What a sweet little movie SURVIVAL FAMILY (Sabaibaru famirî) is. It played as part of the Japanese Film Festival in Sydney and has one more showing for the Melbourne season of the JFF.
Classified as a comedy/drama, it is much more than that. This is a heart-warming, zero to hero, feel good film that not only tells the survival story of the Suzuki family as they tough it out post-apocalypse style but gives a real sense of the beauty of modern rural Japan. Because it is quite the road movie as well. Continue reading SURVIVAL FAMILY: A SWEET FILM PLAYING AT JFF→
TROPFEST ANNOUNCES NEW INDUSTRY HUB, NEW PARTNERS AND ADJUSTED DATE!
Tropfest Australia, supported by foundation partner CGU Insurance, today unveiled plans for TropNest, a groundbreaking creative hub for filmmaking, collaboration, workshops, screenings and events in Western Sydney, thanks to a new partnership with Melrose Park urban developers – PAYCE.
Young emerging filmmakers from around Australia will be invited to apply for a limited number of spaces at the Nest, where they will work rent free — with no strings attached — on their film and television projects.
From Australian documentaries The Last Goldfish andMy Mother’s Lost Children, to intimate Yiddish drama Menashe, fascinating biopic Rebel in the Rye, and award-winning hits In Between and Keep the Change, the JEWISH INTERNATIONAL FILM FESTIVAL is back for another year of outstanding Jewish cinema from all over the world.
With 65 films from 26 countries, the Festival builds on a 28 year long history of bringing the best of Jewish cinema to Australia, presenting 38 features and 23 documentaries to audiences in Sydney, Melbourne, Brisbane, Perth and Canberra. The Festival will also screen films by the inaugural recipients of the JIFF Short Film Fund, Dream House and Still Alive.
“I am thrilled with the incredible creativity and diverse storytelling of our films in the line-up this year. With the first commercial release Yiddish language film in over 50 years, and fantastic events including a live jazz night and a collaboration with Sydney Writer’s Festival, we’re extremely proud to present our 2017 program,” said Jewish International Film Festival Artistic Director, Eddie Tamir.
Highlights of the 2017 program include: moving drama In Between, following three Palestinian women living in Tel Aviv balancing traditional and modern culture, and winner of the Best Feature at Tribeca 2017, Keep the Change, a charming romantic comedy about the blossoming relationship between two people at a support group.
Not to be missed is Bombshell: the Hedy Lamarr Story, narrated by Diane Kruger (Inglourious Basterds) and featuring interviews with Mel Brooks (The Producers) and Peter Bogdanovich (The Last Picture Show), the eye-opening showbiz documentary shines a light on Hollywood queen Hedy Lamarr.
The Festival is also a great chance to catch poignant screwball rom-com The Wedding Plan, and Ben-Gurion, Epilogue, a rare, recently unearthed 1968 interview with Israel’s first Prime Minister David Ben-Gurion, with director Yariv Mozer taking part in an audience Q&A post-screening.
Showcasing the best of local Jewish filmmaking, the Festival will screen The Last Goldfish, an autobiographical documentary by Sydney’s Su Goldfish as she searches for her lost family, from Australia to Trinidad and WWII Germany. Rich with archival images, the film echoes through all those touched by forced migration. Goldfish will also engage in audience Q&As after screenings.
The Festival will also screen two films from Melbourne filmmaker Danny Ben-Moshe: My Mother’s Lost Children, an uplifting documentary following Ben-Moshe’s own family, when two children, stolen from them, reappear after 40 years; and Shalom Bollywood: the Untold Story of Indian Cinema, a fascinating look into the overlooked influence of Jewish women in Bollywood – the first dance, kiss, talkie and colour film. Ben-Moshe will take part in an audience Q&A for both films.
Closing the Festival will be The Rebel in the Rye, starring Kevin Spacey (American Beauty) and Nicholas Hoult (X-Men: Days of Future Past). A fascinating biopic on the infamously-reclusive author JD Salinger, the film covers everything from Salinger’s Jewish upbringing and his WWII service, to the completion of his iconic novel TheCatcher in the Rye.
JIFF has generously offered 3 double passes to a film of your choice. To enter email email@example.com using JIFF COMP as the subject by 5pm Friday 17th November. Only winners will be notified.
For more information about the JEWISH INTERNATIONAL FILM FESTIVAL which is now playing at Event Cinemas, Bondi Junction and the Hayden Orpheum, Cremorne visit :
The Japanese Film Festival (JFF) returns in 2017 with a line-up of the very best of fresh and classic Japanese cinema, 16-26 November at Event Cinemas George Street, Sydney
Curated by the Japan Foundation, Sydney, the 2017 Festival will present the most exciting new films direct from Japan, including comedies, samurai and yakuza action, manga adaptations, romances, drama and much more.
The Festival will open in true Japanese style with MUMON: THE LAND OF STEALTH, an action-packed film about a deadly ninja with unmatched strength who accidentally triggers a deadly battle between a warlord’s army and the ninjas in his province. Directed by Yoshihiro Nakamura (Fish Story) and starring Satoshi Ohno (The Locked Room), this film will have audiences on the edge of their seats.
Other program highlights of the 2017 Festival include BIRDS WITHOUT NAMES, a visceral tale of lust, devotion and redemption from Kazuya Shiraishi (The Devil’s Path) fresh from the Toronto International Film Festival; MY UNCLE, a heartfelt comedy about a young boy who embarks on a transpacific adventure with his eccentric, free-loading uncle; and A DOUBLE LIFE, a poignant drama from first-time feature film director Yoshiyuki Kishi, which was nominated for Best Director and Best Actress at London’s Raindance Film Festival in 2016.
Fans of Japanese Anime will be delighted by Katabuchi Sunao’s (Mai Mai Miracle) adaption of Kono Fumiyo’s comic IN THIS CORNER OF THE WORLD, a captivating and beautifully hand-drawn coming of age story set in turbulent times; and ANCIEN AND THE MAGIC TABLET, a multi-layered story of mystery and spirited adventure inspired by the sleepy but brave Okayama folk hero Momotaro, that merges a science fiction-inspired dream world with the glimmering beauty of contemporary Okayama.
“Every film in this year’s program was handpicked to present fresh perspectives and showcase the next generation of Japanese cinema,” said JFF Program Coordinator, Margarett Cortez. “Among this selection are genre-benders such as BEFORE WE VANISH by veteran Kiyoshi Kurosawa, stunning arthouse comeback film SNOW WOMAN by Asia’s indie darling Kiki Sugino, and international collaborations such as GUKOROKU – TRACES OF SIN by filmmaker Kei Ishikawa and Polish cinematographer Piotr Niemyjski. We’re also excited to introduce new blood in the Japanese cinema industry through a short film special supported by ‘New Directions in Japanese Cinema’, a Japanese government program supporting emerging filmmakers.”
The Festival will also host a number of special event screenings and special guest Q&A screenings in select cities.
The Russian Resurrection Film Festival is one of the largest, oldest and most respected Russian film festivals outside of Russia. The festival takes audiences on a captivating journey into one of the world’s most diverse film cultures.
From humble beginnings in 2004 screening in just three cities in Australia, the festival has grown in size and now screens in Sydney, Canberra, Melbourne, Brisbane, Perth and Auckland in New Zealand.
2017 is set to be bigger than ever with a fantastic line up of new films screening and a special retrospective celebrating the 80th Birthday of Andrei Konchalovsky, the legendary Russian and Hollywood director.
Perhaps not as funny or as slick as the current film phenomenon, The Big Sick, MAHBAS, casts a probing eye on carcinogenic parental prejudices that cause impediments to impending intended unions of their offspring.
While both studying in Dubai, Lebanese lass, Ghada and son of Syria, Samer, fall in love and plan matrimony. Ghada’s dad, Maurice, has no trouble giving his blessing but baulks at telling his wife, Therese, knowing her systematic hatred for Syrians will null the nuptials.
Twenty years ago, Therese’s brother was killed by a Syrian bomb and ever since she has borne a bias against all things Syrian.
Dad has the fervent but foolish belief that an ambush meeting between the intended in laws will bring Therese to her senses, especially as the stakes are her only child’s happiness.
And so the scene is set for some some sprightly, spiteful conflict, with Therese going into seat of the pants sabotage mode in an attempt to rent the couple asunder.
Apart from being a study in racial or cultural tensions, MAHBAS can be read as a meditation of marriage, the sterility of the unions of both parents in contrast to the couple eagerly anticipating their own embarkation into the deadlock of wedlock.
Maurice is busily shagging his secretary, excused by Therese’s devotion to her martyred brother. Samer’s dad is gregarious whereas his mum is the opposite. She harbours an idea that all Lebanese girls are sluts.
It is interesting to note that both mothers perceive their prospective son in law/daughter in law as unsuitable, whereas the father’s are both happy for the match to take place.
Sophie Boutros‘ film has a slow burn beginning where drama takes the ascent before the descent into comedy leavens the mood. However, just before it free falls into farce, the fractious facts of foibled humans ferment and foam in a brew that is true, sobering and bitter sweet.
MAHBAS is anchored by a sterling performance by Julia Kassar as Therese, conniving, manipulating, furious and flawed. Her counterpoint is delightfully played by Betty Taoutel, as her daffy neighbour, Solange, a scene stealer at every stage.
A screening of MAHBAS will launch the 14th annual Arab Film Festival Australia at the opening night party in Sydney, held at Riverside Theatres Parramatta, Thursday 17 August with director Sophie Boutros in attendance.
The QUEER SCREEN FILM FESTIVAL lineup has been announced and it will feature 20 films from four continents, including 16 Australian premieres, puts the diversity of LGBTIQ experience and Queer strength on screen in Sydney and the Blue Mountains.
There are screenings at the Mt Vic Flicks, Event Cinemas and thanks to a partnership with City of Sydney, Queer Screen Film Fest will also present three free film events for the whole community.
There is an outdoor family screening of Moana at Sydney Park, a seniors (and friends) viewing of the moving documentary The Lavender Scare, complete with afternoon tea. In addition there is a youth event featuring Behind The Curtain: Todrick Hall, a high energy documentary following the titular YouTube and Rupaul’s Drag Race sensation.
“Being able to give back and reach out to the community is something Queer Screen views as vitally important, and through our strong relationship with City of Sydney we are again able to provide free entertainment that focuses on three pillars of the LGBTIQ community: families, seniors and youth” says Festival Director, Lisa Rose. Continue reading 5TH QUEER SCREEN FILM FEST 19 – 24 SEPTEMBER 2017→
Currently in competition at The Sydney Film Festival, THE OTHER SIDE OF HOPE will not be in line for any award Peter Dutton might lend his name to.
Khaled, a young Syrian refugee who has lost virtually all of his family, drifts to Helsinki as a stowaway passenger on a collier to seek asylum without great hopes for his future life. Honourable and honest, he reports to the local police, not wanting to be considered an illegal.
Simultaneously, Wikström, a travelling salesman of about fifty representing mainly men’s shirts and ties, becomes a refugee from a broken marriage, walking out on his alcoholic wife and selling his entire stock of cravats and collars. Going for broke personally and professionally, he stakes his stash on a poker game in which he cleans up.
With the winnings he buys an unprofitable restaurant at the far end of an inner court along a back street in Helsinki. Along with the venue, he inherits a trio of eccentric employees – a cook, a maitre d’ and a waitress. Continue reading THE OTHER SIDE OF HOPE→
Part of the French Film Festival, THE DANCER is exquisitely, lushly photographed with some sensational performances. A feast for the eyes, it is fascinating for those who love dance, even if the film is heavily fictionalised. Some of the film is in English, at other times it is in French with subtitles.
Stéphanie Di Giusto’s film follows the life of avant- garde dancer Loie Fuller (Soko) who was born and raised in the suburbs of Chicago, lived with her father in the boondocks, and after his sudden tragic death was sent to live with her strict, God fearing mother in New York before becoming a sensation in the world of dance, first in New York and then in Paris at the turn of the 20th century, inspiring artists the like of Toulouse- Lautrec and Rodin and esteemed scientists such as Marie Curie.
Mums and Dads were highest on the thank you lists from the participants for TROP JNR this year and the audience was certainly filled with siblings and adults rooting for their films.
TROP JR is part of TROPFEST and has been running side by side since 2008. Modelled on the world’s largest short film festival, TROPFEST, TROP JR is a short filmmaking competition and a free, outdoor festival for kids aged 15 years and younger. Each year there is a ‘signature item’ which needs to be included. This year was it was ‘mask’.
TROPFEST moved from Centennial Park to Parramatta Park this year but the weather was not co-operating. To keep the kids safe in the extreme heat, the organizers moved events to a cinema and everyone I spoke to was incredibly relieved to be settled into the air con. Some of the tiniest supporters may have missed having a run in wide open spaces but the rest of us settled back to see these remarkable young filmmakers’ work. Continue reading TROP JNR 2017 : OUR YOUNG FILMMAKERS SHOW PLENTY OF PROMISE→
THE PASS is a tough watch yet a terrific choice for the Queer Screen’s 24th Mardi Gras Film Festival.
“Our guiding vision for this year to tell as many queer stories as possible through the most diverse range of characters, stories and genres yet” says Festival Director Paul Struthers as he announced the 10 ‘teaser’ films this week. And if these ten are any indication it will be an exciting season. The Festival will allow Sydney audiences to see, not only the most impressive films from the LGBTIQ film circuit, but many award-winners from Berlin, Toronto and other A-list film festivals. Continue reading THE PASS→