Dinner is waiting. Come with an open heart and mind to the resplendent, heavily laden table. This production by bAKEHOUSE Theatre company is superb, beautifully crafted, written and acted by a largish, strong cast of twelve and is sensitively directed by Suzanne Millar.
Be warned, this production is quite intense and divisive and features explosive inter-generational and racist remarks and quarrels.
In 2010, acclaimed artist Del Kathryn Barton and renown filmmaker Brendan Fletcher had a casual conversation about working Barton’s series of Oscar Wilde inspired artworks into a short film.
Six years later, Oscar Wilde’s The Nightingale and the Rose, was born.
Currently showing at ACMI, the 14-minute adaption of Wilde’s tale of the same title is now open to the public.
The film took three years to produce with Barton and Fletcher working closely with award-winning post-production house, Method Studios. The team used a mix of handmade props and post-production animation techniques to meticulously craft the piece.
This year marks the thirtieth anniversary of the first production of this landmark Australian play. While Sport For Jove’s production, as co- directed by Damien Ryan and Samantha Young, has some terrific segments, it a little uneven, mainly in the first half, where the acting, at times, seemed a little forced.
The staging was excellent – Lucilla Smith’s set design was very impressive – lyrical and simple, featuring a stage partially raked and there was a very effective use of light drapes which were sometimes tied back.
What is Art? Inspiration and the creative process, artistic copyright, integrity and forgery are central to this work.
This new play by Thomas de Angelis is given a terrific performance by a great cast. The production has been bought to us by BONTOM, the team that brought us Jack Killed Jack (2012) and The Worst Kept Secrets(2014).
Charles Davis’ single, multi functional, rather elegantly minimalist set has neutral colours and clean,crisp lines fluidly representing places ranging from a dingy studio in Marrickville to a posh house in Rose Bay. Effective use is also made of the upstairs balcony at times during the play. Continue reading UNFINISHED WORKS @ REGINALD THEATRE SEYMOUR CENTRE→
THE REMOVALISTS is one of David Williamson’s first and most influential plays, an iconic Australian play of the seventies dealing with domestic violence issues, that are still with us in 2015.
The Epicentre Theatre Company’s current revival features a very well chosen cast that is well able to deal with the emotional and physical demands of the script.
We witness how people play word games with each other to win each situation, but each with their own subversive reasons, in this vivid exploration of the changing roles of women and men.
The play starts inside the Police Station with two policemen, in a crime ridden suburb of Melbourne. One officer has been in the Police Force for 23 years and is corrupt whilst the other is freshly-trained and nervous, on his first day on the job. They are called on a job to help two sisters, one of whom has been badly beaten by her partner. Continue reading THE REMOVALISTS @ King Street Theatre→