Mikayla Williams is just slightly busy in the leadup to Opening Night for SHREK THE MUSICAL. After we have a bit of chat about her role as Princess Fiona in the show about to open at Riverside Theatres, she’s flying off. Literally. The rigging is set and the harness in place so this better be quick … no pressure really as Mikayla is warm and friendly and loves sharing her joy in the character. Continue reading PRINCESS FIONA’S OTHER OTHER SELF: MIKAYLA WILLIAMS
According to Victor, everyone has their price. But not Lulu! A best-selling author, Lulu reveals to us that with the power of knowledge, we can be the creator of our own experience. From finding a cure for cancer to saving thousands of dollars, Lulu leads us down the path of enlightenment to a healthier, happier life.
Based on real-life events, Creating With A Bang! is a refreshingly different book with a strong message.
The characters (Carlo, Lulu, George, Hot Henry, The Men in Black, Robot Joe and Victor) live simultaneously in multiple parallel worlds, connected by a higher consciousness. Hunter K. Smith cleverly uses stream of consciousness, bridging their worlds to immerse the reader in a very informative and at times, amusing story. Continue reading HUNTER K SMITH : CREATING WITH A BANG
Simon Hoy is the resident choreographer and tour director of the Melbourne Ballet Company and up till now has created seventeen works for the Company.
Hoy studied at the Australian Ballet School and has worked in Europe, Asia and America before returning to Australia in 2007.
The Melbourne Ballet Company, established in 2007, is led by Alisa Finney, and has talented dancers from around the globe.
As part of a national tour, and the Company’s tenth anniversary celebration, they are bringing a triple bill entitled BEING AND TIME to the Concourse at Chatswood.
This is a world premiere production and will feature new works by Simon Hoy, Lucas Jervies (who has worked with the Australian Ballet, Scapino Ballet, Expressions Dance Company , Sydney Dance Company and the Queensland Ballet, among others ) and Tim Podesta (who has worked with the South African Ballet Theatre, Queensland Ballet and Projection Dance, to name just a few).
Hoy described this new production, ” as examining the belief that philosophical thinking begins with, and reflects, its human subjects, in their acting, feeling, and as recognisable, living human individuals. This existential understanding of being is ‘grounded in time’, or the more popular way of describing it, is ‘of living in the moment.”
Hoy has been inspired by reading the works of Martin Heidegger the German philosopher. “While the predominant value of existentialist thought is widely acknowledged to be its freedom, its intrinsic primary virtue lies in its authenticity. Being and Time seeks to explore the concept of authenticity and the meaning of life, striving to articulate the question of Being.
“Through the movements depicted , questions are raised, – where does this movement come from? what does it mean to be human?!”
Hoy said that with this new work he is, “attempting to ignore his knowledge and preconceived ideas about the Company’s dancers, and create something as new, fresh and challenging as possible.”
The company is very excited as Mara Galeazzi, a principal dancer with the Royal Ballet – currently performing with them in Woolf Works – will be joining the Company for the production.
Hoy has worked with her previously on a gala, and has already met with her this year.and met her again earlier this year.
In other exciting news, Joseph Phillips , of the State Primorsky Opera and Ballet Theater in Vladivostok, and formerly of the American Ballet Theatre, will also be part of the production.
The Melbourne Ballet Company is classically based but like almost all dance companies now performs a mix of a variety of styles including ‘neoclassical’ and contemporary, They have a loyal following and have developed enthusiastic audiences in not just Melbourne but in regional areas too.
Hoy said he regards regional touring as very important and is excited that the Company is touring widely including to Darwin, Alice Springs and Western Australia.
The Melbourne ballet Company can be seen performing BEING AND TIME at the Chatswood Concourse on March 11 and 12.
The Company will return to the Concourse again at the end of June when it will stage another new work, Arche, based on Swan Lake.
This second passionate and inspiring discussion, part of the current Culture Club forum series, saw Bangarra Dance Theatre’s Artistic Director Stephen Page and Sydney Festival’s next Artistic Director Wesley Enoch in conversation with Caroline Baum about contemporary cultural moments relying on traditional myth and storytelling.
Caroline Baum, elegantly dressed in black, is a former producer of the ABC Radio National Arts Today program, the founding editor of Good Reading magazine, features editor of Vogue Australia and is currently editorial director of Booktopia.
Wesley Enoch, wearing a snazzy casual grey charcoal suit, harks from from Stradbroke Island in Queensland, and is a proud Noonuccal Nuugi man. Enoch will take over as Sydney Festival Artistic Dirtector from current director Lieven Bertels who completes his term in January next year, marking the Festival’s 40th anniversary. Continue reading CULTURE CLUB 2- STEPHEN PAGE AND WESLEY ENOCH IN CONVERSATION WITH CAROLINE BAUM
One of the perks of being the first play of the season is that you get to rehearse in the space.
No wonder director Stephen Colyer was pleased as punch when I spoke to him a week into rehearsals of FALSETTOS, at the Eternity Playhouse, Darlinghurst’s newest theatrical tabernacle.
Colyer was at the helm of Darlinghurst Theatre Company’s production of Torch Song Trilogy last Mardi Gras, and is clearly delighted to have the opportunity of revisiting another in the cannon of landmark queer theatre for this year’s festival.