together with other major themes of his extensive output, including paintings of grinning Ockers, ( Billy Boy ) struggling young mothers, ( Cockney Mother) cheeky street children at play( Cockney Kid With Hoop) and haughty women intent on keeping-up-appearances. (Mrs South Kensington).
Dobell became quite a society portrait painter at one point . We can see his very strong solid use of shape and form. Some striking landscapes are also included of London in the 1930’s. .There is also his portrait of The Cypriot – quite startling for its time – and his portrait of The Strapper.
The book’s overview is completed with analysis of Dobell’s experimental drawings and paintings from New Guinea, ( for example Highland Natives and The Thatchers) as well as his little-known ventures into abstract form once he moved to Wangi Wangi, some paintings just completed with ball point pens.
This book reminds us of the major creative achievements of this great Australian painter and brings these achievements alive for the younger generation of art lovers.
Category Arts, Architecture and Design
Format Jacketed hardback
Size 290 x 260 mm
Extent 112 pages
Price: AU$49.95 including GST.
Celebrate young Australian talent and get up close and personal with the enchanting entries in the Young Archie competition at the Art Gallery of New South Wales.
Part of the family program for the 96th annual Archibald, Wynne and Sulman Prizes exhibition, the Young Archie competition invites budding artists aged five to 18 to embrace the genre of portraiture, and paint a portrait of someone who is special to them and plays a significant role in their life.
This is the fifth year the family-friendly Young Archie competition has run alongside the Archibald, Wynne and Sulman Prizes and it has become a much-loved annual event for Gallery-goers.
DATES FOR THE DIARY
The Young Archie 2017 Exhibition is on display at the Art Gallery of New South Wales from the 29th July to the 22nd October 2017. Admission is free.
For more about Young Archie 2017 Exhibition, visit https://www.artgallery.nsw.gov.au/prizes/young-archie/
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Get up close and personal with the topical, the influential and the sometimes scandalous portraits of the Archibald Prize at the Art Gallery of New South Wales.
The highly anticipated and much loved annual showcase of the who’s who in Australia celebrates its 96th year in 2017.
Competing for the Archibald’s $100,000 prize money, artists from across the country embrace the genre of portraiture, creating works, in the terms of JF Archibald’s will, ‘preferentially of some man or woman distinguished in art, letters, science or politics’. Continue reading Archibald, Wynne and Sulman Prizes 2017 exhibition
The first of its kind for Sydney, The Bayanihan Philippine Art Project is a collaborative multi venue celebration that presents numerous opportunities to discover and explore Filipino art and cultural practice across the city this winter.
The Art Gallery of New South Wales, Blacktown Arts Centre, Campbelltown Arts Centre, Mosman Art Gallery and Peacock Gallery & Auburn Arts Studio, in association with Museums & Galleries NSW, are partnering to present a multi-arts program that celebrates contemporary art and culture of the Philippines and the strong ties that this country has to Australia.
The art of the Philippines has been largely under-represented and under-explored in visual arts programming in many Australian cultural institutions. This project seeks to redress the imbalance and to examine the diversity of contemporary art forms and artists of the Philippines and present them to Australian audiences.
Mosman Art Gallery on Sydney’s North Shore is taking a lead role in the project with its presentation of Halò – an exhibition by internationally acclaimed installation artists, Alfredo Juan Aquilizan and Isabel Gaudinez-Aquilizan, alongside the creative talents of Sydney based multi-media artist, JD Reforma.
Perhaps the most ambitious installation ever to be shown at Mosman, the belly of the Gallery has been filled with a large scale construction that dominates the main exhibition spaces. The Aquilizan’s ‘fleet’ of military-like vessels, amassed and waiting mid-journey and all handmade from ubiquitous cardboard boxes, appears in whole floating between two floor levels. It is a powerful and challenging statement sensitive to the social and complex issues of migration and of the artists’ own personal history and transient experiences.
These much in demand contemporary art practitioners supplement the exhibition with significant works from their own archive reflecting the artist’s practice of recycling materials and works wherever possible.
Taking over the Gallery’s Cube Space and it surrounding walls, is the work of JD Reforma, a young Sydney based artist with Filipino family heritage. Reforma’s layered video works convey aspects of the complex and often violent ways in which American culture has entered the Filipino psyche.
In his digital and popular soundtrack mash-up ‘Coconut Republic’ (2017), five films convey conflict, linked by the fact that each was shot on location in The Philippines but set elsewhere; Filipino jungles and landscapes serving as an aesthetic stand-in.
Reforma also investigates notions of popular culture and the cult of celebrity in his darkly humorous ‘Confidently Beautiful, with a heart’ (2017) a work about the Miss Universe 2015 pageant, at which Miss Philippines Pia Alonzo Wurtzbach was crowned winner. As Reforma notes in the exhibition catalogue: “I think it’s particularly resonant now to revisit and assess this post-Trump institute in the context of a very Trumpian reality.”
A series of special community events and public program is programmed across the city. Halo, a free exhibition, is on show at Mosman Art Gallery until September 11.
Featured photo – A photo showing the entrance to Mosman Art Gallery, one of Sydney leading suburban galleries.
The latest exhibition at Traffic Jam Galleries features two artists from its stable – Anakita Escalante with Sydney Surroundings and Danielle McManus with Wild.
Anakita Escalante’s work is an exploration of the relationship between the man-made and the natural, examining how we live and interact from the fringes of Sydney to the tumultuous bustling of the CBD. Her invigorating paintings feature a glorious use of texture and strong, dynamic composition.
Her subjects range from the iconic Coca Cola sign at Kings Cross, the Harbour Bridge and the Archibald Fountain to striking rock faces and crashing waves (Sea Breeze).
In Fun on the Waves we are almost on board the bobbing boats. There are some striking portraits of Hornsby Lighthouse at different times of day while Rainy Day – The Rocks is grey and mysterious. Continue reading TRAFFIC JAM GALLERIES : ANAKITA ESCALANTE AND DANIELLE MCMANUS IN EXHIBITION
Queensland artist Clinton Barker makes his Sydney debut in July with his exhibition NEW LIGHT : PAINTINGS AND PRINTS at Darlinghurst’s ARO Gallery.
The official opening will take place on the 14th July between 5 pm and 8 pm with guest speaker Basil Hall of Canberra’s Basil Hall Editions.
Clinton Barker is an established award-winning professional artist whose work has been shown many times in Queensland and northern NSW galleries.
His involvement in art began in his early childhood when he was taught printmaking skills by his grandmother. Continue reading NEW LIGHT: RECENT PAINTINGS AND PRINTS @ ARO GALLERY DARLINGHURST
This current exhibition at Glebe’s Shop Gallery represents the first solo exhibition by Sydney artist GWA (aka Wade Goring).
Working as a digital artist and illustrator, the exhibition sees a selection of GWA’s unique work brought into the analogue world as large prints to canvas and paper. Further works are presented on clothing and homewares.
GWA’s work is largely influenced by and comments on queer culture, comic art, street art, pop art, pop surrealism, cinema, concept design and advertising.
This artist was a finalist in the Contemporary Art Awards for the last two years. He was also a finalist in the inaugural Queer Art Prize Australia 2017 and controversially won ‘Best Painting’ at Bent Art 2016. GWA has also been an Avant Card featured as well as exhibiting internationally.
Drop in to the OUTRAGEOUS ANIMALS exhibition, experience the art, meet the artist, purchase a piece or pick up some fun freebies.
DATES FOR THE DIARY
OUTRAGEOUS ANIMALS will be on view from June 15 – 21 at The Shop Gallery, 112 Glebe Point Road, Glebe. The Gallery is open from noon to 7 pm each day.
“ Here lies Raphael: when he was living, nature feared he would defeat her, now that he is dead, she fears her end is near.”
From the team that has produced “The Vatican Museums”, “Florence and the Uffizi Gallery” and “St. Peter’s and the Papal Basilicas of Rome”, we are privileged to see a stunning examination of the life and works of one of the greatest Renaissance artists.
Widely regarded and celebrated as an “enfant prodige” by both his peers and generations to follow, together with Michelangelo and Leonardo da Vinci, Raphael completed the triad of Renaissance Masters.
Raphael’s life and works traced the development from the arts of the Renaissance to Mannerism bringing the figurative arts to unprecedented heights.
He died young, aged 37, on his birthday, and yet managed to leave an unforgettable mark on the artistic world. Continue reading RAPHAEL : LORD OF THE ARTS
The current exciting exhibition at Traffic Jam Galleries is a combined show – Kathryn MCGovern’s DOG SHOW and Sally West’s AROUND TOWN. They are very different artists in subject and style and it makes for a captivating event.
Kathryn McGovern’s exhibition is a series of wonderful canine portraits. McGovern, over the past few months, visited various dog shows in Queensland and mingled with cossetted canines, breeders, stewards and judges.
Individual canines are depicted in great detail and we marvel at the variety of colours, shapes and sizes of the assorted dogs.
Reference photos were combined with on location observations together with McGovern’s imagination to create the final vibrant product of ink and paper.
The paintings are witty and delightful. They feature an exceptional use of composition and an intriguing use of ‘ negative space’.
From beagles to dachshunds, Churchillian bull dogs to tiny chihuahuas, giant Dalmatians and medium sized terriers, the various breeds are wonderfully shown. Some of them are full of bristling enthusiastic movement, whilst others are posed and poised.
We see it all from the canine perspective, there are no full human portraits but some pictures include legs and arms of the judges/owners.
SALLY WEST’S exhibition AROUND TOWN is her response to the environment in which she now lives. Internationally exhibited West is predominantly an ‘en plein air’ painter, with most of this exhibition’s works having been painted on site.
“I see the harbour and Sydney through different eyes now as an adult and mother, I now crave to capture them as a painter”. says West.
West’s current exhibition is a documentation of her favourite places that she has found in Sydney over the past 6-12 months.
The paintings feature a series of extremely thick, swirling brushstrokes full of wonderful texture, Many of the works are full of vibrant colour and dynamic composition, remarkable images of the sea or landscapes, including Crown Road, Study From Berry’s Bay, and Double Bay to Darling Point. The iconic Sydney Opera House is painted from above.
This was an exciting exhibition with special appeal for canine fanciers and landscape lovers.
This current exhibition is on display at the Traffic Jam until 25th May.
To mark the 75th Anniversary of the Japanese submarine attack on Sydney Harbour, Mosman Art Gallery has organised a multi-media site-specific exhibition staged in an oversized old naval fuel tank at Headland Park, Georges Heights, overlooking the scene of the World War II account.
Six Australian and Japanese artists have interpreted the event in a contemporary context, offering large–scale installations, paintings, soundscapes and immersive experiences that consider war and conflict on a global scale, while evoking one of Sydney Harbour’s darkest moments.
When the Japanese opened fire on the night of 31st May 1942, it was a brazen strike that created fear and havoc across Sydney and around the nation. War was brought home to Australia’s Eastern States. Continue reading TOKKOTAI : A NEW EXHIBITION BY CONTEMPORARY AUSTRALIAN AND JAPANESE ARTISTS
The mind of Harrison Earl is a manifestation of adolescent hobbies. Comic book artists and characters, heroes, heroines and villains from decade-past anime and a fair share of 90’s alternative rock music provide the context for the surrealist art of Harrison Earl.
BLACK RAINBOW is an artistic dichotomy of the human form. The title of the project encapsulates each piece within the exhibition; the idea of opposition and contrast through a dreamlike vision. Through this, a singular recurring character will travel within artworks telling an interconnected, subjective story throughout the various dream states. Continue reading BLACK RAINBOW : A SOLO EXHIBITION BY HARRISON EARL @ M2 GALLERY
Alyssa Palombo’s book THE MOST BEAUTIFUL WOMAN IN FRANCE strikingly captures the dangerous allure of the bond between artist and muse with delicacy, candour and unforgettable passion.
Palombo is also the author of The Violinist of Venice. She has published short fiction pieces in Black Lantern Magazine and The Great Lakes Review. A recent graduate of Canisius College she holds degrees in English and creative writing. A passionate music lover, she is a classically trained musician as well as a big fan of heavy metal. She currently resides in Buffalo, New York.
Divided into three sections, the book opens in Genoa where Simonetta Cattaneo was born and lived. She is believed to be the model for some of Sandro Botticelli’s finest paintings, including The Birth of Venus.
She was married to Marco Vespucci of Florence in 1469 at the age of sixteen and moved there upon her marriage. Even before her betrothal with Marco was official, Simonetta was drawn into Lorenzo and Giuliano de’ Medici’s glittering circle of politicians, poets, artists, and philosophers.
The men of Florence―most notably the rakish, rather sinister Giuliano de’ Medici―become enthralled with her beauty. That she is educated and an ardent reader of poetry makes her even more desirable and fashionable …
Florence, however, does not really agree with Simonetta as she eventually keeps on becoming ill. She suffers from recurring mysterious fevers – it turns out Simonetta unknowingly developed TB.
The book follows Simonetta’s tragically short life as she is wooed by the promise of life in artistic, learned Florence, befriended by the mighty Medici family and then moves in the top echelons of Florentine society, what we would now call the A-list, and is given the mixed blessing of being declared the most beautiful woman in Florence.
Simonetta’s unhappy marriage to Marco is well described. The developments of art, music and culture are also mentioned – Donatello’s David , the works of Fra Filip Lippi the amazing dome at the cathedral of Santa Maria del Fiore, as designed by Brunelleschi.
Simonetta’s story is a poignantly sad one, but also strikingly feminist as she fights to be acknowledged for her sharp mind and education (she is bookish and intelligent with a very inquiring mind) and scorns the attention paid to her because of her astonishing good looks. It is Botticelli who sees past her looks to the curious and thoughtful woman within, and through that relationship with him she is immortalised in some of the most treasured works of the Renaissance .
Breaking all convention, Simonetta agrees to pose for Botticelli leading to the creation of his famous The Birth of Venus. Do the two become lovers? Or is it a chaste affair following the rules of courtly love of the time?
You will have to read the book to find out. Boticelli asked to be buried at Simonetta Vespucci’s feet, in the Chiesa di San Salvatore di Ognissanti, where he remains to this day, makes this an even more seductive love story.
Though little is known of her real life, this story gathers what facts do exist to build a lyrical , fascinating and compelling narrative that is not just a love story. This is an enchanting book that captivates and makes you want to dash to the Uffizzi Gallery.
- Format: Trade Paperback
Pub Date: 26/04/2017
- Category: Fiction & related items / Historical romance
Fiction & related items / Historical fiction
- Imprint: Macmillan Australia
- Pages: 320
- Price: $29.99
The Home@735 Invitational Exhibition will be featuring artworks from the Badger & Fox Collection including photography by Andre Kertesz, Brassai, Jacques-Henri Lartigue, Garry Winogrand, Max Dupain, Olive Cotton, Bill Henson and a painting by Brett Whiteley.
Home@735 Gallery has invited a number of Sydney artists to submit a work for the exhibition with several artists creating responses to individual artworks from the Badger & Fox Collection.
Painter Nick Collerson will be responding to Brassai’s iconic photograph Eating at the Velodrome, Alice Couttoupes will be creating a ceramic wall work in response to an Olive Cotton photograph, Sarah Goffman will make a still life assemblage responding to an Andrea Kertesz photo and Tom Polo will paint his response to Jacques-Henri Lartigue’s 40 Rue Cortambert, France, taken in 1903.
Other artists works exhibiting include Patrick Hartigan, Mclean Edwards, Madeleine Preston, Charmaine Pike, Nicola Smith, Michael Johnson, Clara Adolphs and video by Kate Mitchell. The show will focus on portraiture, still life and landscape painting.
The exhibition opens on Thursday the 15th of June and runs till the 9th of July.
Thursday June the 15th 6-8 pm at 735 Bourke Street, Redfern.
For more information-
UNTITLED, the current exhibition at Traffic Jam Galleries, focuses on guest artists, foreign to the gallery space, featuring a diverse spectrum of themes and mediums.
The aim of this medley of physical and conceptual forms is to promote a culture of diversity and demonstrate that mixed bodies of seemingly disconnected ideas have the ability to strengthen and support each other.
The exhibition is a thrilling visual feast . Continue reading UNTITLED : AN ENTHRALLING NEW EXHIBITION @ TRAFFIC JAM GALLERIES
“An artist’s interest in gardening is to produce pictures without brushes.” Anna Lea Merritt
The latest luminous film from Exhibition on Screen is from the Florence Griswold Museum in Connecticut located at the former boarding house in Connecticut where the artists gathered .
Narrated by Gillian Anderson and directed by Phil Grabsky, with some voice over of artist’s letters of the time, it documents how the American impressionist movement followed its own path, whilst taking heed of leading French impressionists such as Renoir and Cezanne.
It also puts the art movement in context of the development of America at the time with the adoption of Impressionist techniques by US artists and it examines the way the movement interacted with changing attitudes to gardens, as well as the many other upheavals in American society at the time. Continue reading EXHIBITION ON SCREEN : THE ARTIST’S GARDEN : AMERICAN IMPRESSIONISM
As part of Art Month there is a wonderful exhibition currently showing at Traffic Jam Galleries , by Tracy Dods and Will Maguire, under the umbrella title JOURNEY OF EXPECTATIONS.
With its recurring motifs of businessmen walking into, or being consumed by the sea – Tracy Dod’s idiosyncratic work is bleak yet striking.
Most of her works have ominous clouds or at least a hint of stormy weather in the background.
Tracy lives in the Blue Mountains, New South Wales and spends much of her time in Sydney, observing the people she paints in areas/zones of urban activity such as Martin Place.
Merger, featuring two older businessmen on the edge of water, is not just about a business merger but is also slightly surrealistic – note how the hair of the pair is blown and merged together.
Mare Ditat (The Sea Restores) features a hunched, anxious businessman , holding his jacket, perhaps returning to the waiting viewer – cleansed of his sins of corruption?!
Momentary Equilibrium is rather surrealistic too in the depiction of the tumbling windblown, twig like hair.
In White Paper, the reflections and flying hair are marvellously depicted. Continue reading JOURNEY OF EXPECTATIONS : TRACY DODS AND WILL MAGUIRE @ TRAFFIC JAM GALLERIES
Directed by Phil Grabsky this is an autobiographical exploration of the great Impressionist painter Claude Monet’s life based on his voluminous correspondence (over 2500 letters). The letters are mellifluously, eloquently read by Henry Goodman and in the background there is a dreamy soundscape including compositions by Satie.
Many of Monet’s works, over a hundred, now scattered around the globe, are luminously photographed in closeup so we can see the swirling brushstrokes.
The film features glorious view of favourite Monet locations including Paris and Giverny and we can see the changes that have taken place since Monet’s time. Continue reading EXHIBITION ON SCREEN : I, CLAUDE MONET
ARTEXPRESS is an annual series of exhibitions of exemplary artworks created by New South Wales visual arts students for the Higher School Certificate examination.
For the thirteenth consecutive year, ARTEXPRESS at the Armory will be presented at Sydney Olympic Park, every day from Tuesday 28 February – Tuesday 25 April 2017 (inclusive).
With FREE daily entry between 10am-4pm at the Armory Gallery, ARTEXPRESS at the Armory 2017 is the largest of all metropolitan ARTEXPRESS displays, showcasing the works of 59 young artists from schools across New South Wales. Continue reading ART EXPRESS @ THE ARMORY GALLERY SYDNEY OLYMPIC PARK
ARTIST STATEMENT – FLAVIA JULIUS
I was born and grew up in São Paulo, an extremely busy city, full of contrasts. I have always loved to wander around the old downtown, amongst high rises, noisy traffic and people from all walks of life.
Bossa Nova is forever the rhythm that calms me down; and samba is in my blood. Maybe in a past life I lived in Africa. Drums hypnotise me, and Carnival is a sublime elation.
I wish Brazil did not have the major social inequality it does. There´s a lot of suffering around, but funnily enough through suffering huge creativity flourishes. Natural beauty and an aura of excitement: even in its dull moments, Brazil is a party place, where you can have fun and find love.
Speaking about love! I met my Aussie husband on the Amazon, and yes, it was true love! I moved to Sydney, which quickly turned into another passion.
Aboriginal art and culture became an inspiration as much as Indigenous and African culture were inspirations in Brazil.
My soul is forever divided by my original and new roots, however through painting I feel complete, I´m able to connect my two beloved countries, or indeed all the amazing places I have visited around this planet, and the ones I hope to see in the future.
When I can´t travel physically, I travel through my art.
On this particular trip, I couldn´t go anywhere else but deep into Brazil. It´s a combination of art, design, nature, culture, music, people, the spiritual, the raw and the mundane. It´s Brazilian Dreaming.
.Flavia is extending an invitation to readers to see her exhibition on display at the Penny Farthing Design House, 51 Darling Street, East Balmain from the 3-11 March.
Featured image – Brazilian/Australian artist Flavia Julius at work.
A sense of fun and joie de vivre is the dominant theme in two current exhibitions at the Australian Design Centre (ADC) : Annie Gobel: Edge In and Chili Philly: Crochet Social. The ‘wearable sculptures” jewellery by Annie Gobel and colourful garment pieces by Chili Philly both intrigue and delight the senses.
Annie Gobel Edge In.
This exhibition is presented by the ADC in collaboration with the 4A Centre for Contemporary Asian Art.
Annie is Indonesian born and Melbourne based. As well as exhibiting around Australia this young artist has recently exhibited in Japan.
Beginning with a thick bold outline, the jewellery is simply set against corrugated cardboard backdrops, which are closer to skin tones than stark white walls. The texture also lifts the works and allows pastel colours to shine. The objects are often candy coloured enamel and some of the playful pieces are made from toys. This renders them more tactile and enticing.
Chili Philly Crochet Social
Melbourne based artist Phil Ferguson goes by the name Chili Philly. His work is being exhibited in partnership with the Sydney Gay and Lesbian Mardi Gras, with one of the organisers describing it as ‘fun, camp and clever’.
Philly’s wearable art often takes the form of everyday objects, mainly food-related, which are transformed then captured as self-portraits and uploaded on Instagram. They sprang from the foods surrounding him in his earlier hospitality jobs.
The transformations use wool, acrylic and poly-filler. The video and photographic aspects are less self aggrandisement than an avenue naturally allowing his self deprecating humour to gain a wider audience.
His brightly coloured crocheted garments have gained a strong following on social media in the past few years, especially since March 2016 when this art became his full-time occupation.
At the launch of this exhibition the majority of the full house were obvious fans, many adorning food based head gear, crocheted and other. Their dedication was all the more extraordinary given the Sydney heatwave, as they queued for selfies with the creator.
Some serious trained crochet craftspeople wonder how he does it. He remarked that he started each work only knowing only one stitch, and he continued working to meet more people when new in town – hence the ‘social’ aspect.
Both exhibitions of jewellery and garments are fun and induce play. The Australian Design Centre organised kids’ and family workshops with the artists. Young attendees at the launches were impressed by the work. The exhibitions are truly fun for all ages.
The Australian Design Centre is located at 101-115 William Street Darlinghurst. The exhibitions are on display until the 15th March.
Featured image is from the Chili Philly Crochet Social exhibition. Pic by Simon Cardwell.
Featured image – Jeffrey Smart ”Second study for Margaret Olley’ (1994) – oil on canvas on hardboard. Images below by Ben Apfelbaum (c).
The Gallery’s exhibition MARGARET OLLEY : PAINTER, PEER, MENTOR, MUSE features the work of the ‘grand woman of Australian art’ whose career spanned a period of more than sixty years.
A wonderful exhibition, curated by guest curator Renee Porter, it features over 80 works from across the country. Margaret Olley’s work features alongside some of the works of her closest teachers and friends including Caroline Barker, Robert Barnes, Jean Bellette, Mitty Lee-Brown, Criss Canning, Cressida Campbell, Margaret Cilento, William Dobell, Russell Drysdale, Moya Dyring, Donald Friend, Nicholas Harding, Fred Jessup, Ben Quilty, Jeffrey Smart, David Strachan and Anne Wienholt.
Of the exhibition Jane Watters, Director of the S.H. Ervin said,
“Margaret was a frequent visitor and supporter of the Gallery and in this show we wanted to present the spirit and vigour of this grand woman in Australian art. In many ways the show completes the circle of her championing the talents of her peers and friends which she undertook with such vivacity throughout her life.”
Philip Bacon, Executor of the Margaret Olley Trust added:
“Margaret Olley was first introduced to visual arts at Somerville House school in 1937 and this in turn led to a dedicated and prolific artistic career that she pursued right through to the time of her death in 2011. Throughout her life, Olley worked within various artistic circles that in turn developed into lifelong friendships. This exhibition illustrates these connections and her relationships with many other artists as mentor, contemporary or muse. Olley certainly left her mark, not only on paper, canvas and board, but through her connections with artists – her teachers and peers and those that continue to create today.”
The current exhibition is the first in a set of three exhibitions under the umbrella title the Margaret Olley Art Series to be presented by the S.H. Ervin Gallery over the next three years and has been made possible by the support of the Trustees of the Margaret Olley Art Trust.
The Gallery has recently announced that it is hosting a series of free Sunday afternoon talks with artists and friends through February and March to further enlighten art lovers.
Sunday 19 February at 3 pm
Renée Porter, guest curator of the exhibition talks about Margaret Olley as painter, peer, mentor, muse.
Sunday 26 February 3 pm
Christine France, arts writer, historian, curator & long-time friend of Margaret Olley, shares her memories of the artist and her friendships with other artists.
Sunday 5 March 3 pm
Artists Nicholas Harding and Cressida Campbell discuss their friendship with Margaret Olley and her legacy. They will be joined by painter Laura Jones who continues the tradition that Margaret Olley dedicated her life, in capturing the essence of still life subjects.
Sunday 12 March 3 pm
Meg Stewart, author of the Olley biography, ‘Far from a Still Life’, discusses the life of the artist.
Sunday 19 March 3 pm
Steven Alderton, Director & CEO National Art School discusses his photographic documentation of Margaret Olley’s hat factory home/ studio and his friendship with the artist.
Adding to the allure of attending this current exhibition, you can also enjoy browsing the cards and books in the Gallery’s quaint bookstore as well as enjoy a cup of coffee and a cake at the adjoining tearoom.
The current exhibition is on display at the S.H. Ervin Gallery, located within the National Trust Centre until Sunday 26 March 2017. The S.H. Ervin Gallery is located at Watson Road, Observatory Hill, The Rocks, Sydney. Opening Times: Tuesday – Sunday, 11am – 5pm (closed Monday) Enquiries: (02) 9258 0173. Cost: $10/ $7 Concession.
Another way to escape the current seemingly endless scorching Sydney heatwave is to catch the delightful HARBOURING THE BEACH exhibition now showing at the Traffic Jam Galleries.
The exhibition features the works of Anakita Eskalante, Danielle McManus, Bruno Mota, Bronwen Newbury, Rebecca Pierce and Sally West in a themed exhibition that embraces Summer, The Harbour, beaches and positivity for this coming year. Don’t forget to check the gallery’s windows facing the street as they feature some of the works included.
Anakita Eskalante’s four works can perhaps be viewed as a group, perhaps companion pieces on the same theme. The texture of the huge rocks are vividly depicted and you can feel the dangerous sea crashing against them. In Walking Along the Edge (Bondi to Coogee) the sea appears to be in a happier mood but is it actually?!
Continue reading SWEET SUMMERTIME CAPTURED IN THE NEW EXHIBITION @ TRAFFIC JAM GALLERIES
Le Petit Bateau art collective is pleased to invite readers to the opening exhibition of the talented artist HARUYO MORITA on Saturday 11th February, between 7 pm and 10 pm at the Vincent and Dupree’ Salon 248 Bronte Road, Waverley.
The title of the exhibition is Haruyo Morita : Shift From Within.
Whatever word or label we use to describe the oneness of our universe, we are all inescapably participating in it. Haruyo Morita’s works explore the connected nature of this existence, recalibrating our perception of ourselves by focusing on our spiritual similarities, whilst accepting our man-made differences.
“Just because people believe in different things, they are no better or less – we are just made differently to keep the balance in this universe.”
Haruyo’s paintings reflect this understanding by stripping away our human forms and figures to reveal the shared essence of what it actually means to be a human being below the surface.
Haruyo seeks to replace judgement, malice and confusion with a gentle understanding and calm observation. Her planetary orbs of human experience sit suspended in ethereal whiteness; peaceful, egoless and beautiful.
In a world where many resolve themselves to negative energy and the perceived drudgery of existence, Haruyo reaches for more by focusing on acceptance and embracing the poetry in everything around her.
There is no instruction on how to feel, only an effort to inspire by showing us one possibility and prompting us to make our own decision, to create the changes we desire for ourselves, from within.
Haruyo Morita is a Japanese artist who began her study of visual arts at Tajimi Technical High school (Japan) in 1994.
Morita’s passion for art soon took her around the world to further refine her style at the National Art School (Sydney) and at the ‘Villa Bastille’ Art School (Paris).
Morita is currently based in Parramatta working with Sumi (calligraphy ink) ‚ traditional mineral pigments‚ gold leaf‚ shell powder‚ acrylic and oil paints.
LIST OF EXHIBITIONS –
2017 -Group show ‘Palingenesia’ (Surry Hills Sydney)
2016 – Parallax art fair( London)
2016- Group Show ‘Resonance’ Blacktown hospital, Nepean Hospital
2015- Group show ‘Vision’ M2 Gallery (Surry Hills Sydney)
2015 – Group show ‘Transcend’ Japan Foundation Gallery (Chippendale Sydney)
2015 – Group show Quarrymans Hotel (Pyrmont Sydney)
2015- Solo Exhibition Soul Portraits (Shh centre 4 Hybrid Art-Parramatta)
2015- Group Exhibition Do what you love (Soma Studio-SurryHills)
2014- Group Exhibition Ritratto dell’anima-Soul Portrait (Rome)
2013 – Group exhibition 4A Center for Contemporary Asian art(Sydney)
2013 – ‘Origin of O’ – Performance Art: Zen-Circle Calligraphy
2012 – Solo Exhibition at MarsHill Cafe‚ -Magnolia therapy(Parramatta)
2011 – Group Exhibition at MarsHill Cafe (Parramatta) 2009 – Solo Exhibition at MarsHill cafe -Flowers(Parramatta).
Haruyo Morita’s website is http://www.haruyomoritaart.com/artist.html
Entry to the exhibition is free. Food and drinks are provided by donation. There will be live music by Billsbry. The exhibition will be open to the public until the 17th March.
For more about Opening Exhibition “Shift from within” by the artist Haruyo Morita, visit http://www.haruyomoritaart.com/artist.html