YOUNG VISIONARIES is a celebration of local creatives, fashion, arts, technology and social good.
All are welcome to attend an evening of inspirational short talks, music and mingling to end the week with a bang!
The evening will feature stories of awesome creators who are using technology to push the boundaries of creative expression or to influence change across multiple disciplines like tech, fashion, the arts and science.
Ollie Henderson : on culture as an expression of the political.
Sulange Cunin : on founding Cube Rider, a STEM program taking students on real space mission and more…
Mix and mingle and with some awesome young visionaries making a difference in their industry, get inspired and unwind with drinks on the good folk at Alpha Box & Dice and Sofi Spritz.
There will be live music and Rollie will be giving away a pair of shoes from their latest winter range to one lucky winner – be in it to win it!
Friday 7th April between 6 and 9 pm at WeWork Pyrmont, 100 Harris Street, Pyrmont.
5 LESBIANS EATING A QUICHE … good title! As they say. And truth in advertising. There are lesbians, five in fact, and there is a quiche. More than one actually. Plus there is a disturbingly excitable female cast, a ludicrous number of egg references and some extraordinarily silly language- reclamation of the ‘L’ word.
The Susan B Anthony Society for the Sisters of Gertrude Stein is a group of mid 1950s widows who meet to honour their founder who was lost, hungry and butch when she stumbled into a bunch of wild chickens whose eggs sustained her in some peculiar ritualistic, emotive, gynocentric kind of way.
Yeah, even typing that is weird. So … anyway: they have an annual sacred quiche competition to honour the egg, the ovum, the pre-chicken dinner. Apparently we, the audience, have submitted a quiche for judgement too. But the threat of nuclear war is putting a damper on the hijinks. The red menace looms like against- the-rules meat in a quiche. Continue reading 5 LESBIANS EATING A QUICHE @ GLEN STREET : A FLUFFY CONFECTION→
Gwendolyn Fairfax:- “I always take my diary with me when I go on trains. I need something sensational to read”.
OUTATOWNTHEATRE presents its first production at Chatswood. THE IMPORTANCE OF BEING EARNEST is the three act version of Oscar Wilde’s 1895 masterful comedy of British Society and its manners, and is set in 1895 with excellent attention to detail on every costume. Oscar Wilde’s rapid fire entertainment is expertly directed by Allan Walpole.
“The Importance of Being Earnest: A Trivial Comedy for Serious People”, was first performed on Thursday 14th February 1895, at the St. James’s Theatre in London. The comedy plot concerns Mistaken Identity, Love Triangles, Etiquette, and a somewhat large black leather hand-bag (however this version has a carpet-baggers hand-bag).
WICKED presented by MIRANDA MUSICAL SOCIETY @ SUTHERLAND ENTERTAINMENT CENTRE
WICKED is a musical prequel to The Wizard Of Oz. The clever storyline covers the years before Dorothy’s arrival in the wonderful Land Of Oz. We experience the unlikely but profound friendship, and the extraordinary adventures of a quite misunderstood green girl named Elphaba (Emma Taviani), and the blonde and very popular Galinda/Glinda (Misha Williamson).
We follow their fateful journey, that leads them to both fulfill their destinies, one to become the “Wicked Witch of the West” and the other will become “Glinda The Good Witch”.
The citizens of The Land Of Oz are celebrating the death of the Wicked Witch, when Glinda appears. The musical continues as an extended flashback of the lives of these two women, from the moment they first meet as sorcery students at Shiz University.
It really was a dark and windy night, and we were lashed by squalls of wind and dense, sleeting rain as we made our way by train from the Land of the East (Edgecliff station) to the Riverside Theatre at Parramatta. To those of you who have not made this journey, let me commend it to you.
Upon leaving Town Hall station our white and middle class train suddenly morphed into a sort of immigrant express. From all over Asia they piled in – from Pakistan. Bangladesh, India. China, Malaysia, and Indonesia.
One of the best films of the year, LAND OF MINE, is the cinematic cousin, or soul mate of The Hurt Locker and The Hill.
In a nutshell, this bombshell of a movie is set in the days following the surrender of Nazi Germany in May 1945, when German POWs held in Denmark were put to work by the Allied Forces. With minimal training in defusing explosives, they were sent to remove in excess of two million of their own landmines from the Danish west coast.
The film begins with our introduction to Sergeant Rasmussen, military moustached veteran of the Nazi occupation, going berserk at the sight of a soldier, part of a column of vanquished Germans soldiers filing down the road, draped in a Danish flag.
Originally created in 2015 this is a welcome return of resident choreographer Wayne McGregor’s three part work based on the life and works of Virginia Woolf.
McGregor’s three acts delve into three of Woolf’s novels, interwoven with images from her own life. The choreography is athletic and extremely demanding at times with death defying leaps and catches in the partnering and laser sharp legs .The Royal Ballet dancers are AMAZING.
Featured image: Puppeteers Michael Cullen, Shondelle Pratt and Julia Ohannessian with the sleeping Mothball.
Jackie French’s book Diary of a Wombat bounded boldly into Australian family life in 2002. It nestled itself with a unique exclamation into thousands of young Australians’ bedroom bookshelves. Who better exists in children’s theatre circles than director Eva Di Cesare and the insightful Monkey Baa team to respectfully transform this classic to the stage for the 3+age group?
In doing so the Monkey Baa creatives and assembled performers ensure this age group and the rest of us appreciate the possibilities of a live performance medium to portray this character rather than film or one of many modern electronic alternatives.
For children and adults making the trip to the Lendlease Darling Quarter Theatre, Mothball The Wombat’s innocence, flatulence, curiosity and daily insatiable urge for experimentation with human food are delightfully captured in the action. Through the use of 3D plush puppets manipulated by visible on-stage puppeteers, Bruce Whatley’s fine book illustrations of Mothball’s tirade are greatly enhanced. Continue reading MONKEY BAA BRINGS A CLASSIC AUSTRALIAN KIDS STORY VIVIDLY TO LIFE→
In early April, good friends and very talented musicians, violinist Lawrence Lee and pianist Siang Ching Ngu, will present a charity concert entitled TRANSFORMING LIVES THROUGH MUSIC during which they will play works by Brahms, Kreisler, Tchaikovsky, Falla, Sarasate and Piazzolla at the Concourse.
All proceeds from the recital will go to a very good cause, Nordoff-Robbins Music Therapy Australia; a not-for-profit organisation providing Clinical Musical Therapy and Community Music Programs.
Nordoff-Robbins runs numerous programs aimed at transforming people’s lives through music including musical therapy for special needs schools and aged care facilities, running music clubs for people with a disability, as well various training and education programs to spread the influence of music through the broader community.
CONCERT DETAILS :
The concert TRANSFORMING LIVES THROUGH MUSIC will take place onWednesday 5th of April, 7:30 pm at the Concourse Chatswood.
Dinner is waiting. Come with an open heart and mind to the resplendent, heavily laden table. This production by bAKEHOUSE Theatre company is superb, beautifully crafted, written and acted by a largish, strong cast of twelve and is sensitively directed by Suzanne Millar.
Be warned, this production is quite intense and divisive and features explosive inter-generational and racist remarks and quarrels.
THE VICAR OF DIBLEY has been brought to the stage at The Art House, by two young talented directors – Alexandra Travers and Maddy Parker. While closely following the original script for the television series by Richard Curtis and Paul Mayhew, this stage adaptation by Ian Gower and Paul Carpenter, deftly breathe new life into some of our favourite characters from the show.
Jillian Logan playing the leading role of Geraldine Granger is terrific and even recreates the small nuances that Dawn French brought to the role. Her comedic timing is perfection and she displays genuine warmth towards the other characters as the new female vicar in town.
Carlo Goldini’s comedy, THE SERVANT OF TWO MASTERS, presented by Emu Productions and Fool In Progress Theatre Company, features a sparkling translation by Edward J Dent.
The play’s main character, Truffaldino, is hungry. ALWAYS hungry (claiming his master never feeds him, he dreams of spaghetti). While working for one master, Federigo, he decides to double dip and work for a second master, Florindo, to satisfy his everlasting hunger.
Meanwhile lovers are betrothed, meet, fight and, more importantly, love. Where there is love, there is food and where there is food there is Truffaldino.
Part of the French Film Festival, THE DANCER is exquisitely, lushly photographed with some sensational performances. A feast for the eyes, it is fascinating for those who love dance, even if the film is heavily fictionalised. Some of the film is in English, at other times it is in French with subtitles.
Stéphanie Di Giusto’s film follows the life of avant- garde dancer Loie Fuller (Soko) who was born and raised in the suburbs of Chicago, lived with her father in the boondocks, and after his sudden tragic death was sent to live with her strict, God fearing mother in New York before becoming a sensation in the world of dance, first in New York and then in Paris at the turn of the 20th century, inspiring artists the like of Toulouse- Lautrec and Rodin and esteemed scientists such as Marie Curie.
George Bernard Shaw’s ST JOAN, in a production directed by Josie Rourke at the Donmar, is the latest play in the NT Live screenings.
I had mixed feelings about Rourke’s production.Gemma Arterton as St Joan is superb, and the idea of updating the play to now with computers, mobile phones and rolling screens of financial statistics was intriguing but didn’t feel like it worked that well.
This is a joyous and colourful program, put together by Co-Artistic Directors David Rowden and Maria Raspopova, featuring an elegant work from Rachmaninoff and a serenade of Beethoven’s septet.
Beethoven’s Septet in E flat major was first performed as background music at an aristocratic tea-party in 1800. Filled with Mozart like charm and elegance, the piece has gone on to become one of the most popular septets ever written.
After more than two months of heats 120 Short and Sweet plays and over 700 actors, writers and directors, this ingenious and very short play festival, is coming to an end. The winning plays are in competition at the Depot Theatre this Thursday, Friday and Saturday night. The winners in the various categories will be announced at the end of Saturday night’s performance.
Timeless and evocative, Stephen Sondheim’s 7 time Tony Award Winner COMPANY is regarded as one of the great modern musicals.
On the night of his 35th birthday, confirmed bachelor, Robert, contemplates his unmarried state. Over the course of a series of dinners, drinks and even a wedding, his friends force the habitually single Robert to question his rigid bachelorhood during a hilarious array of interactions.
COMPANY features a brilliantly brisk and energetic score containing many of Sondheim’s best known songs including the renowned finale Being Alive. With discussions about marriage, divorce, homosexuality and commitment, COMPANY is a sophisticated and honest look at modern adult relationships.
COMPANY will be playing between Tuesday 4th April and Saturday 8 April at STUDIO ONE, UNSW : Tuesday to Friday at 7.30 pm and a Saturday matinee at 2 pm.
When the animated film BEAUTY AND THE BEAST was released in November 1991, the film became an instant classic.
With the film’s rich, beautiful, high quality level of animation and musical numbers that everyone loves and remembers, it belongs to an era known as the Disney Renaissance which includes films such as The Little Mermaid, Aladdin and The Lion King.
This was a time when the studio was enjoying a resurgence in producing hit animated films. BEAUTY AND THE BEAST was the third highest grossing movie of the year, just behind Terminator 2: Judgement Day and Robin Hood: Prince of Thieves. The film made over $400 million; the highest ever grossing animated film up until that point.
The film won the Academy Award for Best Original Score and Best Original Song and was the first animated film in history to be nominated for the Academy Award for Best Picture. It spawned direct to video sequels, a TV series, an award winning live theatre adaption and was selected for preservation in the National Film Registry.
In recent years Disney has been experiencing success with live action remakes of its back catalogue of old animated films. First it was Tim Burton’s Alice in Wonderland, then Maleficent, aremake of Sleeping Beauty in 2014, The Jungle Book in 2016, remake of the 1967 version. To list a few in the works are live action remakes of: The Lion King, Aladdin, Dumbo, Mulan and even a sequel to Mary Poppins scheduled for sometime in 2018.
Featured image – Emma Matthews. Pic by Brendan Reid.
Rockdale Opera Company is presenting a Gala Concert, for one night only, featuring international stars and Opera Australia favourites, baritone José Carbó and soprano Emma Matthews.
They will be joined by four young, emerging operatic artists and the Rockdale Opera Company Ensemble in a program of popular arias, duets and choruses from opera, operetta and Gilbert and Sullivan.
Rockdale Opera is proud to be able to bring such a special night of beautiful music to suburban audiences in the newly refurbished Rockdale Town Hall.
Rockdale Opera Company’s Gala Fundraising Concert will take place on Saturday April 8 at 7.30 pm at Rockdale Town Hall . The ticket price of $60 includes a complimentary drink on arrival and a souvenir program.
Bookings can be made through http://www.rockdaleopera.com.au./
“Love the art in yourself and not yourself in the art.” – Constantin Stanislavski.
Stella Adler Academy of Acting & Theatre – Los Angeles, is a world renowned acting school located in the heart of Hollywood, California. The school offers extensive training for the serious actor in theatre, film, and television.
The Stella Adler Technique grew out of Ms Adler’s personal work with Konstantin Stanislavski, the father of modern acting.
With a lifetime of experience, the Stellar Adler acting technique, has been studied by Hollywood stars like Robert DeNiro, Salma Hayek and Mark Ruffalo.
I saw LOVING back in November and loved it. I saw LOVING again last week and loved it even more.
As good as Emma and Natalie and Isabel were, I was fervently rooting for Ruth Negga to win the Academy Award for her beautifully poised performance as Mildred Loving, a black woman who had the temerity of accepting a marriage proposal from a white man, Richard Loving, in the state of Virginia, United States of America, 1958.
The United States of America, contrary to its appellation, was not united in everything, as the Appalachian state continued with a miscegenist law about marriage. It was the state of Virginia, where the appropriately named Loving’s were making their home and starting a family, that first terrorised and humiliated them, then jailed them and then banished them for defying its law against interracial marriage. Continue reading LOVING : AN EXCEPTIONAL FILM BY JEFF NICHOLS→
Melbourne City Ballet has been going for a decade now and this is their first visit to the Concourse with their explosive and dynamic triple bill of world premieres given the umbrella title of BEING IN TIME.
One of the important philosophical publications of our time by Martin Heidegger is the foundation for the work. The program examines the belief that philosophical thinking begins with and reflects its human subjects, in their acting, feeling, and as recognisable living human individuals. This existential understanding of being is grounded in time. Another phrase for it is ‘living in the moment’. All three short, sharp works used a recorded soundtrack. Continue reading MELBOURNE CITY BALLET PRESENTS ‘BEING IN TIME’ @ THE CONCOURSE→
Jacinta Gregory has constructed an entertaining show full of carefully balanced variety, terrific singing with great music and loads of promise. Beginning with a very well penned, funny yet sort of sad, opening song about Gregory’s depression and ending with a full downer ballad about her struggles, the show has Gregory’s singing and original material at its centre.
And she writes really well. The songs, short and snappy in the main, have a wistful ring beneath their wry look at life. It’s light with an occasional hint of something deeper but not taking itself too seriously. There is no shortage of satire either. Getting an audience on her side to singalong with a racist ditty about nationalism was really clever. Continue reading JACINTEGRATING WITH JACINTA GREGORY @ THE FACTORY→
In their impressive opening night of UNDER MILKWOOD by Dylan Thomas, the Genesian thespians have intrigued and entertained their audience once again.
This was a wonderful stage adaptation of Dylan Thomas’s radio drama from 1954. Director Yularia Rogers and Assistant Director Michael Heming bring to life in miniature the goings-on in everyday life in a close-knit, but cliquey Welsh fishing village, in which Thomas with his wry wit dubbed ‘Liareggub’ – where bugger all (the spelling backwards) happens!
Even before the performance, in the tiny Genesian foyer, we have an ocean tang of the nautical events set to unfold on the stage. Under the opaque lamps, glass mooring buoys are strung.