Currently in competition at The Sydney Film Festival, THE OTHER SIDE OF HOPE will not be in line for any award Peter Dutton might lend his name to.
Khaled, a young Syrian refugee who has lost virtually all of his family, drifts to Helsinki as a stowaway passenger on a collier to seek asylum without great hopes for his future life. Honourable and honest, he reports to the local police, not wanting to be considered an illegal.
Simultaneously, Wikström, a travelling salesman of about fifty representing mainly men’s shirts and ties, becomes a refugee from a broken marriage, walking out on his alcoholic wife and selling his entire stock of cravats and collars. Going for broke personally and professionally, he stakes his stash on a poker game in which he cleans up.
With the winnings he buys an unprofitable restaurant at the far end of an inner court along a back street in Helsinki. Along with the venue, he inherits a trio of eccentric employees – a cook, a maitre d’ and a waitress. Continue reading THE OTHER SIDE OF HOPE
Part of the French Film Festival, THE DANCER is exquisitely, lushly photographed with some sensational performances. A feast for the eyes, it is fascinating for those who love dance, even if the film is heavily fictionalised. Some of the film is in English, at other times it is in French with subtitles.
Stéphanie Di Giusto’s film follows the life of avant- garde dancer Loie Fuller (Soko) who was born and raised in the suburbs of Chicago, lived with her father in the boondocks, and after his sudden tragic death was sent to live with her strict, God fearing mother in New York before becoming a sensation in the world of dance, first in New York and then in Paris at the turn of the 20th century, inspiring artists the like of Toulouse- Lautrec and Rodin and esteemed scientists such as Marie Curie.
The film also tells the story of her relationship and rivalry with Isadora Duncan, a fellow American who at one stage was Fuller’s protégé. Continue reading THE DANCER :A DANCER’S QUEST FOR BEAUTY AND PERFECTION
Mums and Dads were highest on the thank you lists from the participants for TROP JNR this year and the audience was certainly filled with siblings and adults rooting for their films.
TROP JR is part of TROPFEST and has been running side by side since 2008. Modelled on the world’s largest short film festival, TROPFEST, TROP JR is a short filmmaking competition and a free, outdoor festival for kids aged 15 years and younger. Each year there is a ‘signature item’ which needs to be included. This year was it was ‘mask’.
TROPFEST moved from Centennial Park to Parramatta Park this year but the weather was not co-operating. To keep the kids safe in the extreme heat, the organizers moved events to a cinema and everyone I spoke to was incredibly relieved to be settled into the air con. Some of the tiniest supporters may have missed having a run in wide open spaces but the rest of us settled back to see these remarkable young filmmakers’ work. Continue reading TROP JNR 2017 : OUR YOUNG FILMMAKERS SHOW PLENTY OF PROMISE
THE PASS is a tough watch yet a terrific choice for the Queer Screen’s 24th Mardi Gras Film Festival.
“Our guiding vision for this year to tell as many queer stories as possible through the most diverse range of characters, stories and genres yet” says Festival Director Paul Struthers as he announced the 10 ‘teaser’ films this week. And if these ten are any indication it will be an exciting season. The Festival will allow Sydney audiences to see, not only the most impressive films from the LGBTIQ film circuit, but many award-winners from Berlin, Toronto and other A-list film festivals. Continue reading THE PASS