New Romance – art and the posthuman brings together artists from Australia and Korea whose works encourage us to ask what it means to be  human today and what it might mean in the future. Drawing inspiration from science fiction, robotics, biotechnology,  consumer products and social media they offer experiences that raise questions about the idea of the posthuman, a concept that signals new understandings of humanity and a breakdown of boundaries between what we think of as natural and artificial.

The thread linking these diverse artworks is an exploration of new kinds of encounters, not only among connected humans but also between so called ‘intelligent’ objects, plants, animals, and all manner of hybrid entities.



Birdie Productions - Seussical - Grant Leslie Photography

Above image :  Sam Moran and Bella Thomas as The Cat in the Hat and Jojo. Featured image- Ensemble members from Birdie Productions. Production photography by Grant Leslie Photography.

Birdie Productions brings professional talent and performers from open auditions to South West Sydney in this excitingly refreshed version of SEUSSICAL. The resulting ensemble is a cast with immense energy, range of experience and an attractive skill set. The depicted Seuss characters as assembled in the musical by Stephen Flaherty and Lynn Aherns here showcase Dr Seuss’ genius whilst preserving his keen commentary on good and bad behaviour.

The audience follows Horton the Elephant’s quest to survive mockery, help friends and save the small inhabitants of Whoville as they drift to possible peril on a speck of dust. A scrim at the start of the musical confronts the audience with a quote which motivates us to accept the responsibility to help others. Newspaper clippings about children in detention then appear, providing a sobering reminder about need in our contemporary life. Continue reading BIRDIE PRODUCTIONS PRESENT SEUSSICAL @ BRYAN BROWN THEATRE BANKSTOWN


Chamber Choir(1)


Bach In The Castle Of Heaven Program:

  • JS Bach  (1685–1750) Lobet den Herren alle Heiden (BWV 230) for 4-part choir
  • Herbert Howells (1892–1983) Three Latin Motets Op.38
  • JS Bach Jesu meine Freude (BWV 227) for 5-part choir
  • Johann Michael Bach (1648–94) Das Blut Jesu Christi
  • Gregorio Allegri (c.1582–1652) Miserere
  • Olivier Messiaen (1908–92) O sacrum convivium
  • JS Bach Singet dem Herren ein neues Lied (BWV 225) for two 4-part choirs

Following their sell out Melbourne performance of BACH IN THE CASTLE OF HEAVEN,   the sublime voices of the highly acclaimed Australian Chamber Choir is performing this concert one time only this Sunday afternoon at St Mary’s Cathedral.

Acclaimed in six countries by audiences and critics alike, the choir has attracted glowing reviews and return invitations that are testament to this Choir’s international standing:

“Delivered with complete stylistic perfection.  “AUSTRALIAN CHOIR IN THE SUPER LEAGUE””Dagbladet, Denmark, July 8, 2015

“In music that seems to penetrate into visionary dreamscapes … The choristers consistently impressed with their exploration of sonority and atmospheric depth”  Echo, Darmstadt, July 4, 2015

Australian Chamber Choir Director Douglas Lawrence OAM, renowned for his highly-engaging programs, has taken as a starting point a comment made by John Eliot Gardiner in Bach: Music in the Castle of Heaven: “Who needs pills to lift the spirits when we have the six Motets of Johann Sebastian Bach?”   Lawrence contrasts three of JS Bach’s masterpieces with a gem from Bach’s father-in-law, Johann Michael Bach highlighting the talents of the Choir’s six sopranos, four altos, four tenors and four basses.       Continue reading AUSTRALIAN CHAMBER CHOIR PRESENTS BACH IN THE CASTLE OF HEAVEN @ ST MARY’S CATHEDRAL



Red Cross (2) (1)

Set in a remote mountain cabin, Sam Shepard’s RED CROSS dissects the infectious nature of personal fears: Carol is terrified her head might explode; Jim is convinced he is plagued by lice draining his life; and the maid is scared of drowning. Together they push the boundaries of communication and shared experience in this surreal dream play.

Cast- Henry Hulme, Genevieve Muratore, Emma Throssell

Creative Team- Director Victor Kalka, Sound Design- Ryan Devlin, Producer-Tabitha Woo, Stage Manager- Chris Starnawski.

The play is presented by arrangement with ORiGiN™ THEATRICAL, ON BEHALF OF SAMUEL FRENCH, INC.

14th – 17th September AT 8pm

VENUE- Off Broadway Festival Hub,
Gehrig Lane, Annandale

For more about Sam Shepard’s Red Cross, visit

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Bijou 3 snap (1)

A grotesque and entertaining French cabaret is the latest production at The Depot Theatre. Chrissie Shaw’s Bijou is a faded character from early twentieth century Paris. She was a sought after beauty, a collector of jewelry, a singer, a dancer, a great hostess and a seedy operator when times were hard.

Her dramatic entrance in a glorious costume tells the audience we are in the presence of a great performer, although slightly tarnished by years of alcohol assisted depravity. She has wandered into a bar and cajoles the piano player into playing songs to her liking, and plays up to the audience to extract coins and drinks from them. Continue reading BIJOU – A CABARET OF SECRETS AND SEDUCTION @ DEPOT THEATRE MARRICKVILLE


If you like your facts stranger than fiction, you’ll be tickled by TICKLED, a Kiwi documentary that initially sets out to be about an extreme sport called competitive endurance tickling, but turns out to be something even stranger.

New Zealand Journalist David Farrier stumbles upon a mysterious tickling competition online, which piques his professional interest. There could be a real story here, he thinks.

Identifying himself as a reporter, he requests info and interview from the organisers. Not only does he get a response declining a story but receives a continued and harried homophobic attack via an avalanche of emails.

The torrent of vitriol galvanises Farrier to delve deeper, and he comes up against fierce resistance, which includes a trio of attorneys flying into Auckland first class Air New Zealand from Los Angeles. Continue reading TICKLED


On Saturday 9th July NAIDOC’s Blak Markets popped up at Barangaroo Reserve for one day only, transforming Nawi Cove into a lively marketplace showcasing Australia’s rich indigenous culture and also featured free music and traditional Aboriginal dance performers.

More than twenty store holders sold indigenous arts, crafts, skin care products and bush foods. These included Cheryl Davidson (gift card, painting), Claire Bates (traditional handmade Aboriginal jewellery and woven baskets), Glenn Timbery (boomerangs), Torres Strait Islander Ilan Treasurez with hand painted shell work and Tangentyere artists from Alice Springs.

Outdoor cooking demonstrations were held with renowned indigenous chefs, Clayton Donovan, Fred’s Bush Tucker and Black Olive who encouraged visitors to try bushfoods and learn about traditional indigenous cooking methods.

There were also weaving and shell workshops and Aboriginal cultural tours with Barangaroo’s Visitor Service Guides which were free for the day only.  


High Rise - second (1)

For the High-Rise soundtrack, Portishead created a haunting cover of ABBA’s 1975 hit ‘SOS’, a song that represented the glamour and disintegration of the period for the director, Ben Wheatley.

It becomes a haunting refrain in this highly risible adaptation of J G Ballard’s dystopian novel, written by Amy Jump.

There’s not a lot of glamour but plenty of disintegration as we move through the stories of this brutal monolithic structure, architecture as allegory in the rise of Thatcherism.

The appropriately named Royal, played with regal indifference by Jeremy Irons, is the architect with the edifice complex, creator of this tower and occupier of its highest level. The levels are signifiers of status, the highest rung is where the Royals live, the closest to the ground are the lower classes. Continue reading HIGH RISE


The  relocation of Tropfest to Parramatta Park was announced at a Media Call in the Park attended by filmmaker and Tropfest Board Member George Miller AO, actor and  previous Tropfest Judge Sam Neill, Tropfest supporter and producer Marian Macgowan and actors Brendan Thwaites and Tess Haubrich. The inaugural event will take place on Saturday February 11. Also in attendance was Environment and Heritage Minister Mark Speakman, City of Parramatta Council Administrator  Amanda Chadwick, Elizabeth Ann Macgregor, the Premiers’ Cultural Ambassador for Western Sydney and Lucy Turnbull AO, Chair of the Greater Sydney Commission.

The location boasts a quick twenty five minute train ride from Sydney’s Central Station plus is easily accessible making Parramatta a central location that opens up the event to people from all over the greater Sydney region.

Tropfest has for the first time moved to a Saturday night, recognising the opportunities that this night brings, and will be held in the four hectare cattle paddocks

Tropfest will be a major anchor event for Parramatta Park’s The Crescent Live summer music and event series that runs from January to March 2017.

Tropfest Jnr will be held on Friday Febraury 10 in the Cresent, Parramatta Park’s natural ampitheatre.

Tropfest will continue to be free to attend.




Queensland Theatre Company has announced that the critically acclaimed, smash hit and Helpmann Award winning musical LADIES IN BLACK will tour nationally in early 2017, opening  at the Sydney Lyric Theatre on January 3 for its premiere season, in the city in which the story is based.

From the adaptation of Madeleine St John’s 1993 novel, The Women In Black, this acclaimed production has been brought to life by Australian screenwriter Carolyn Burns and internationally renowned director Simon Phillips. The show features over 20 original songs written by Tim Finn and a stunning range of some 30 custom – designed and created dresses and suits to reflect the 1950’s in which the musical takes place.

With a dash of delicate comedy, LADIES IN BLACK is a modern day fairy tale set in a stylish department store – F. G. Goode – in a Sydney on the cusp of becoming cosmopolitan, crossing the threshold between the stuffy repression of the 1950’s and the glorious liberation of the 1960’s. From the Christmas rush to the chaos of the sales, these women stand shoulder to padded shoulder and together learn lessons in life, love and longing – and at the end, it’s not just the fancy frocks that are forever altered.

The cast includes Sarah Morrison in the lead as Lisa, Bobby Fox, Natalie Gamsu, Kathryn McIntyre, Carrita Farrer Spencer, Greg Stone, Kate Cole, Madeleine Jones and Ellen Simpson.

LADIES IN BLACK will play the Sydney Lyric Theatre between 3 and 22 January 2017.



Featured image- John Cleese holding up a pencil. Cleese exclaimed to the audience that, contrary to the high tech young generation, when he writes he simply uses  a pencil, a rubber and an exercise book. All images by Ben Apfelbaum.

John Cleese is the latest artist to appear in the Sydney Opera House’s excellent Culture Club : Exploring The Arts  discussion series. Ann Mossop, head of Talks and Ideas at the House, came on stage to start proceedings, and  then introduced Cleese and the evenings’ emcee James Valentine.  Cleese responded to wide ranging questions by Valentine and in the last quarter of an hour, he fielded questions from the floor.

Sometimes celebrities can disappoint when they are put on the spot however this was not the case with Cleese. Cleese came across as warm and open and expressed his views on a range of issues.

Cleese spoke about his concern that the theatre world is too comfortable with the status quo and would  rather put on a fresh production  of an  old show rather than take the risk on coming up with a new work.  He felt this was the case with both sides of the ‘equation’ – on one side, the producers and other side, the audiences, who prefer to go with what they know. Continue reading CULTURE CLUB : JOHN CLEESE IN CONVERSATION


The Shallows

If nothing else, THE SHALLOWS lives up to its title.

Disappointing in its lack of depth, THE SHALLOWS is schlock and cheese where it should be shock and unease.

A cross between Blair Witch and Jaws, THE SHALLOWS
begins on a Mexican beach with found footage of a shark attack.

Cut to the same beach as Nancy Adams, medical student, makes a pilgrimage to the place where her mother discovered she was pregnant with her. Continue reading THE SHALLOWS


Blue Saint - Songs for a New World - Grant Leslie Photography.
Blue Saint – Songs for a New World – Grant Leslie Photography.

Like waking up on a  crystal blue sky morning some place far up in the Blue Mountains and deeply breathing in the fresh mountain air, SONS FOR A NEW WORLD was an exhilarating experience.

Four very talented young performers – Sophie Carter, Cameron MacDonald, Christopher Scalzo and Teegan Wouters– sang their hearts out, making the most of Jason Robert Brown’s great score. The troupe covered the musical terrain well from aching ballads such as I’d Give It All For You  to rhythm and blues numbers like The Steam Train.

This was a free wheeling piece of musical theatre – there was no specific storyline, simply an over arching theme – exploring the different choices that we make in life when we reach crossroads, and how some of these choices work, and others come asunder.

A great live band, well partitioned off by Jacob Battista ‘s impressive set, provided great backing. The use of simple props, costume changes and lighting changes deftly wrought by Matthew Tunchon, triggered the smooth scene changes.

Blue Saints’ in association with the Hayes Theatre Company production of SONGS FOR A NEW WORLD, music and lyrics by Jason Robert Brown, directed by Luke Joslin with musical direction by Lucy Bermingham, is playing the Hayes theatre,  19 Greenknowe Avenue Potts Point until Sunday  28 August.


The definition of tribunal is a body established to settle certain types of dispute or a court of justice.

The aptly named TRIBUNAL is the title of the group devised presentation by Powerhouse Youth Theatre from a concept by Karen Therese.

This is no kangaroo court, more a possum panel presided over by Aunty Rhonda Grovenor Dixon, in full fur regalia, as she convenes a number of characters to give testimony of the treatment of refugees in Australia.

Thankfully, Aunty Rhonda is no brash Judge Judy and we hear, simply and eloquently, personal stories, oral histories, and verbatim transcripts from minority ethnic Afghan Hazaras theatre practitioners fleeing oppression, from disillusioned aid workers as frustrated and confused as their wards, from hardened detention centre operatives, from lawyers, from experts on psychological effects of sustained detention, and from Islamic feminist rappers. Continue reading TRIBUNAL @ SBW STABLES THEATRE KINGS CROSS


German artist Julian Rosefeldt (born 1965) is internationally renowned for his visually opulent and meticulously choreographed moving image artworks.

In the immersive film installation MANIFESTO (2014-2015) Rosefeldt has collaborated with Australian actor Cate Blanchett to present a series of striking monologues that Rosefeldt has created by editing a collage of artists’ manifestos.

Ever the chameleon, Blanchett performs these ‘new manifestos’ whilst inhabiting thirteen different personas – among them a school teacher, a newsreader, a factory worker and a homeless men.

Julian Rosefeldt’s exhibition continues at the Art Gallery Of New South Wales until January next year.


TIKKUN OLAM with its sub theme ‘my place + your place = a better place’ is a multi-cultural exploration and exhibition co-presented by Jewish Arts and the Shir Madness Jewish Music Festival with B’Nai B’rith as its principal sponsor.

The underlying theme of this exhibition embraces all of the values required to make the world a better place. These core values include social justice, friendship, generosity, peace and the environment. The exhibition, curated by Estelle Rozinski, recognises the universal significance of the family in every culture. By inviting artists of Aboriginal, Korean and Jewish communities to share in the exploration of their personal experience through Art, Rozinski has begun a significant and beneficial  multi-cultural conversation.



All images by Ben Apfelbaum (c).

If experimental, avant garde theatre is your thing, then head to the 107 Projects performance space in Redfern this weekend to catch Michelle St Anne’s show I LOVE TODD SAMPSON.

Since graduating in 2003 from the Victorian College Of The Arts   (VCA), Michelle has been leaving a strong imprint on the avant garde theatre scene with her theatre company, the Living Room Theatre. She has created some thirteen challenging works across both Sydney and Melbourne.

Her process is to present her work in unusual spaces and to give those in society who are vulnerable. The work builds on conversations between artists and non-artists and their disciplines.

The current production sees her again work with architect Genevieve Lilley  and designer Lian Loke.

I LOVE TODD SAMPSON is set in a circuitous environment , merging sound, angled light and startling imagery. The play is billed as an ‘an experiential theatrical work which integrates architecture, sound, film, equine science and performance to expose the vulnerability of human nature.’ We follow the performer through light that illuminates the exhibition and theatre spaces, a café, corridors and a stairwell filled with snow.

Michelle changes guises through the performance including playing a vulnerable young girl, and the mother who abandoned her. Sadly, domestic violence/abuse plays a major part in the play. On her troubled journey she seeks comfort with an Iberian horse by the name of Jazz, carefully taken care of by horse trainer Kate Fenner, whom she shares tea and toast with, and Todd Sampson is always in her thoughts. Speaking to Michelle after the performance, she indeed identifies as a big Todd Sampson fan!

Recommended, there are three more performances to go. I LOVE TODD SAMPSON will play tonight, Saturday night and Sunday night at 7.30pm at 107 Projects, 107 Redfern Tickets: $30/$20. Bookings: Website:





On Monday evening, Artistic Director Mark Kilmurry launched the Ensemble Theatre’s program for next year. It’s a rich and varied program featuring some of our finest writers, directors and performers.

Kilmurry officially launched the program and then took a seat with the rest of the audience as a video  was presented on the big screen with the directors providing brief introductions to their productions and cast members talking about their roles.

At first blush it looks like it will be another exciting year for theatregoers with Kilmurry curating a year with a rich variety of shows from  classics like Jim Cartwright’s Two and  Edward Albee’s Who’s Afraid of Virginia Woolf to bold new Australian works such as Kate Mulvany’s  The Rasputin Affair, John Misto’s Lip Service and Kit Brookman’s The Plant. 

The Ensemble foyer, always a lovely place to spend time in with its waterfront vista, was buzzing  after the program was announced. Arts Guide photographer Ben Apfelbaum attended and took these photos  of stars such as Georgie Parker, Kate Raison, the Chaser boys Craig Reucassel and Chris Taylor, Sandy Gore, Tim Draxl, Ben Gerrard and Peter Kowitz enjoying a drink and a chat, and lending their support to their appearance in next year’s program.

David Lynch, who will be performing in the 5th play next year, Tim Firth’s Neville’s Island,  was there along with his lovely wife, theatre legend Penny Cook, and their beautiful daughter Poppy Lynch.

Every year the Ensemble Theatre employs a few Literary Advisors who undertake the challenging task of reading the many plays that the Ensemble peruse or receive. Current Literary Advisor Jane Fitzgerald, who for a number of years was a Literary Advisor with the Sydney Theatre Company, talked about how much she enjoyed reading the different ideas that playwrights pursued with their works.

The very amiable Front Of House Manager Jim Birch was there ensuring the function ran smoothly.  Many may not know but Jim is a very keen painter who spends a lot  of his free time in his studio creating new works. Actress Jessica Sullivan had a night off helping Jim  behind the bar and just enjoying mixing with the crowd.

Kilmurry dedicated the 2017 program to the memory of Peter Bates,  husband of former long time Artistic Director Sandra Bates, who lost his battle with a long term  illness recently.  Always a trooper, and not deterred by the wake earlier in the day, Sandra was , in attendance at the launch…in true show business tradition, life and the show must go on!

For further details about the season please go to the Ensemble’s website-




Music  from Samba to funky jazz, through to rap, ukuleles, piano music and folk greeted Bondi Beach strollers along Campbell Parade.  The Music on The Streets event took place on Sunday 31 July.

This was the third and final installment of the Bondi Winter Magic Festival. However, in a few weeks time, on August 14, there will be more festivities at Bondi Beach when the City to Surf runners cross the finish line.



An operatic moment from the Bank sketch.
The winning team enjoying their moment.
The winning team enjoying their moment. Production photography by Stephen Reinhardt.

Judging Celebrity Theatresports held at the Enmore Theatre last Saturday night is like trying to critique a box of Smarties. We were assaulted by a barrage of colour and humour to suit all tastes.

Improvised theatre is just that, made up on the spot but it is a competition and therefore subject to a few rules. At this performance there were 23 performers split into six teams.

A team has 3 minutes to complete their skit and it must include the subject or theme that is spontaneously  provided by either the host or a member of the audience.

The adjudicators Professor Larissa Behrendt, Pastor Ray Minniecon and Anne Wilson scored each team out of a possible five points based on technique which means a clever line is offered to the next team member and how inventively she or she accepts it. Next, teams are judged on narrative; that is if it is a rattling good yarn and finally on entertainment, meaning its comedic value. Continue reading CELEBRITY THEATRESPORTS @ ENMORE THEATRE


Two books about the towering presence of Bernard Smith have just been released by Power Publications , coinciding with the centenary of his birth . They seek to answer the question Who Was Bernard Smith?!

Often regarded as the father of Australian art history, Smith began life as a ward of the state. Smith had a major influence on Australian cultural life, from the publication of Place, Taste and Tradition in 1945 until his death in September 2011.

Each of his various publications nurtured an Antipodean view, whether in an art historical or anthropological way, and opened up new fields in Australian scholarship.

Smith had many ‘portfolios’ over his long and extremely busy life:- He worked as an education officer and touring exhibitions manager at the then National Art Gallery of New South Wales, a lecturer in fine arts at the University of Melbourne, a scholar at the Warburg Institute , compiler of The Antipodean Manifesto, founding professor of the Power Institute for Art and Visual Culture at the University of Sydney, President of the Australian Academy of the Humanities, a benefactor, collector, curator, author, autobiographer, and political activist.

Smith didn’t create the discipline in Australia but he is remembered as Australia’s first true art historian, with a breadth of knowledge and experience few could parallel. His magnum opus, European Vision and the South Pacific (1960) is still seen as a major turning point in the study of colonial exploration in the Pacific, its importance acknowledged by no less an authority than Edward Said, who can claim to have established our current postcolonial perspectives.

His history of Australian painting ( Place Taste and Tradition , first produced 1945 revised 1979 ) is still regarded as a classic and then there is his many years of work on the voyages of Captain Cook. As a researcher at the Warburg Institute, he helped lead the way for expatriate Australian public intellectuals in London. As a scholar of Cook’s voyages and the Pacific, he argued forcefully that people from Europe and the Pacific had exchanged much more than the Bible and syphilis.

Smith also advocated for the preservation of the architectural heritage of Sydney, especially Glebe where he lived , and in so doing came up with the term ‘Federation style’. He had his portrait painted by Albert Tucker ( 1985) and ( defiantly nude!) by Carmel O’Çonnor for the Archibald Prize in 2002 . Smith’s Place Taste and Tradition can perhaps be regarded as the first fully articulated work of Marxist art criticism, and it’s also where the term “postmodernism” is first heard. The book inspired a generation of art historians, and also led to Robert Hughes’ The Art of Australia, which relied heavily on Smith’s work.  Smith would later update the book with his Australian Painting. Continue reading TWO NEW BOOKS DOCUMENT THE EXTRAORDINARY WORK OF ART HISTORIAN BERNARD SMITH


For something very different, it could well be time to join  the live studio audience for the 1637th episode of IRRATIONAL FEAR FACTOR – the game show where your greatest fears become your reality (but you win money and kitchen appliances so it’s totally worth it).

In this episode, office assistant Paige Hally has been nominated to overcome her crippling social anxiety and fear of public speaking to compete for the grand prize in one of our craziest challenges yet – a solo comedy show.

We’ve already had two accidental deaths this season so come along and let’s see if we can make it a third!


Saturday 27 August  between 7 pm and 8 pm at the Giant Dwarf theatre, 199 Cleveland Street, Redfern.

For more about Irrational Fear Factor, visit
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Sarah Ruhl, one of America's finest contemporary playwrights.
Sarah Ruhl, one of America’s finest contemporary playwrights.

“This play is for all the lady cowboys of heart and mind who ride outside the city limits of convention.” – Sarah Ruhl.

This beautiful play, in its Australian debut, asks big questions about how gender defines who and how we love. Sarah Ruhl’s LATE : a COWBOY SONG follows Mary, an endless worrier, as she reconnects with her lady cowboy friend, Red, whose forehead has no worry lines at all. Crick, Mary’s husband, buys a painting with all her savings. Red teaches Mary how to ride a horse and to enjoy the silence. Crick and Mary, who have been in love since the second grade, can’t decide on their newborn’s name or gender. The three sing songs, celebrate holidays, and and try to navigate their way through the blurred lines of love and relationships. A story of one woman’s education and her search to find true love outside the box…

It looks like it will be quite a journey, especially considering that Sarah Ruhl sure knows how to give an audience a stimulating, entertaining night in the theatre. I have great memories of two of her plays that the Sydney Theatre Company have produced- In  The Next Room of the Vibrator Play  and Orlando (an adaptation of Virginia Woolf’s classic novel).

LATE : A COWBOY SONG is playing at the Erskineville Town Hall, 104 Erskineville between the 27th September and the 1st October. Performance times are-
27th September @ 8:30pm
28th September  @ 8:30pm
29th September @ 8:30pm
30th September @ 8:30pm
1st October @ 8:30pm

Starring– Andreas Lohmeyer, Annabel Matheson and Eliza Oliver
Set and Costumes by Annabel Matheson
Sound Design by Sarah Dunn

Produced by  Annabel Matheson and Eliza Oliver

For more about Late: A Cowboy Song, visit
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DOWN UNDER continues writer director Abe Forsythe’s fascination bordering on fetish with Ned Kelly.

Abe’s first feature film was Ned, a scattergun comedy about the great Australian icon, and in his second feature, DOWN UNDER, a sub satirical look at modern Australian stereotypes, one of the main characters is so besotted with the bushranger that he has decided to tattoo Ned’s helmet on his head.
The iconic and ironic cantilever, as the image of the full face covering is mirrored like some berko burqua, one of the enduring images of the film’s poster art. Continue reading DOWN UNDER : A NEW AUSSIE FILM BY ABE FORSYTH

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