Nicky Ginsberg, Director of the Chippendale Creative Precinct, warmly invites you to the one of a kind For the Love of Art! Blue Love Walking Tour. The fully immersive performance tour is in brought to you by Shaun Parker and Company and the Chippendale Creative Precinct.
Be a fly on the gallery walls and experience first-hand Glenn and Rhonda Flune’s explosive love affair. A rambling, music-filled journey down Chippendale’s winding laneways, you are invited to follow acclaimed actors Shaun Parker and Lucia Mastrantone on their journey through ups and downs, the agony and ecstasy of L-O-V-E.
“As I have not yet been appropriated, normalised or groomed into shame you’ll be accepting some risk of objectionable, offensive, unlawful, deceptive or harmful content to be known hereon as an authentic human experience”.
Prefaced with a content warning, the Glitta Supernova Experience – Body Map promises to deliver an original, provocative and honest human adventure. For those who like their cabaret a bit bizarre and entirely stripped-back (in the literal sense), Glitta’s one-woman show is an entertaining fusion of social commentary, personal anecdote and unbridled dance breaks.
The unruly terrain of the body map is bumpy, bushy and unapologetic, navigated by a fairdinkum tour guide adorned with an akubra of dangling glittery tampons instead of corks. Glitta reprimands the controlling consumerist gardener of society who perpetually tries to tighten, lift and snip the body of all it’s natural beauty. Live body art accompanies a depressing monologue where heavy chains are placed around Glitta’s neck, weighing down the body with labels such as “saggy tits” and “too fat”. Continue reading THE GLITTA SUPERNOVA EXPERIENCE – BODY MAP @ THE GIANT DWARF→
“The artists red light surrealism broke new ground, Body Maps socio political commentary on objectification and the beauty myth pulled no punches” – Otago Daily Times
“Original, Outlandish, provocative & not to be missed” Macandmae.com
Navigating who we are has never been tougher. Access is blocked with the promise of beauty & perfection. The personal highway to our soul is in a multi lane gridlock with diversions from the self at every exit.
Psychedelic, Satirical, Personal & Political storytelling that’s packed to the rafters with puns, punches & possibilities. BODY MAP is deep dive across the consumer bordered planet and into our inner being, highlighting our capacity to transform despite the odds.
Cult Pioneer of Australian performance art, Glitta Supernova brings her multi award winning show BODYMAP direct from the Dunedin Fringe Festival;
“BODYMAP exuded both vulnerability and subterranean glamarama” – Alt Media
DATE FOR YOUR DIARY :-
BODY MAP will take place on Saturday 27th May at the Giant Dwarf Theatre. Doors will open at 7.30 pm for an 8 pm performance.
BLACK BIRDS is a gutsy, entertaining performance piece about race, skin colour and hair, devised and performed by Emele Ugavule and Ayeesha Ash. The work blends music, movement, spoken word and stories from real life.
Ugavule and Ash share their stories of how they were ostracised & bullied as children and feared, shunned, mistreated and misunderstood as they moved into adulthood. Some of the worst treatment they experienced was from people who thought they were being liberal and inclusive but were, in fact, still focusing on these women’s difference and were not interacting with them as individuals.Continue reading BLACK BIRDS : PERFORMANCE ART WITH PLENTY TO SAY→
Perhaps the most visited and popular event of the recently completed Sydney Festival was THE BEACH. There were no rips, you could not drown nor suffer a sunburn if you attended.
THE BEACH, in fact, was a white coloured ‘pool’ of 1.1 million recyclable polyethylene balls that ebbed and rose up against a sixty metre wide shoreline with no sand to shake out of a towel or out oif your shoes. To complete the theme deck chairs with redundant umbrellas lined the shoreline so that parents, in addition to lifeguards, could watch their children cavorting in this plastic ocean.
What was striking was the multicultural nature of the event with women in saris or burqas plunging without inhibition into the monochromatic balls. The queues to enter were very long and routinely by 3 pm one could no longer gain entrance.
THE BEACH was designed by Snarkitecture, a New York based art and architecture practice. This free happening took place from the 7th to the 29th January at the Cutaway, Barangaroo Reserve.
The Leftovers Collective’s pop up in the heart of Sydney is asking for intimacy in a public space.
Can a love poem be shared in high traffic areas?
Couple this with the transaction of art – money and art versus audience and art? Which partnership prevails?
All you have to do is search ‘Leftovers Free Love Offer’ on your search engine and follow the directions to get your free voucher which you will bring to the secret predetermined spot and give to the artist, in return for one live, Shakespeare love sonnet.
The Leftovers Collective are a Sydney based experiential performance company mixing verse and social experiments to give Sydney playful, political and socially relevant works.
This is a FREE event
Friday 9th December between 3 pm and 5 pm.
Writing as much as I do , I am sometimes confused about superlatives . Too much? Too little to make the point? Too literary ? So with a little tear in my eye , I leaned over to the nice young man sitting next to me and asked what he was thinking. What the hell was I thinking? Anyone who was there was , of course , fabulous . ( I include myself!) but I hit the height of fabulousness with my innocent enquiry.
We were at the Sydney Gay and Lesbian Workshop Party to launch the program for 2017.
The Sisters of Perpetual Indulgence ( the second oldest in a world wide network of the charity organisation ) had done a blessing which showed a surprising intimacy with the float making process. ” May the venue be filled with bitching in an artistic fashion and the noise of action.” They blessed the volunteers , the building, even the tools. ” May your glue guns never run dry and may glitter never clog your screws.” Ha!!! Continue reading 2017 SYDNEY GAY AND LESBIAN MARDI GRAS SEASON LAUNCH→
The Forest Unyielding…
Things you want to remember, things you don’t …
Presented by Self Help Arts and 107 Projects.
Comprising dance, film, vision, word and sound by some of Sydney’s most exciting contemporary artists, The Forest Unyielding is a dynamic new study of mental health, set in a dark forest space representing the inside of a brain. Demonstrating how we create neural pathways in our brains through repetition and the reward system, and the struggle we face when we find we have gone the wrong way …
How will you forge a new path?
Bookings: $30 | Conc $25 | Carers FREE (For Carers ticket please email firstname.lastname@example.org with you confirmation of booking)
Limit 25 people per show
Preview May 24 7pm
Opening May 25 7pm
Season May 26 – 28, 3pm & 7pm daily
Autism-Friendly Show Thursday 26 3pm
The Forest Space will also be open as an exhibition (not activated by performers) 11am-2.30pm & 4pm-6.30pm daily
May 24 Preview at 7pm May 25 Exhibition 11am – 6.30pm with Opening Performance at 7pm May 26 – 28 Exhibition 11am-2.30pm & 4pm-6.30pm | Performances at 3pm & 7pm
This April, Larry Moss will be working with professional Australian actors on plays from some of the worlds greatest playwrights.
Larry Moss has made an indelible impact on the artistic lives of Australian actors. His love of great writing and his commitment to revealing the writers meaning has inspired thousands of actors around the world to rise to the occasion and serve the story. Continue reading THE LARRY MOSS MASTERCLASS SYDNEY 2016→
THE SHAPESHIFTER is playing at The Factory at 105 Victoria st Marrickville.
The Factory itself is an amazing space. A punk psychedelic industrial minimalist space, harsh and bare yet practical and functional, situated just down the road from Newtown about 20 minutes from Newtown Station.
Josipa Dreisma is a serious actor. She holds an MA in Creative Arts and Theatre Performance. She has studied in both Australia and New York. But in this play she chooses in a number of different scenarios to displays an almost childlike naivety and vulnerability.