Author: Philip Pogson
Philip Pogson originally trained as a music teacher and classical guitarist at Sydney Conservatorium before undertaking post graduate studies in classical guitar in Europe. For nearly two decades he has worked as a senior business advisor, consultant and company director. He has maintained an active interest in music and the arts as the co-managing director of early music ensembles, “The Marais Project” and “Sounds Baroque”, and “Elysian Fields”, Australia’s first electric viola da gamba improvised music ensemble. Along with his wife Jennifer Eriksson he has co-commissioned more than 20 new Australian works for viola da gamba and electric viola da gamba and acted as executive producer for a number of highly regarded CDs. He enjoys reading, attending concerts and gigs and occasional outings on bass guitar.
‘Nordic Moods & Baroque Echoes’ – touring New South Wales in February 2023
A Pilgrime’s Solace: Dowland’s last songs & Danyel’s funeral tears
Northern Skies, Southern Cross – Elysian Fields plays Camelot
The Marais Project presents ‘if…’ – featuring countertenor Russell Harcourt
ELYSIUM : THREE POEMS FOR A FOUR-PART EPIC WITH THE ELYSIAN FIELDS
A SCANDINAVIAN JOURNEY ON MELBOURNE DIGITAL CONCERT HALL
BLENDING THE OLD AND THE NEW IN THE ART OF MONODY
IT TAKES A VILLAGE TO MAKE ART – JENNY ERIKSSON’S VIEW ON MAKING MUSIC
THE MARAIS PROJECT : THE ART OF MONODY @ MOSMAN ART GALLERY : THREE CDS TO GIVE AWAY
FINDING WAYS TO LEAD IN A CRISIS : THE ARTS SECTOR
ARTISTS AS LEADERS : CELEBRATING THE ROLE OF HEROIC ANTIHEROES
ELYSIAN FIELDS @ FOUNDRY 616 : TWO DOUBLE PASS TO GIVE AWAY
ON TURNING 363 : REFLECTIONS ON THE LIFE AND TIMES OF MARIN MARAIS
THE MARAIS PROJECT PRESENTS ‘A BASS AFFAIR’
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