The Home@735 Invitational Exhibition will be featuring artworks from the Badger & Fox Collection including photography by Andre Kertesz, Brassai, Jacques-Henri Lartigue, Garry Winogrand, Max Dupain, Olive Cotton, Bill Henson and a painting by Brett Whiteley.
Home@735 Gallery has invited a number of Sydney artists to submit a work for the exhibition with several artists creating responses to individual artworks from the Badger & Fox Collection.
Painter Nick Collerson will be responding to Brassai’s iconic photograph Eating at the Velodrome, Alice Couttoupes will be creating a ceramic wall work in response to an Olive Cotton photograph, Sarah Goffman will make a still life assemblage responding to an Andrea Kertesz photo and Tom Polo will paint his response to Jacques-Henri Lartigue’s 40 Rue Cortambert, France, taken in 1903.
Other artists works exhibiting include Patrick Hartigan, Mclean Edwards, Madeleine Preston, Charmaine Pike, Nicola Smith, Michael Johnson, Clara Adolphs and video by Kate Mitchell. The show will focus on portraiture, still life and landscape painting.
The exhibition opens on Thursday the 15th of June and runs till the 9th of July.
Thursday June the 15th 6-8 pm at 735 Bourke Street, Redfern.
My Mum’s mantra about modern movies is “Why don’t they make films like they used to?”
Well, guess what, Mum? They still do.
At least Lone Scherfig’s latest film, THEIR FINEST, is about how they made films back in the Forties, and so finely made is it, that it does, in fact, feel like a picture made back then.
In the midst of the Second World War, the population of England and her allies were in need of something uplifting they could relate to, to help raise the spirits of the nation during this bleak time.
Going to the pictures became more than just an exercise in entertainment, but an excursion into hope and optimism.
Gemma Arterton stars as Catrin Cole, a creative copywriter who catches the eye of the Government section that produce propaganda feature films. She is employed to create engaging scenarios and write female dialogue, to tap into the emotions and imaginations of the fast growing women’s workforce, to stroke the heart, stoke the hearth, and keep the home fires burning.Continue reading THEIR FINEST : A MOVIE LIKE THEY USED TO MAKE→
If the act of reading is necessarily a quiet, solitary activity the opposite can be true of when we share or discuss what we read. This dynamic communality is what draws me every year to the Sydney Writer’s Festival.
Some of the best conversations I have ever had about writing, the perception of writing, even the act of writing have been in queues on cool May afternoons as I wait gratefully to attend an SWF event. Strangers with whom I might disagree, agree, agree to disagree or simply be excited with.
And it appears that I am not the only one who acknowledges the pleasure of choosing from over 300 events each year. Today I did my first shift as an SWF volunteer. One of the hundreds of people who put up their hands to make this iconic Sydney event run smoothly for the solitary love of reading and the vibrant sharing of what we read. Continue reading Diary of a Volunteer: Sydney Writers Festival 2017→
Directed by acclaimed filmmaker, Anne Fontaine (Coco Avant Chanel, Nathalie, Gemma Bovery), THE INNOCENTSis based on actual events and set in Poland at the end of World War 2.
The film chronicles a largely forgotten piece of history based on the astonishing true experiences of Madeleine Pauliac and deals with complex issues of war and faith.
She is a young doctor at a Red Cross hospital who responds to a desperate plea from a nun and breaks protocol to visit a local Benedictine convent, where she is shocked to find a nun in the midst of a complicated labour and several more in various stages of pregnancy.
As she uncovers the truth of what happened, she begins the demanding task of caring for these women, whilst navigating the reluctance of the wary Mother Superior, who wants to keep the events that brought her charges to this situation, a secret from the outside world.
THE INNOCENTS will screen at selected arthouse cinemas from Thursday 27th April.
Sydney Arts Guide has ten in season double passes to give away. Be one of the first to email firstname.lastname@example.org. Winners will be advised by return email. Please provide your postal address in your email.
A slap in the vagina with a piece of veal to vegans and vegetarians, RAW is about a couple of cannibal sisters who certainly like their meat rare.
These self same samplers of human flesh and sinew are veterinarian science students at a well heeled university, where fees cost an arm and a leg.
This is the alma mater of their parents, so they are carrying on an alpha tradition.
Another tradition that runs deep in the family is their dedicated veganism, so when initiation rituals include meat eating and blood splattering, we know we are in for some extreme angst, conflict and life altering experience. Continue reading RAW : IN YOUR FACE FILMMAKING→
‘The most beautiful thing in the world is a shoe’ .
Shoes can be art, lovingly crafted sculpture.
Kinky Boots has bounced into Sydney! Price and Son have taken over the Capitol to screams of delight from shoe people.
This bright bold and colourful musical with a huge heart will have you dancing in the aisles. It is often joyous , sexy and exuberant yet also deals with underlying darker issues. It is a story about self-acceptance, personal growth, prejudice and the acceptance of outsiders .
Debussy’s L’enfant Prodigue is a staged cantata by Claude Debussy with text by Édouard Guinand that runs approximately 45 minutes.
This classic parable still resonates with us today. In an increasingly isolating and individualistic society, we are confronted by our own passive vilification of people who have fallen through the cracks. The drive to succeed and express our identity comes at a cost. Humanisation and community are the remedy,
The cantata is to be directed by Lucy Scott and conducted by Luke Spicer. The work will be played by a chamber orchestra accompanied by soprano Ayşe GöknurShanal, tenor Joel Scott and baritone Andrew Williams. The piece runs for forty five minutes.
May 5th: 7:30PM
May 6th: 5:30 + 7:30PM
May 7th: 5:30 + 7:30PM
Backyard Opera – a new multi-use arts space a five minute walk from Tempe Station : http://www.backyardopera.com/contact
Jonathon Biggins’ usual way of sharing his take on the world, in particular the world of politics, is through the Sydney Theatre Company’s annual revue show, the Wharf Revue, a platform which he shares with fellow collaborators, Drew Forsythe and Phil Scott.
This time, however, he has gone solo with a new play simply titled TALK, and it is his take on the state of the media in today’s world. He himself has been a media player, having been for a time, a very laid-back, laconic broadcaster on Sydney’s 2BL.
Biggins main character, radio shock jock John Behan, is anything but laid-back. Gung-ho and well irresponsible would be a much more apt description. On his radio program Behan has read out the criminal record of an alleged sex offender whose case was before the court. The police come knocking on his recording studio door, ready to arrest him for contempt of court. When his producer advises him of the situation, he locks himself in his studio and continues broadcasting, ranting and revving up the community. Continue reading TALK : A NEW PLAY BY JONATHON BIGGINS @ THE DRAMA THEATRE→
Along similar lines to his most well known play Insignificance, (also made into a film directed by Nicolas Roeg), British playwright Terry Johnson’s play HYSTERIA features well know characters from history. In Insignificance we had Marilyn Monroe, Joseph McCarthy, Joe DiMaggio and Albert Einstein. In HYSTERIA we have Dr Sigmund Freud and Salvador Dali.
Lyrical and powerful this play is a fascinating insight into a little known piece of British/Australian history.
Seanna van Helton’s FALLEN is a stage adaptation of historian Jenny Hartley’s’ novel, THE HOUSE OF FALLEN WOMEN (2009). Penny Harpham directs this current production which has been co-produced by Sport for Jove and Melbourne’s’ She Said Theatre.
This was a very exciting, dynamic and unusual concert, part of the Live at Lunch series at the Concourse, devised and presented by internationally renowned flautist Jane Rutter.
The performance opened dramatically with a very unconventional version of the traditional balled The Minstrel Boy featuring a new arrangement by Jane Rutter. Rutter, wearing a heavily brocaded kimono like outfit with a gold outer layer over pink and green floral underlay, was superb on flute with Blak Douglas equally good on didgeridoo.
Rutter then went on to talk about how she has a great sense of belonging to the land and country and its songlines and how the flute and the didgeridoo are two of the world’s instruments.
King Cross is a state of mind. No boundaries to its name, no limits to its life. Half a century later, however, has Kings Cross been crossed out?!
The production HIDDEN SYDNEY is back by popular demand for a strictly limited season. The production, featuring an all star cast, is an immersive cabaret celebrating Kings Cross in the 50s, 60s and 70s. The play is set over four floors of The Nevada, a former Sydney brothel which boasted the biggest bed in the world.
Theatregoers get to rub shoulders with a motley cast of characters including Bea Bea Miles, Abe Saffron, Roie The Witch, Standover Jim and the iconic Les Girls.
Last drinks are served at the Chevron Silver Spade.
May 25 2017 until June 18th 2017 at the Nevada, the World Bar, Bayswater Road, Kings Cross.
There are just so many comic and dramatic possibilities that come to mind with this particular Louis Nowra scenario. Nowra makes some good choices and the result is one of his most flamboyant and entertaining plays.
A young director, Lewis, desperately in need of work, takes on the job of putting on a production at a psych hospital, to be performed by patients. The hospital’s social worker has come up with the idea of the project, believing that it will be good for his ‘charges’. We follow Lewis’ rocky journey from his first meetings with his ‘actors’ all the way through to his reflections after the performance has finally taken place.
Above: Conductor Sam Allchurch. Featured Image: Members of the Sydney Chamber Choir- Photo Credit Nick Gilbert
The Sydney Chamber Choir has started its impressive 2017 season with a concert swathed in exciting emotional moments and exquisite restraint. Audience members who can attend all events in this season will cherish some special experiences of major works. The choir’s skilfully balanced programmes will also successfully juxtapose smaller works from many different time periods.
Written by Henry Lewis, Jonathan Sayer and Henry Shields of London’s Mischief Theatre, THE PLAY THAT GOES WRONG is a hysterical loving bouquet to the world of amateur theatre and what can go wrong; a succession of missed cues, lost dogs and props, slapstick, the drinking of turps instead of whiskey,pratfalls, ‘drying’, squashed hands, mangled lines, missed cues, revolving doors, fake snow and melodramatic red lighting.
The play’s conceit is based on the attempts of the fictional Cornley Polytechnic Drama Society to perform the 1920s murder mystery The Murder at Haversham Manor.
Dark and disturbing this is a gripping, chilling version of William Golding’s classic novel LORD OF THE FLIES directed by Matthew Bourne.
This is the Australian premiere with a short Melbourne season only and represents the first time that this work has been performed out of the UK. Bourne’s production is driven, relentless and, at time, explosively violent.
UNTITLED, the current exhibition at Traffic Jam Galleries, focuses on guest artists, foreign to the gallery space, featuring a diverse spectrum of themes and mediums.
The aim of this medley of physical and conceptual forms is to promote a culture of diversity and demonstrate that mixed bodies of seemingly disconnected ideas have the ability to strengthen and support each other.
Colossal entertainment of a bent and skewed kind awaits audiences with COLOSSAL, Anne Hathaway’s brave heart take on domestic violence, male manipulation and the canker of unrequited hanker.
COLOSSAL is a film in which a recognisably universal story is manipulated through a monster mash of genres – part rom com, part creature feature – and it works a treat in a meteoric, metaphoric euphoria.
The plot follows Gloria who has lost her high flying job and fiance due to being a tragic hostage in the battle for the bottle. She is the very opposite of her name.
One cannot help muse that the defiant, deluded Holocaust denier, David Irving, must have been duped into thinking the case he brought against Penguin Books and their author, Deborah Lipstadt, was going to be heard by Jewry rather than a jury when he agreed that the matter be adjudicated by a judge alone.
Of course, the truth of the matter is brilliantly argued in the astonishingly gripping court room drama, DENIAL.
Kate Mulvany’s latest play, THE RASPUTIN AFFAIR, at the Ensemble Theatre, is a vibrant and farcical recount of the death of the villainous tyrant and ‘Mad Monk’, Grigori Rasputin.
The story begins in St Petersburg, Russia in the winter of 1917. A pink cupcake is being prepared, injected with cyanide, by the daft but wicked nobles, Felix, Dimitri and the camera-mad, balmy Vlad. Assisted by their maid Minya, they lure Rasputin to the Moika Palace to poison him. They are anything but adept and their victim is much stronger than they imagined.
What follows is a hilarious, larger than life romp. The nobles would qualify for ‘Upper Class Twits of the Year’ and Minya, also half-starking mad, unwittingly takes orders. Vlad wears his camera and at dangerously crucial points in the murder attempt, continues to click, as the camera bulb lights up the theatre each time, a brilliant addition to the play. Continue reading KATE MULVANY’S ‘THE RASPUTIN AFFAIR’ @ ENSEMBLE THEATRE→
This is a funny, sexy and scary new French film which has already won a slew of awards.
RAW tells the story of Justine (Garance Marillier), a brilliant 16-year-old whose admission to a prestigious veterinary school sparks a coming-of-age like no other. With her older sister Alexia (Ella Rumpf) watching on, Justine partakes in a bizarre hazing ritual where she is forced to eat raw meat for the first time, defying her vegan upbringing and unleashing an insatiable desire for flesh.
Tapping into the violence of youthful rites of passage and the power of sisterly bonds, RAWis emotionally and physically visceral, and totally unforgettable. The film imaginatively and intelligently expands contemporary horror cinema, announcing French writer-director Julia Ducournau as a key figure in an exciting and bold new wave of female genre filmmakers.
This performance, like so that of so many by student bodies, is full of verve, gusto and raw excitement.
Sondheim’s story revolves around Robert or Bobby, as he is affectionately known, played convincingly by Nic Savage. Bobby is in his thirties, successful yet bored, a focus in the lives of many of his friends, but ultimately alone. Good looking and charismatic, he is strangely detached and isolated. He has it all…or perhaps he has nothing.
Bobby knows that he does not know much, but it does not occur to him that out there is someone one who just might know what he does not know. As the play progresses we see that behind an assured worldly exterior lies a dark, hopelessly gloomy interior.
Bobby’s friends too echo his conundrum. Behind their facade of apparently happy partnerships and lives, they too lead fragile, fragmented existences. With Peter (Tavis Cunningham) and Jenny (Tash Atkins) we have the ultimate dichotomy. Once married, they are now divorced and have never been happier in each other’s company. Continue reading STEPHEN SONDHEIM’S ‘COMPANY’ @ STUDIO ONE, UNI OF NSW→
THE BODYGUARD musical is having its Australian premiere at the Sydney Lyric Theatre from 21st April.
The production will star Australian idol pop singer Paulini who will take on the role of Rachel Marron, made famous by the legendary Whitney Houston. The show will also star star Prinnie Stevens who will play Rachel’s sister and Neighbours star Kip Gamblin who will play the Bodyguard.