All posts by Lynn Belvedere

Once we were old enough, my parents took the whole family to the Sydney CBD cinemas every week. Thus began a lifetime interest, in going to the cinema every week, and became a passionate cinephile by watching all those very heavily edited ''Australian Film Censorship Board'' true cinéaste versions of brand new release ''Cinematograph Films''. Greater Union always gave my father (who worked in Cinema Distribution Exhibition) guest double movie passes, to every first-night ''red carpet Opening Night'' at The State Theatre Cinema at 49 Market Street. Up until his death, my dad always received ''two house seats'' for every Opening Night performance events at the Theatre Royal SYDNEY and at Her Majesty's Theatre SYDNEY. As a child, when mum choose not to go, I often went with him, to those live performance events. As a young child, I remember being taken for each new show, at both The New Theatre at 60 Sussex Street, and the Phillip Street Theatre when located at 150 Elizabeth Street, and for classical music concerts at Sydney Town Hall.   Being happy is a choice, and I have always viewed my life, as material ready be made into a series of amazing tentpole movies. My New Years Resolution is kept every year: ''Get to see/review five new live theatre shows each week, and get to see/review six new cinema movies each week'', plus is one of the Australian Cinema Pioneers and apparently have seen far too much already, but always wanting to experience more and more each year. I am also able to do almost everything that I enjoy doing. Yes, I do have a great daytime job in I.T. as ''Software Design Project Manager'', PLUS each evening until quite late - playwright, writer, director, producer, arts/drama critic and judge, journalist, member FCCA & member AACTA accredited film reviewer-critic-writer, projectionist, plus an innovative iconoclast . . . LYNN BELVEDERE . . .

MODERN JESUS by Christopher Neels @ The Depot Theatre in Marrickville

 

 

“Steal a little and they throw you in jail, Steal a lot and they make you king” – Bob Dylan.

First performed in Southwark, London during April 2014, this realistically written, message piece has been successfully localised for a Sydney audience. This confronting new work about the absolute freedom of the individual, cleverly tells the story of disaffected youth and their struggles with their every day Sydney life, and this drama  follows the activism path from idealism until extremism.

Charlie is a checkout girl, and Luke her ex-soldier boyfriend, came back from Afghanistan in a wheelchair. This is Charlie’s story, often funny and definitely quirky, and fully exposes her overt controlling influence over her friends.

Charlie, for an unprovoked act of violence, is sacked from her menial job at Woolworths, and that event begins her manic journey on her downward spiral, that becomes a need for anarchy and complete rebellion against societal expectations. Stealing shopping trolleys from Woolworths and hiding identities behind silly masks.

What begins as victimless and relatively harmless criminal activity, quickly seems much more like terrorism against strangers. Even in these unusual circumstances, normal people would not be willing to accept Charlie’s intellectually empty philosophies. Continue reading MODERN JESUS by Christopher Neels @ The Depot Theatre in Marrickville

JAMI BRANDLI’S ‘TECHNICOLOUR LIFE’ @ THE DEPOT THEATRE, MARRICKVILLE

 

Production photos – Katy Green Loughrey

The award winning US play TECHNICOLOR LIFE by Jami Brandli, is now having its Australian premiere as part of The Depot Theatre’s 2017 Season.

Grandmother, mother and two daughters, explore divorce, adolescence, war-wounded, cancer, remission, euthanasia, and  much more. Billie (Tasha O’Brien) a young and love-struck Iraq War soldier, loses her left hand and is sent home, with PTSD, damaged and angry.

Billie’s fourteen year old sister, Maxine (Nyssa Hamilton) is the  narrator of this story, and she attempts to help her now alcoholic wounded sister, by enlisting her new imaginary friends – Lorelei Lee and Dorothy Shaw from the movie “Gentlemen Prefer Blondes”.

The unravelling of intergenerational female relationships are brilliantly explored. The right to die movement, friendly fire, women in the military on the front line in Iraq, hiding sexual assault on military women. Continue reading JAMI BRANDLI’S ‘TECHNICOLOUR LIFE’ @ THE DEPOT THEATRE, MARRICKVILLE

FACTORY SPACE THEATRE PRESENTS THE TRAGEDY OF MACBETH @ THE STAR OF SEA THEATRE

This intimate production of MACBETH is performed both on stage, and in and around the audience, as we follow Macbeth’s twisted mental landscape as he kills all his rivals to capture the Crown.

Many actors believe that the play is cursed, and refer to the play as  “The Scottish Play”. As written, the play has a minimum of 40 characters, usually requiring a cast of 19 actors. Director Roz Riley has created her extraordinary vision of MACBETH with just ten actors, and each night there are  video-projected  images which are drawn live by E. Strange.

The three Weird Sisters (The Witches) constantly change costumes and demeanour, to magnificently deliver the bulk of the huge cast of characters. The production was beautifully staged with the tension palpable throughout  and the fine ensemble cast delivering consummate performances. Continue reading FACTORY SPACE THEATRE PRESENTS THE TRAGEDY OF MACBETH @ THE STAR OF SEA THEATRE

PATRICIA CORNELIUS’ SHIT @ THE REGINALD THEATRE, SEYMOUR CENTRE

 

Patricia Cornelius’s fast-paced play SHIT is a compelling sixty minute theatre experience, charting the lives, of three very tough young women, Billy, Bobby and Sam. As abandoned children, these three marginalised girls found themselves moving hopelessly from one abusive foster home to the next.

They believe in different things :- one believes that unconditional love can only be found by birthing a child who will always love her. Another  had a baby when twelve years and they have become friends for life.

The play features adult themes, aggressive violence and brief nudity, with the very confronting use of explicit course language.   Continue reading PATRICIA CORNELIUS’ SHIT @ THE REGINALD THEATRE, SEYMOUR CENTRE

A RAVE REVIEW FOR ‘REEFER MADNESS’ @ THE FACTORY THEATRE Marrickville

This was an astonishing juggernaut of great musical entertainment. It was full of catchy tunes with a young cast of pretty girls and handsome boys, always expounding the addictive dangers of the banned narcotic drug, known as the evil weed called Marijuana.

This was a delightful musical parody of the 1936 cult fake-news movie documentary. Concerned parents are lectured on the dangers of the new evil drug, Marijuana, that will turn all their virtuous teenagers into drug-addicted, sex-crazed, jazz music lovers, suffering from the munchies. Today on the cusp of global marijuana legalization and medical marijuana breakthroughs, and with the benefit of hindsight, this satirical musical provides hilarious hazy insights into our current political climate of  conservatism combined with bigotry. Continue reading A RAVE REVIEW FOR ‘REEFER MADNESS’ @ THE FACTORY THEATRE Marrickville

FRONT @ THE DEPOT THEATRE MARRICKVILLE

 

“Music is a social activity. It’s done with others. Since, like, the dawn of time or some shit”

FRONT follows the unseen side of the Music Industry, and intense drama unfolds in rehearsal rooms, green rooms, on radio, on television, in recording studios, but especially including those one way discussions with the toughest record label executive, appearing directly from the gates of hell.

This was an original new Australian conceptual play, well acted with believable dialogue filled with both humour and pathos, that explores relationship issues within a new band. Refreshingly catering to today’s audience with its rock metal tunes, loud music, but well enjoyed by the opening night audience. Duration is a fast paced eighty minutes, with no interval.

Running from 28th June until 15 July 2017 at The Depot Theatre, 142 Addison Road, Marrickville, with on-site free car parking.

http://thedepottheatre.com/front/
https://www.trybooking.com/book/event?eid=248080
https://www.facebook.com/thedepottheatre/
http://www.facebook.com/pages/The-Depot-Theatre/822929621115735
https://www.facebook.com/JackRabbitTheatre/
https://www.jackrabbittheatre.com/front/

CAST
Vocals – Lincoln Vickery
Bass – Jack Angwin
Guitar – Charlie Falkner
Drums – Andreas Lohmeyer
Manager – Elle Harris
Multi Character – Mary Soudi

CREATIVES
Director/Writer/Composer – Michael Abercromby
Assistant Director – Charlotte Devenport
Designer – Shaynee Brayshaw
Produced by JackRabbit Theatre

PHOTOS by Tom Cramond

 

 

HEATHERS THE MUSICAL @ SUTHERLAND MEMORIAL SCHOOL OF THE ARTS

 

Production photography by Grant Lesley.

This was an unremittingly dark as well as entertaining  musical with Emma Taviani delivering a nuanced and compelling performance as Veronica Sawyer. As many will know this musical is based on the cult 1988 Hollywood movie Heathers starring Winona Ryder and Christian Slater.

Director Meg Day has wisely cast three perfect, bright voiced women as the Three Heathers.  This was a moving and thought-provoking revenge musical containing confronting adult themes and blends enthralling drama with  sharp humour.

We meet HEATHER I and II and III. Veronica Sawyer is not part of the “in crowd”, and is trying to survive as hunted prey in the school jungle. She suddenly becomes part of the most popular mean girls clique at Westerberg High School, made up of these three bitches: Heather Duke, Heather McNamara and led by Heather Chandler.

Veronica Sawyer decides to get out of the snobby clique that is completely destroying her good-girl reputation and teams up with the new guy Jason Dean (J.D.), and he becomes her sociopathic lover who plots to murder the cliquey students.

The staging and set design were both exceptional, and the huge ensemble cast went to town with Laurence O’Keefe’s and Kevin Murphy’s lyrics, making for an awe-inspiring and extraordinary evening.  

Miranda Musical Society’s production of HEATHERS THE MUSICAL opened at the Sutherland Memorial School Of The Arts ​21-23 ​East Parade​, ​Sutherland on Friday 16th June and is playing until 25th June. The venue is located near the railway station car park.

PRODUCTION TEAM

Director:- Meg Day

Musical Director:- Joshua Ransom​

Choreographer:- Tracey Blankenship

CAST

Veronica Sawyer = Emma Taviani

Jason Dean (J.D.) = Daniel Cullen

Heather Chandler = Tanya Boyle

Heather McNamara = Jess Farrell

Heather Duke = Steph Josifovski

Martha Dunnstock = Elle Zattera

Ram Sweeney = Daniel O’Connell

Kurt Kelly = Jay Cullen

​Ram’s Dad/Veronica’s Dad = Brad Facey

Ms Flemming/Veronica’s Mum = Michele Lansdown

​Kurt’s Dad / Big Bud Dean = Garth Saville.

 

http://www.mirandamusicalsociety.com.au/

https://www.facebook.com/MirandaMusSoc/

https://www.facebook.com/events/1571256779564909/

http://sa2.seatadvisor.com/sabo/servlets/EventSearch?presenter=AUMIRANDA

 

 

 

WAYNE TUNKS ‘BITCH’ @ THE DEPOT THEATRE

Tunks’ play is about the dysfunctional Post family and their friends, everyone has unresolved issues, their attitudes reveal the dark sides of just another typical Caucasian Australian family.

It is a confronting message piece, LGBT life is a bitch w hen you choose denial.

Ultimately it is a very satisfying drama about self-interest and personal trauma, filled with adult cynicism carefully blended with casual discrimination, racism and homophobia, including brutality, appropriate language and some violence. There  are sympathetic performances, that were always tempered with pathos and humour.

Continue reading WAYNE TUNKS ‘BITCH’ @ THE DEPOT THEATRE

JON ROBIN BAITZ’ ‘OTHER DESERT CITIES’@ ARTS THEATRE CRONULLA

 

This is sharply observed dark comedy about people maintaining their false façades. It is a a stunning script by Jon Robin Baitz containing an unexpected outcome.

The whole family is visiting at the wealthy Wyeth’s family home, located in Palm Springs California on Christmas Eve 2004. Daughter Brooke has just written a politically and emotionally dangerous memoir about her life, her parents and the tragic loss of her older brother.  Her memoir sends shockwaves through the family.

Polly and Lyman Wyeth are old-guard Republicans, highly regarded in old Hollywood circles. Recently released from rehab, Polly’s sister Silda, is also living with them, and is a politically active Democrat. Continue reading JON ROBIN BAITZ’ ‘OTHER DESERT CITIES’@ ARTS THEATRE CRONULLA

HOTEL COOLGARDIE : A PROVOCATIVE NEW AUSTRALIAN DOCUMENTARY

Pete Gleeson’s  HOTEL COOLGARDIE depicts a real life Australian working holiday misadventure of two Finnish women, Lena and Steph, as a result of  being robbed of all of their holiday savings in Bali.

The duo get an authentic outback experience, working for three months as under-trained bartenders at the Denver City Hotel, the only pub in the remote and isolated gold mining town of Coolgardie in Western Australia, some  500 kilometres east of Perth.

The two young women are considered willing prey, and relentlessly have to say no to every verbal request for sex as they  fight off aggressive, unwarranted sexual advances from the hot-blooded and permanently drunk male clientele.

Australian Responsible Service of Alcohol laws are continuously ignored by the hotel licensee and the hotel staff. The drunken locals display obvious signs of excessive alcohol consumption and alcohol poisoning, the sure signs being talking loudly, coarsely, incessantly and with heavily slurred speech.

Continue reading HOTEL COOLGARDIE : A PROVOCATIVE NEW AUSTRALIAN DOCUMENTARY

TALKING TO TERRORISTS BY ROBIN SOANS @ KING STREET THEATRE

 

British playwright Robin Soan’s play was first performed on 21st April 2005 at the Theatre Royal in Suffolk, England.

It is  a strong and confronting work of Verbatim Theatre. Every word spoken has come from the mouths of real people, from very different vantage points . . . terrorist, perpetrator, hostage, victim, politician, journalist, peacemaker. Christians, Sunni and Shia Muslims, IRA, Kurd, NRA, the British Army, Foreign Office, relief-worker, and psychologist.

Nine actors portray some twenty-eight characters. Soans’ play provides eye-opening insights, and is a rewarding exploration of many opposing points of views in the most pressing issue  that the world currently has to deal with.                      Continue reading TALKING TO TERRORISTS BY ROBIN SOANS @ KING STREET THEATRE

MANLY MUSICAL SOCIETY PRESENTS ‘SWEENEY TODD’ @ THE STAR OF THE SEA THEATRE

This was a hugely entertaining musical that enthrals the audience with its depravity, its fabulous lyrics together and the brilliant performances by all the leads and the large ensemble.

This dark story of hatred, is a unique musical and a revenge thriller, with multiple murders delivering so much blood and gore from each throat slitting.  The musicals’ dark themes include a young woman being raped, and a mother and daughter being wrongfully committed to an institution. Just what you expect from the City Of London in that era?!

Benjamin Barker was a barber in 19th-century London, an expert with the cut-throat razor, and was transported to an Australian penal colony by Judge Turpin.  Fifteen years later, and now named Sweeney Todd (Paul Nicholson), Barker moves into his old shop above the pie shop owned by Mrs. Lovett  (Miriam Rihani).

Continue reading MANLY MUSICAL SOCIETY PRESENTS ‘SWEENEY TODD’ @ THE STAR OF THE SEA THEATRE

WILLY RUSSELL’S CLASSIC ‘EDUCATING RITA’ SPARKLES @ THE DEPOT

 

Frank Bryant (David Jeffrey) has become a tutor, for an Open University English Literature course, entirely just for the money. He is an older middle-class professor, a career academic, and a high-functioning alcoholic, who had ambitions to be a great poet and is bored with his University job of teaching undergraduate English Literature. His first student Rita White (Emily McGowan) struts into his book-filled office.

Rita is an unhappy married hairdresser, down-to-earth and excessively talkative but often rambling, and now aged 26 years, she needs freedom and is driven to dedicate herself to receiving all of the education, that she failed to receive in school.

Rita brings all of her under-educated blunt honesty, to loudly challenge Frank’s deep intellect and limitless knowledge of literature. Each inspires the other to become more alive, and better live their lives. Socially inept Rita believes that she is trapped by her working class life and her husband, and the theme of identity emerges, because she changed her birth name from Susan to Rita. Rita believes that studying literature for twelve months, will give her the worldly knowledge that she needs to grow as a person.

Playwright Willy Russell has sleekly styled EDUCATING RITA with realistic character-driven dialogue, providing the perfect balance of humour and poignancy. The play is fast paced, dialogue intensive 120 minutes of theatre entertainment, full of purpose, comedy and pathos, as these two people, learn more about each other, the class system, and the many shortcomings of institutionalised education systems.                 Continue reading WILLY RUSSELL’S CLASSIC ‘EDUCATING RITA’ SPARKLES @ THE DEPOT

SEX OBJECT @ THE DEPOT THEATRE

SEX OBJECT, Charlie Falkner (Ben), Andrew Hearle (Gustav), Grace Victoria (Kate), Charlotte Devenport (Ron).
SEX OBJECT, Charlie Falkner (Ben), Andrew Hearle (Gustav), Grace Victoria (Kate), Charlotte Devenport (Ron).     

Comedy great, Les Dawson famously said “My wife is a sex object. Every time I ask for sex, she objects.”

SEX OBJECT is an absolute joy, gloriously funny, quite wonderful, and is a highly entertaining brand new Australian comedy. SEX OBJECT is exactly and precisely all about her one reason why their six month fully sexual relationship has now evaporated into “My girlfriend is a sex object. Every time her boyfriend asks her for sex . . . she objects.” Beautifully directed by Michael Abercromby, with an excellent cast of four superb actors, each with perfect comedy timing.       Continue reading SEX OBJECT @ THE DEPOT THEATRE

A CHORUS OF DISAPPROVAL @ STAR OF THE SEA THEATRE MANLY

Alan Ayckbourn’s A CHORUS OF DISAPPROVAL is a play within a play, a dark and intricate comedy, concerned with the Pendon’s Amateur Dramatics Society, situated in a smallish British town.

The actors life off stage is filled with  clever political and business intrigue as well as sexual shenanigans and resultant jealousy.

Continue reading A CHORUS OF DISAPPROVAL @ STAR OF THE SEA THEATRE MANLY

Ellie, Abbie & Ellie’s Dead Aunt @ Depot Theatre Marrickville

 

It was a pleasure to experience this delicious and entertaining new play featuring six well-drawn, strong characters played by a good all-female cast.

Monica Zanetti’s play delivers a touching lesbian romantic comedy, blended with LGBT political history, and is an important message piece about respecting sexual minorities. It also touches on the inaction of police and  their reluctance to investigate LGBT murders.

Ellie’s mother has provided a litany of lies to protect Ellie from the whole truth about her lesbian Aunt Amber’s sudden death.  Ellie, the goody goody School Captain has fallen in love with Abbie a girl from her history class. Ellie, in fact, is getting the ‘ghostly’ counsel of her deceased Aunt to navigate the intricacies of her first lesbian affair. Continue reading Ellie, Abbie & Ellie’s Dead Aunt @ Depot Theatre Marrickville

SMURFS – THE LOST VILLAGE (2017)

 

 

SMURFS – THE LOST VILLAGE (2017)

“The Smurfs” (2011) was the first film in the current franchise, and was quickly followed by the very successful “The Smurfs 2” (2013), and both were hybrids skillfully combining a live-action universe with a digitally animated CGI characters.

SMURFS – THE LOST VILLAGE is the latest film in the smurfs franchise, this time is fully digitally animated, and presents a brand new take on the Smurfs, and as experienced at the media screening, yet again SMURFS – THE LOST VILLAGE is a huge hit with very young children and their parents, with magnificent voice talents attached to the cast, and this is a very child-friendly kids fantasy movie for three-to-nine-year-olds.

Continue reading SMURFS – THE LOST VILLAGE (2017)

THE IMPORTANCE OF BEING EARNEST @ ZENITH THEATRE Chatswood

 

 

Gwendolyn Fairfax:- “I always take my diary with me when I go on trains. I need something sensational to read”.

OUTATOWNTHEATRE presents its first production at Chatswood. THE IMPORTANCE OF BEING EARNEST is the three act version of Oscar Wilde’s 1895 masterful comedy of British Society and its manners, and is set in 1895 with excellent attention to detail on every costume. Oscar Wilde’s rapid fire entertainment is expertly directed by Allan Walpole.

“The Importance of Being Earnest: A Trivial Comedy for Serious People”, was first performed on Thursday 14th February 1895, at the St. James’s Theatre in London. The comedy plot concerns Mistaken Identity, Love Triangles, Etiquette, and a somewhat large black leather hand-bag (however this version has a carpet-baggers hand-bag).

Continue reading THE IMPORTANCE OF BEING EARNEST @ ZENITH THEATRE Chatswood

WICKED presented by MIRANDA MUSICAL SOCIETY @ SUTHERLAND


WICKED presented by MIRANDA MUSICAL SOCIETY @ SUTHERLAND ENTERTAINMENT CENTRE

WICKED is a musical prequel to The Wizard Of Oz. The clever storyline covers the years before Dorothy’s arrival in the wonderful Land Of Oz. We experience the unlikely but profound friendship, and the extraordinary adventures of a quite misunderstood green girl named Elphaba (Emma Taviani), and the blonde and very popular Galinda/Glinda (Misha Williamson).

We follow their fateful journey, that leads them to both fulfill their destinies, one to become the “Wicked Witch of the West” and the other will become “Glinda The Good Witch”.

The citizens of The Land Of Oz are celebrating the death of the Wicked Witch, when Glinda appears. The musical continues as an extended flashback of the lives of these two women, from the moment they first meet as sorcery students at Shiz University.

Continue reading WICKED presented by MIRANDA MUSICAL SOCIETY @ SUTHERLAND

GRAND FINAL WEEKEND FOR SHORT AND SWEET FESTIVAL @ THE DEPOT THEATRE

After more than two months of heats 120 Short and Sweet plays and over 700 actors, writers and directors, this ingenious and very short play festival, is coming to an end. The winning plays are in competition at the Depot Theatre  this Thursday, Friday and Saturday night. The  winners in the various categories will be announced at the end of Saturday night’s performance.

Continue reading GRAND FINAL WEEKEND FOR SHORT AND SWEET FESTIVAL @ THE DEPOT THEATRE

STELLAR ADLER MASTERCLASS IN SYDNEY FOR THE FIRST TIME

 

STELLAR ADLER MASTERCLASS in Sydney
STELLAR ADLER MASTERCLASS in Sydney

“Love the art in yourself and not yourself in the art.” – Constantin Stanislavski.   

Stella Adler Academy of Acting & Theatre – Los Angeles, is a world renowned acting school located in the heart of Hollywood, California. The school offers extensive training for the serious actor in theatre, film, and television.

The Stella Adler Technique grew out of Ms Adler’s personal work with Konstantin Stanislavski, the father of modern acting.
With a lifetime of experience, the Stellar Adler acting technique, has been studied by Hollywood stars like Robert DeNiro, Salma Hayek and Mark Ruffalo.

Short and Sweet Sydney offered two exclusive Stella Adler Master Classes to festival-goers.                            Continue reading STELLAR ADLER MASTERCLASS IN SYDNEY FOR THE FIRST TIME

SHORT+SWEET PEOPLES CHOICE FINAL 2017 WEEK NINE @ THE DEPOT THEATRE

Eight plays were selected by audiences, during the eight weeks of Top80 S+S heats.

Every week Short and  Short audiences voted for just one play to make the People’s Choice Final held this weekend, both on Saturday and Sunday evening.

The play voted winner of the People’s Choice finals gets to compete in the Short and Sweet Grand Final next weekend.

Continue reading SHORT+SWEET PEOPLES CHOICE FINAL 2017 WEEK NINE @ THE DEPOT THEATRE

FESTIVAL DIRECTOR’S PICKS FIGHT IT OUT THIS WEEK @ THE DEPOT THEATRE

During the eight weeks of S+S heats, Festival Director Wayne Tunks has picked one S+S play each week which displayed excellence in writing, directing, acting and team work.

This week those eight S+S plays now have their own final, on Thursday March 9 and Friday March 10 at 7.30pm

This is a fierce competition, because one play, will be chosen to go to the S+S Gala Final the following week.

Beard (Week 1)

ITC presented by Viridescent

Written by Erin Middleton and Robert Miniter / Directed by Lawrence Dooley

Cast: Erin Middleton and Robert Miniter

Beard
Beard

Praying the gay away. The need to pretend to be, what parents incorrectly want. Both ignoring aversion therapy, boy meets girl, and the girl offers to be his beard, to misleadingly prove that the weeks of treatment actually works.

T3 Trojan (Week 2)

ITC presented by Bare Bones Theatre Co.

Written and Directed by Judith Duncan

Cast: Karishma Mathur

T3 Trojan
T3 Trojan

Very entertaining, dramatic injustice monologue of woman versus machine, with essential content very reminiscent of “Fahrenheit 451” and “Divergent”. The human element has been removed, dystopian justice is now very blind. Blindfolded and kept in an execution cell, and a computer is your judge jury and executioner, because all justice is badly administered by artificial intelligence, with urgent need for change. The twist ending was inspired, and brilliantly original.                Continue reading FESTIVAL DIRECTOR’S PICKS FIGHT IT OUT THIS WEEK @ THE DEPOT THEATRE

SHORT+SWEET QUEER LGBTQI 2017 WEEK NINE @ THE DEPOT THEATRE

Curated by Festival Director Wayne Tunks, this was presented as part of Short+Sweet Sydney 2017 and the Sydney Mardi Gras 2017.

The plays featured in this brief season taking place on Tuesday 7th March and Wednesday 8th March at 7.30 pm, featured the very best QUEER LGBTQI plays from the Short+Sweet 2017 Season.

(1) – Dress Ups

ITC presented by Grinning Shark Productions

Written and Directed by Graham Yates

Dress Ups
Dress Ups

Drama unfolds, with the games people play with their lives, piece by piece, as the mask gradually fades away, the world of terror within is revealed. Superb and compelling performance by Garreth Cruikshank.

(2) – Queerachy

Written by Zoe Brinnard / Directed by Megan Shooter

Cast: Rebecca Abdel-Messih, Alana Birtles, Wayne Dawson and Zed Norrie

Queerachy
Queerachy

Message comedy at the disco, out for a night of fun, two lesbians and two gays. Every day is S.S.D.D. and important to remember that we are all people. Discrimination males against females, taking exception to the disc-jockey at the venue not being male. Continue reading SHORT+SWEET QUEER LGBTQI 2017 WEEK NINE @ THE DEPOT THEATRE

SHORT+SWEET 2017 TOP 80 : WEEK EIGHT @ THE DEPOT THEATRE

This is the final week of Top80 S+S heats. Festival Director Wayne Tunks has made good use of the wall of props on display each week, and finally someone found a magnificent use for the shovel. Selected superb theatre pieces, for you to pick and vote for your two preferred plays out of the twelve plays this week. Interesting message pieces, and emotionally moving themes with rap chess prequel, drama, comedy, time travel, true love, chance love, and a resonating vibrator challenge.

Week Eight Plays: March 1-5 (Wed – Sun @ 7.30pm)

(1) – The Bridge

ITC Presented by Mega Theatre Productions

Written by Jayaprakash Kulur / Directed by Sreejith Gangadharan

Cast: Sreejith Gangadharan, Nithin Balakrishnan

The Bridge
The Bridge

A guard enforces NO fishing on bridge. Drama entirely spoken in unintelligible gibberish (spoken in a meaningless nonsense language that no one understands) eventually the fisher-person teaches the guard how to fish.

(2) – Judgement Days

ITC Presented by Mockingbird

Written by Carl J Sorheim / Directed by Chris Baldock

Judgement Days
Judgement Days

Short story comedy monologue, starring Nick Steain. Audience participation and comedy one-liners, as cocaine driven humour becomes drama, along his journey of discovery towards his redemption. Continue reading SHORT+SWEET 2017 TOP 80 : WEEK EIGHT @ THE DEPOT THEATRE